Bach Bibliography Search Result

Author : S. D.
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Labs, Dietrich	17. Greifswalder Bachwoche.	Kmusiker	14		1963	139-140
	2.	Labs, Dietrich	25. Greifswalder Bachwoche.	Kmusiker	22		1971	137, 139
	3.	Labs, Dietrich	26. Greifswalder Bachwoche.	MKirche	42	5	1972	239-240
	4.	Labs, Dietrich	27. Greifswalder Bachwoche.	MKirche	43	5	Sep-Oct 1973	246-247
	5.	Labs, Dietrich	27. Greifswalder Bachwoche.	Kmusiker	24		1973	145-146
	6.	Labs, Dietrich	29. Greifswalder Bachwoche.	MKirche	45	5	1975	256-257
	7.	Labs, Dietrich	29. Greifswalder Bachwoche.	Kmusiker	26		1975	136-137
	8.	Labs, Dietrich	31. Greifswalder Bachwoche.	Kmusiker	28		1977	127-128
	9.	Labs, Dietrich	31. Greifswalder Bachwoche.	MKirche	47	5	1977	253
	10.	Labs, Dietrich	32. Greifswalder Bachwoche.	MKirche	48	5	1978	245-246
	11.	Labs, Dietrich	32. Greifswalder Bachwoche.	Kmusiker	29		1978	132-133
	12.	Labs, Dietrich	33. Greifswalder Bachwoche.	Kmusiker	30		1979	240-242
	13.	Labs, Dietrich	33. Greifswalder Bachwoche.	MKirche	49	5	1979	256-257
	14.	Labs, Dietrich	40 Jahre Greifswalder Bachwoche.	MKirche	56	6	1986	317-320
	15.	Wagner, Ernst David	48 choralartige Orgel-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16.				1847
	16.	Labs, Dietrich	6. Greifswalder Bachwoche.	MKirche	21	5	Sep-Oct 1951	248-249
	17.	Schwemer, Bettina; Woodfull-Harris, Douglas (eds.)	6 Suites a Violoncello Solo senza Basso. BWV 1007-1012. / J. S. Bach.				2000	6 vols
	18.	Humphreys, David	A Bach Polyglot - The A Major Prelude & Fugue BWV 536.	OrganYb	20		1989	72-87
	19.	Smithers, Don L.	Abiding discrepancies between historical fact and present-day practice in performances of music by J. S. Bach.	BeitrBachF	2		1983	36-45
	20.	Burrows, David	A dynamical systems perspective on music.	JMcol	15	4	Autumn 1997	529-545
	21.	Chalmers, David H.	An Annotated Bibliography of Sources on J. S. Bach.	[ce]SacredChoralMusicJSB			1997	57-62
	22.	Smithers, Don L.	Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a).	Bach	27	2	Fall-Winter 1996	1-59
	23.	Stevens, Denis	Another View of the Bach Bow.	MTimes	96	1344	Feb 1955	98
	24.	Collins, Denis; Schloss, Andrew	An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering.	MPerception	19	2	Dec 2001	141-153
	25.	Parsons, D.	Are composers copycats?	NewScientist	73		1977	688-689
	26.	Sills, David L.	Articulation in J.S. Bach's unaccompanied cello suites.	AmerStringTeacher	48	1	Winter 1998	51-56
	27.	Moses, Don V; Demarec, Robert W. Jr.	Articulation in Late Baroque Choral Music.	ChoralJ	27	10	May 1987	17-30
	28.	Kelk, A. Hastings; Diack, John Michael (arr.)	A Selection from the Passion of our Lord according to St. Luke / attributed to J. S. Bach.				1926	iv, 56p
	29.	Fallows, David	Authentic Bach.	MTimes	117	1602	Aug 1976	653
	30.	Gounod, Charles; Dacci, Giusto (arr.)	Ave Maria: meditazione sul Primo Preludio di S. Bach.				1911	2 St
	31.	Wagner, Ernst David (arr.)	[Ave Maria. Melodie a. d. 1ten Präludium des wohltemp. Klaviers]				1865
	32.	Collins, Denis	Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources.	Bach	30	2	1999	27-48
	33.	Joannis, David Guy	Bach autrement; Bach Telemann et Handel.				2015	219p
	34.	Rogers, David	Bach on the web.	Organ	90	357	Aug-Oct 2011	50-51
