Bach Bibliography Search Result

Author : Marshall, Robert L.
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat.	[p]AMS_NewEngland			Sep 1987
	2.	Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel.	BachJb	64		1978	229-231
	3.	A Report on the 2019 UMass Amherst Bach Symposium.	BachNotesABS		31	Fall 2019	16-17
	4.	Arthur Mendel and the World of J. S. Bach.	[p]Mendel60BR			Nov 2005
	5.	'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay).	[ce]Marshall			1989	229-239, 328-331
	6.	Bach 2000: Tue Rechung!	[p]ABS_Washington			Apr 2000
	7.	Bach and Luther.	[ce]Marshall			2019	38-55, 268-269
	8.	Bach and Luther.	[ce]AstonMagnaAcademy			2009	229-241
	9.	Bach and Mozart: Essays on the Enigma of Genius.	[ce]Marshall			2019	xxi, 331p
	10.	Bach and Mozart's Artistic Maturity.	[ce]Marshall			2019	212-237, 292-294
	11.	Bach and Mozart's Artistic Maturity.	BachPerspectives	3		1998	47-79
	12.	Bach and Mozart: Styles of musical genius.	[ce]PsychoanalyticExplorations	2		1993	153-169
	13.	Bach and Mozart: Styles of Musical Genius.	Bach	22	1	Spring-Summer 1991	16-32
	14.	Bach and Mozart: Styles of Musical Genius.	[ce]Marshall			2019	186-196, 286-289
	15.	Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths.	[ce]Marshall			2019	130-147, 278-279
	16.	Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths.	Bach	43	1	2012	1-28
	17.	Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm.	[ce]Marshall			2019	148-155, 279-280
	18.	Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm.	ContextBachStud	8		2018	297-303
	19.	Bach Family Sites.	Bach	51	1	2020	70-121
	20.	Bach, Johann Sebastian.	NEncyclBritannica	2		1979	556-561
	21.	Bach, Johann Sebastian.	[ce]Marshall			1989	3-20
	22.	Bach's Chorus: A preliminary reply to Joshua Rifkin.	MTimes	124	1679	Jan 1983	19-22
	23.	Bach's 'choruses' reconstituted.	HiFi	32	10	1982	64-66, 94
	24.	Bachs h-moll-Messe. Zur Quellensituation und Überlieferung.	SommerAkadJSBach			1981	2-12
	25.	Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung.	SchrRIBachAkadStuttgart	3		1990	48-67
	26.	Bach's Keyboard Music.	[ce]Marshall			2019	65-113, 270-276
	27.	Bach's 'Orchestre'.	EarlyM	13	2	May 1985	176-179
	28.	Bach's Orchestre.	[ce]Marshall			1989	59-63, 303
	29.	Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973.				1973	31p
	30.	Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System.	[fs]Brainard			1996	249-278
	31.	Bach's Tempo ordinario: A Plaine and Easie Introduction to the System.	PerformPractReview	13	1	2008	1-33
	32.	Bach's Tempo ordinario: A Plaine and Easie Introduction to the System.	[p]AMS_NewEngland			Apr 1993
	33.	Bach the Progressive: Observations on His Later Works.	[ce]Marshall			1989	23-58, 295-303
	34.	Bach the Progressive: Observations on His Later Works.	MQ	62	3	Jul 1976	313-357
	35.	Bach the progressive: Observations on his later works.	GarlandLibHistWestM	6		1985
	36.	Bach the Progressive: Observations on His Later Works.	[ce]BaroqueComposers			2011	399-443
	37.	Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach.	EarlyMAmer	15	4	Winter 2009	24-27
	38.	Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs.	SchrRIBachAkadStuttgart	3		1990	68-82
	39.	Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs.	MKirche	50	5	1980	230-239
	40.	Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs.	SommerAkadJSBach			1981	13-21
	41.	'Composing Scores' and 'Fair Copies'.	[ce]Marshall			1989	83-110, 304-305
	42.	Editore traditore: Ein weiterer 'Fall Rust'?	[fs]Dürr65			1983	183-191
	43.	'Editore traditore': Suspicious Performance Indications in the Bach Sources.	[ce]Marshall			1989	241-254, 331-333
	44.	Eighteenth-Century Keyboard Music.	[ce]18cKeyboardM			1994	xvi, 443p
	45.	Exploring the World of J. S. Bach: A Travelor's Guide				2016	xxx, 245p
	46.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	BachPerspectives	11		2017	1-23
	47.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	[ce]Marshall			2019	156-173, 280-284
	48.	Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations.	[ce]Marshall			2019	252-259, 296-298
	49.	How J. S. Bach composed four-part Chorales.	MQ	56	2	Apr 1970	198-221
	50.	In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011).	BachNotesABS		15	Fall 2011	1-4
	51.	Johann Christian Bach and Eros.	[ce]Marshall			2019	174-185, 284-286
	52.	Johann Sebastian Bach.	[ce]18cKeyboardM			1994	68-123
	53.	Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht.	NBA	1	19	1989	255p