	35.	Popinigis, Danuta	Bachowskie interludia w wariacjach na carillon Johanna Ephraima Eggerta z roku 1784.	[fs]Pozniakowi70			2009	533-544
	36.	Smithers, Don L.	Bach, Reiche and the Leipzig Collegia Musica.	HistBrassSocJ	2		1990	1-51
	37.	Collins, Denis	Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century.	Bach	33	2	2002	15-34
	38.	Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn	Bach's quaver notation and performance implications.	[p]BNUK_Cambridge			Jul 2017
	39.	Solomon, John; Jones, D. Marblacy	Bach's Trumpets.	MonMRec	61	722	2 Feb 1931	43-45
	40.	Jefferies, Denise Elmore	Bach Week '95.	Diapason	86	10:1031	Oct 1995	6
	41.	Labs, Dietrich	Bachwoche 76 [Greifswald.]	Kmusiker	27		1976	172-174
	42.	Rivinus, David Lloyd	Baroque ties: an exploration of the relationships between Johann Sebastian Bach and members of the Rivinus family in Leipzig from 1723 to 1735.				2002	vi, 60p
	43.	Backus, David; Kopf, Gudrun	Bediente sich Bach einer 'Weichschuh-Tecknik'?	ArsOrgani	57	3	Sep 2009	179-181
	44.	Wetzler, Hermann Hans; Deis, Carl (eds.)	'Be Not Afraid,' Motet...				1934	31p
	45.	Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.)	Bourrée (A moll) von J.S. Bach.	BeliebteKomp(Wagner/Brissler)		42	1888	7p
	46.	Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.)	[Bourrée (Hm.) / J.S. Bach]	BeliebteKomp(Wagner/Brissler)		16	1884
	47.	May, Ernest Dewey	Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales.	diss.			1974	192p
	48.	Collins, Denis	Canon and Music Pedagogy 1500-1800.	TheoriaTexas	8		1994	53-72
	49.	Powers, Doris Bosworth	Carl Philipp Emanuel Bach: A Guide to Research.				2002	xiv, 270, [28]p
	50.	Nichols, D.	Carmel Festival.	MCourier	164		Oct 1962	34
	51.	Viadana, Lodovico Grossi da	Centi Concerti Ecclesiastici, opera duodecima.				1602
	52.	Constantinides, Dinos	Chaconne by J. S. Bach.	[p]AMS_Southern			Apr 1972
	53.	Collins, Denis; Schloss, Andrew	Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering.	[p]IMS_London			Aug 1997
	54.	Collins, Denis; Schloss, Andrew (arr.)	Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering.	[cr]IMS1997			2000	619
	55.	Collins, Denis	Compositional Strategies for Invertible and Stacked Canons from Zarlino to Bach.	[p]MSA_Newcastle			Oct 2002
	56.	S. D.	Concert donné par Jean Becker et Éd. de Hartog.	RevueGazMParis	30	14	5 Apr 1863	107
	57.	Ferris, David	C. P. E. Bach and the Art of Strange Modulation.	MTheorySpec	22	1	Spring 2000	60-88
	58.	Ferris, David	C. P. E. Bach in His Father's Image.	[p]ABS_California			Apr 1996
	59.	Ferris, David	C. P. E. Bach's Paragraph on Modulation: A Defense of Improvisational Style.	[p]AMS_Southeast			Sep 1995
	60.	Ferris, David	C.P.E. Bach's Rondos and the Subversion of Genre.	[p]AMS_Toronto			Nov 2000
	61.	Fernandez de la Cuesta Gonzalez, Ismael; Vicente Delgado, Alfonso de (eds.)	Culturas musicales del Mediterráneo y sus ramificaciones.	RevistaMcol	16		1993	722, 577, 517, 750p
	62.	Mather, Betty Bang; Karns, Dean M.	Dance Rhythms of the French Baroque: a Handbook for Performance.				1987	xiv, 334p
	63.	Humphreys, David	Did J. S. Bach Compose the F minor Prelude and Fugue BWV 534?	[ce]BHSTercentenaryEssays			1985	173-184
	64.	Labs, Dietrich	Die Greifswalder Bachwoche 1974.	MKirche	44	5	1974	244-245
	65.	Backus, David	Die 'recht schöne und große Orgel' von Johann Sebastian Bach.	ArsOrgani	54	1	Mar 2006	22-24
	66.	Popinigis, Danuta	Die Rezeption des Schaffens C.P.E. Bachs in Gdansk in der zweiten Hälfte des 18. Jahrhunderts.	StAI	39		1989	57-58
	67.	Smithers, Don L.	Die Verwendung der Blechblasinstrumente bei J. S. Bach unter besonderer Berücksichtigung der Tromba da tirarsi. Kritische Anmerkungen zum gleichnamigen Aufsatz von Thomas G. MacCracken.	BachJb	76		1990	37-51
	68.	[Nichelmann, Christoph; Leopold, Georg August Julius; Dünkelfeind, Kaspar]	Die Vortreflichkeit der Gedancken des Herrn Caspar Dünckelfeindes über die Abhandlung von der Melodie ins LIcht gesetzet von einem Musick Freunde.				1755	16p
	69.	Labs, Dietrich	Dreißigste Greifswalder Bachwoche.	MKirche	46	5	1976	247-248
	70.	S. de Lange jr. Mede-oprichter der Bachvereeniging	Een antwoord aan Fantasio in zake de Bachvereeniging.	Caecilia	28	15	1 Aug 1871	134
	71.	Volkening, August Dietrich	Ein beachtenswerther Gegenstand für Orgelbauer.	Urania(Erfurt)	3	8	1846	122-123
	72.	Backus, David	Ein Zeitzeuge charakterisiert Bachs Orgelspiel.	ArsOrgani	58	4	Dec 2010	260-261
	73.	Backus, David; Holzapfel, Hubert; Arand, Andreas	Ein Zeitzeuge charakterisiert Bachs Orgelspiel. II.	ArsOrgani	59	2	Jun 2011	123
	74.	Labs, Dietrich	Elfte Greifswalder Bachwoche.	MKirche	27	4	1957	200-201
	75.	Mundus, Doris	Erinnerung an: I. Moscheles.	GewandhausMag		49	2005-06	40-41
	76.	Mundus, Doris	Erinnerung an Karl Straube.	GewandhausMag		25	1999-2000	46-48
	77.	Urrows, David Francis (ed.)	Essays on word/music adaptation and on surveying the field.	WordMStud	9		2008	xiii, 247p
	78.	Neumann, Bernd; Schuster, Peter-Klaus; Lehmann, Klaus- Dieter	Festakt zum Wechsel im Amt des Präsidenten der Stiftung Preußischer Kulturbesitz.	JbPreussKulturbesitz	44		2007	55-93
	79.	Marahrens, D.	Festpredigt beim zweiten Heinrich-Schütz-Fest in Celle 1929	MKirche	1	4	Jul-Aug 1929	149
	80.	Collins, Denis; Murphy, Kerry; Owens, Samantha	First performances of Bach’s St. Matthew Passion and Mass in B minor in Australian states and territories.	AustralianMResearch	17		2018	218-221
	81.	Powers, Doris B.	Forkel's Theory of Sonata: His Commentary on C.P.E. Bach's Clavier Sonata in F Minor (1763), H. 173.	[p]AMS_Minneapolis			Oct 1994
	82.	Thaves, Darrin Fredrick	Frederick the Great: His influence on the output of flute sonatas by Carl Philipp Emanuel Bach.	diss.			1999	45p
	83.	Collins, Denis	From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering.	Bach	38	2	2007	39-63
	84.	Humphreys, David	Further on the authenticity of Bach's fugues in A major and F minor.	OrganYb	38		2009	95-105
	85.	Labs, Dietrich	Fünfundzwanzigste Greifswalder Bachwoche [10.-16. Juni 1971].	MKirche	41	4	1971	201-202
	86.	Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.)	Gavotte D-moll.	BeliebteKomp(Wagner/Brissler)		1	c 1884
	87.	Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.)	[Gavotte (Gm.) / J.S. Bach]	BeliebteKomp(Wagner/Brissler)		40	1888
	88.	Innes, Dale	Glenn Gould and the Goldberg variations.	GlennGould	2	2	Fall 1996	66-71
	89.	Smithers, Don L.	Gottfried Reiches Ansehen und sein Einfluß auf die Musik Johann Sebastian Bachs.	BachJb	73		1987	113-150