	54.	J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology.	JAMSoc	32	3	Autumn 1979	463-498
	55.	Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach.	NBA	1	19	1985	xii (6p facs), 276p
	56.	Luther, Bach, and the early reformation chorale.				1995	iv, 15p
	57.	Mozart and Amadeus.	[ce]Marshall			2019	197-211, 289-292
	58.	Mozart's Unfinished: Some Lessons of the Fragments	[ce]Marshall			2019	238-251, 294-296
	59.	Musical sketches in J. S. Bachs cantata autographs.	[fs]Strunk			1968	405-427
	60.	On Bach's Universality.	[ce]Marshall			1989	65-79, 303-304
	61.	On Bach's Universality.	[cr]Philadelphia1985			1986	50-81
	62.	On the origin of Bach's Magnificat: a Lutheran composer's challenge.	BachStud	1		1989	3-17
	63.	On the Origin of the Magnificat: A Lutheran Composer's Challenge.	[ce]Marshall			1989	161-173, 312-313
	64.	Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music.	[p]AMS_Vancouver			Nov 1985
	65.	Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works.	[ce]JSBOrganist			1986	212-239
	66.	Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works.	[ce]Marshall			1989	271-293, 337-339
	67.	Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik.	[cr]Leipzig1985			1988	303-314
	68.	Postscript [to 'Bach the Progressive']	[ce]BaroqueComposers			2011	459-463
	69.	Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition.	[ce]Marshall			2019	1-8, 261
	70.	Redeeming the St. John Passion... And J. S. Bach.	BachNotesABS		17	Fall 2012	5-11
	71.	Redeeming the St. John Passion--and J. S. Bach.	[ce]Marshall			2019	56-64, 269-270
	72.	Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece.	Commentary			Jul-Aug 2012	36-39
	73.	Studies in Renaissance and Baroque music in Honor of Arthur Mendel.	[fs]Mendel			1974	392p
	74.	Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology.	[ce]BHSTercentenaryEssays			1985	259-276
	75.	Tempo and Dynamics: The Original Terminology.	[ce]Marshall			1989	255-269, 333-337
	76.	The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906.	[ce]Marshall			1989	193-200, 314-316
	77.	The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105.	[ce]Marshall			1989	131-142
	78.	The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works.	diss.			1968	660p
	79.	The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works.	PrincetonStudM	4		1972	xv, 271p; 189p
	80.	The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology.	[ce]Marshall			1989	201-225, 316-328
	81.	The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition.	ColMSymposium	27		1987	198-205
	82.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3.	[p]AMS_GreaterNewYork			Oct 1971
	83.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3.	[fs]Mendel			1974	165-182
	84.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3.	[ce]Marshall			1989	143-159, 308-312
	85.	The Mass in B Minor: The Autograph Scores and the Compositional Process.	[ce]Marshall			1989	175-189, 313-314
	86.	The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts	[ce]Marshall			2019	114-120, 276-277
	87.	The Music of Johann Sebastian Bach. The Sources, The Style, The Significance.	[ce]Marshall			1989	xxiii, 375p
	88.	The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son).	[gs]Moldenhauer			2000	81-85
	89.	The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons.	[fs]AlvinJohnson			1990	192-200
	90.	The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons.	[ce]Marshall			2019	30-37, 266-268
	91.	The Sketches.	[ce]Marshall			1989	111-129, 305-308
	92.	Toward a Twenty-First-Century Bach Biography.	MQ	84	3	Fall 2000	497-525
	93.	Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute.	[p]AMS_Midwest			Nov 1977
	94.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History.	[fs]Scheide			1993	179-188
	95.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History.	[ce]Marshall			2019	121-129, 277-278
	96.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History.	Bach	21	2	Summer 1990	3-14
	97.	Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday.	EastmanStudM	58		2008	x, 375p
	98.	Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit.	BachJb	101		2015	155-165
	99.	Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie.	[fs]Schulze65			1999	270-281
	100.	Young Man Bach: Toward a Twenty-First-Century Bach Biography.	[ce]Marshall			2019	9-29, 261-266
	101.	Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen.	[cr]Marburg1978			1981	48-71
	102.	Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75.	BachJb	51		1965	144-147