	90.	Burrows, Donald James	Gottfried van Swieten and London publications of Handel's music.	HändelJb	47		2001	189-202
	91.	Labs, Dietrich	Greifswalder Bach-Woche 1966.	WürttembergBlKm	33		1966	157-158
	92.	Bales, Dorothy	Henryk Szeryng And Bach.	AmerStringTeacher	23	3	Summer 1973	10-11, 27
	93.	Snellings, Dirk; Looy, Bart van; Vervliet, Stijn	Historically informed performance practice as 'bounded' creativity: the role of instruments.	CahiersFAK	25		2012	47-56
	94.	Snellings, Dirk; Looy, Bart van; Vervliet, Stijn (eds.)	Historically informed performing Bach: Analysing and mapping the debate on the scoring of Bach's cantatas.	CahiersFAK	25		2012	64p
	95.	Collins, Denis	Historical Precedents for Bach's Evolutio Canon BWV 1087/10.	Bach	24	1	Spring-Summer 1993	5-14
	96.	Smithers, Don	How Bach composed.	MMusicians	21	8: 248	Apr 1973	38-40, 42
	97.	Douglas, David James	Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology.	diss.			1997	vi, 52p
	98.	Wells, Dominic	In the footsteps of Bach's St. Matthew Passion: The Passion setting of David Lang and James MacMillan.	Tempo	67	264	Apr 2013	40-51
	99.	Schwemer, Bettina; Woodfull-Harris, Douglas	I. S. Bah: Sûity dlâ violonèeli solo.	Musicus(Russia)		5	Jan-Mar 2006	40-43
	100.	Feicht, Ks. dr Hieronim	Jan Sebastian Bach.	ZycieSpiewacze	3	3-4 (18-19)	1950	26-30
	101.	Geldenhuys, Daniël Gerhardus	Johann Friedrich and Catharina--a Russian-French and German relationship.	FaschSt	6		1997	33-45
	102.	Powers, Doris Bosworth	Johann Nikolaus Forkel's Philosophy of Music in the Einleitung to Volume One of the Allgemeine Geschichte der Musik (1788): A Translation and Commentary with a Glossary of Eighteenth-Century Terms.	diss.			1995	xiii, 472 p
	103.	Oliveira, José de Veiga	Johann Sebastian Bach: A plenitude do gênio.				1986	63p
	104.	Breitenfeld, Tomislav; Vargek Solter, Vesna; Breitenfeld, Darko; Zavoreo, Iris; Demarin, Vida	Johann Sebastian Bach's Strokes. Case Report.	ActaClinCroat	45	1	Mar 2006	41-44
	105.	Collins, Denis; Murphy, Kerry; Owens, Samantha (eds.)	J.S. Bach in Australia: Studies in Reception and Performance.	AustralianMResearch	17		2018	xiii, 266p
	106.	Humphreys, David	J. S. Bach, J. P. Kellner and the Prelude and Fugue in A Major, BWV 536.	OrganYb	29		2000	27-44
	107.	Backus, David	Karl Straue und das Dritte Reich.	[ce]800JThomana			2012	281-297
	108.	Ferris, David (ed.)	Keyboard Sonatinas from Manuscript Sources I / Carl Philipp Emanuel Bach.	CPEBachCW	3	12.1	2015	xxvi, 181p
	109.	Ferris, David (ed.)	Keyboard Sonatinas from Manuscript Sources II / Carl Philipp Emanuel Bach.	CPEBachCW	3	12.2	2017	xxiv, 102p
	110.	Powers, Doris Bosworth; Wollny, Peter (eds.)	Keyboard Trios I / Carl Philipp Emanuel Bach.	CPEBachCW	2	3.1	2011	xxviii, 182p
	111.	Themelis, Dimitris	Klavieretüde oder Violinetüde? Zur Frage der chronologischen Priorität.	Mf	26	3	Jul-Sep 1973	333
	112.	Hirsch, Erhard; Hohle, Thomas; Dolgner, Dieter; Ziegler, Gunter (eds.)	Kolloquium zur Friedrich-Wilhelm-Rust-Ehrung der Stadt Dessau anläßlich des 200. Todestages.	DessauWörlitzBeitr	7		1997	171p
	113.	Kühling, Karin; Mundus, Doris	Leipzigs regierende Bürgermeister vom 13. Jahrhundert bis zur Gegenwart: eine Übersichtsdarstellung mit biographischen Skizzen.				2000	87p
	114.	Urrows, David Francis	'Life on a higher pedestal': Otto Dresel's Bach Club (1883-1890).	AmerChoralReview	45	1	Spring-Summer 2003	1-4
	115.	Humphreys, David	Malcolm Boyd 1932-2001.	ChoirOrgan	9	4	2001	8
	116.	Gounod, Charles; Duthoit, W. J. (arr.)	Meditation ... Sur le 1er Prelude de J. S. Bach (arr. for Military Band)				1934
	117.	Adams, David William	'Modern' Organ Style in Karl Straube's Reger Editions.	diss.			2007	xiv, 222p
	118.	Humphreys, David	More on the cosmological allegory in Bach's Goldberg Variations.	Soundings	12		1984	25-45
	119.	Collins, Denis	Musical Terminology in the Canonic Works of Bach: An Historical Context.	Bach	26	1-2	1995	91-101
	120.	Popinigis, Danuta; Koch, Klaus-Peter (eds.)	Musikalische Beziehungen zwischen Mitteldeutschland und Danzig im 18. Jahrhundert. Konferenzbericht Gdañsk, 20. - 22. November 2000.	[cr]Gdansk2000			2002	312p
	121.	Wagner, Ernst David	Musikalische Ornamentik oder die wesentlichen Verzierungs-Manieren im Vortrage der Vokal- und Instrumental-Musik				1869	viii, 272p
	122.	Vogels, David	Musings: Bach at Home.	AmerOrganist(2)	38	8	Aug 2004	40-41
	123.	Smithers, Don L.	Number and Symbolism in Bach's B-minor Mass.	[p]AMS_NewYorkState			Apr 1972
	124.	Goldenstein, Johannes; Dohna, Amélie zu	Nun komm, der Heiden Heiland (BWV 61): Erster Advent. 'Komm, Jesu, komm zu deiner Kirche' - Zeichenhandlungen zum Beginn des Kirchenjahres und Abendmahl.	DienstAmWort	125		2010	55-72
	125.	Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro]	Opera Intitulata Fontegara: La quale insegna a sonare di flauto chon tutta l'arte opportuna a esso instrumento massime, il diminuire il quale sara utile ad ogni instrumento di fiato et chorde, et anchora a chi si dileta di canto.				1535	79 Bl
	126.	Labs, Dietrich	Passionsaufführungen in Greifswald.	MKirche	53	4	1983	220-221
	127.	Anderson, Ames; Backer, Bruce; Backus, David; Luedtke, Charles (eds.)	Perspectives on Organ Playing and Musical Interpretation: pedagogical, historical, and instrumental studies: a festschrift for Heinrich Fleischer at 90.	VeröffGOrgelfreunde	191		2002	x, 195p
	128.	Della Chiesa d'Isasca, Marco	Per una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach.	Eunomio		7	Fall 1987	3-10
	129.	Della Chiesa d'Isasca, Marco	Per una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II.	Eunomio		20	Spring-Summer 1993	3-17
	130.	Ferris, David	Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge.	[ce]CPEBachStud			2006	202-220
	131.	Smithers, Don L.	Playing the Baroque Trumpet: Research into the history and physics of this largely forgotten instrument is revealing its secrets, enabling modern trumpeters to play it as the musicians of the 17th and 18th centuries did.	ScientificAmer	254	4	1986	108-115
	132.	Pals, Daniel	Prelude to the Passions: Bach and the Theological Heritage of the Reformation.	[p]BachsPassions_Miami			Feb-Mar 2003
	133.	Stevens, Denis	Problems of Editing and Publishing Old Music.	[cr]NewYork1961	1		1961	150-158
	134.	Gounod, Charles; Dubois, Charles (arr.)	Prélude de Bach.				1887
	135.	Rogers, David	Radio 3 Bach Christmas.	Organ	85	335	Feb-Apr 2006	8-9
	136.	Gerling, Cristina Capparelli; Santos, Regina Antunes Teixeira dos; Domenici, Catarina	Reflexões sobre interpretações musicais de estudantes de piano e a comunicação de emoções.	MusicaHodie	8	1	Jan-Jun 2008	11-25
	137.	Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro]	Regola Rubertina: regola che insegna sonar de viola d'archo tastada. [part 1]				1542	50 Bl
	138.	Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro]	Regola rubertina: Teil 1 und Teil 2: Lehrbuch des Spiels auf der Viola da Gamba und der Laute; Venedig 1542 und 1543.				1972	123p
	139.	Lange, S. de	Satzfehler (?) bei Bach.	SambdIMg	4	1	Nov 1902	173-174
	140.	Collins, Denis	'So you want to write a canon?' An historically-informed new approach for the modern theory class.	ColMSymposium	48		2008	108-123
	141.	Collins, Denis	Spiegel-Kontrapunkt in Theorie und Praxis: Vorläufer für Contrapunctus 12 und 13 aus Bachs Kunst der Fuge.	BachJb	82		1996	77-92
	142.	Humphreys, David	Style and Symbol: The Credo of the B minor Mass.	MTimes	140	1867	Summer 1999	54-59
	143.	Collins, Denis	Taneyev's Theories of Movable Counterpoint and the Music of J. S. Bach.	Bach	46	2	2015	22-45
	144.	Rogers, David	The Bach chaconne.	Organ	88	349	Aug-Oct 2009	38
	145.	Burrows, Donald	The Balfour Handel Collection.	UnderstandingBach	6		2011	53-55
	146.	Burrows, Donald	The Balfour Handel Collection.	[p]BNUK_Edinburgh			Aug 2011
	147.	Smithers, Don L.	The baroque trumpet after 1721: Some preliminary observations. Part one: Science and Practice.	EarlyM	5	2	Apr 1977	177-183
	148.	Smithers, Don L.	The baroque trumpet after 1721: Some preliminary observations. Part Two: Function and Use.	EarlyM	6	3	Jul 1978	356-361
	149.	Rogers, David	The Cranleigh Bach series (2011-2012).	Organ	90	358	Nov 2010-Jan 2011	49-51
	150.	Humphreys, David	The D minor Toccata BWV 565.	EarlyM	10	2	Apr 1982	216-217
	151.	Sanders, Donald	The Eclectic Bach: Stylistic Variety in the Introductory Movements to the Keyboard Suites.	[p]AMS_Southern			Feb 1986
	152.	Smithers, Don L.	The Emperors' New Clothes Reappraised; or Bach's Musical Resources Revealed.	Bach	28	1-2	1997	1-81
	153.	Smithers, Don	The enduring significance of J S Bach.	MMusicians	21	5: 245	Jan 1973	26-29
	154.	Humphreys, David	The Esoteric Structure of Bach's Clavierübung III.				1983	ix, 99p
	155.	Smithers, Don L.	The Music and History of the Baroque Trumpet before 1721.				1973	323p
	156.	Jones, David	The Music of Xenakis. [English Bach Festival]	MTimes	107	1480	Jun 1966	495-496
	157.	Smithers, Don L.	The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'.	ContributStudMDance	19		1992	111-126
	158.	Smithers, Don L.	The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'Wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'.	Bach	26	1-2	1995	28-47
	159.	Burrows, Donald	The St John Passion and the Performer.	MTimes	118	1609	Mar 1977	198-199, 201-202
	160.	Snellings, Dirk; Vervliet, Stijn	The vocal ensemble in performances of Bach's music: a historical overview.	CahiersFAK	25		2012	13-19
	161.	Chalmers, David H.	Thoughts on English Translations in Bach's Vocal Works.	[ce]SacredChoralMusicJSB			1997	55-56
	162.	Rogers, David	Three unsolved Bach issues.	Organ	89	351	Feb-Apr 2010	20-22
	163.	Humphreys, David	Towards a revised canon for the organ works of J.S. Bach.	BIOSJ	27		2003	6-18
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