Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Marshall, Robert L. | A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. A paper read at the New England Chapter meeting of the American Musicological Society on 26 September 1987 at the Mount Holyoke College. |
[p]AMS_NewEngland |
| | Sep 1987 |
|
|
| 2. | Marshall, Robert L. | Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. |
BachJb |
64 | | 1978 |
229-231 |
|
| 3. | Marshall, Robert L. | A Report on the 2019 UMass Amherst Bach Symposium. |
BachNotesABS |
| 31 | Fall 2019 |
16-17 |
|
| 4. | Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph | Arthur Mendel and the World of J. S. Bach. Lecture given at 'Bach and Mendel': A Special Symposium in Celebration of the Centenary of Professor Arthur Mendel and the Sixtieth Anniversary of The Bach Reader, Saturday, November 19, 2005 at the Princeton University. |
[p]Mendel60BR |
| | Nov 2005 |
|
|
| 5. | Marshall, Robert L. | 'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [Repr. of 'Reviews of Records. Johann Sebastian Bach: The Complete Cantatas.' [Vols. 1 and 2 of the Telefunken Series, Nikolaus Harnoncourt and Gustav Leonhardt, conductors], MQ, lix (1973), pp.145-159] |
[ce]Marshall |
| | 1989 |
229-239, 328-331 |
|
| 6. | Marshall, Robert L. | Bach 2000: Tue Rechung! Keynote address to American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000. |
[p]ABS_Washington |
| | Apr 2000 |
|
|
| 7. | Marshall, Robert L. | Bach and Luther. Chapter 3 |
[ce]Marshall |
| | 2019 |
38-55, 268-269 |
|
| 8. | Marshall, Robert L. | Bach and Luther. Chapter 7. |
[ce]AstonMagnaAcademy |
| | 2009 |
229-241 |
|
| 9. | Marshall, Robert L. | Bach and Mozart: Essays on the Enigma of Genius. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2019. xxi, 331p. ISBN: 978-1-58046-962-3 |
[ce]Marshall |
| | 2019 |
xxi, 331p |
|
| 10. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. Chapter 14. |
[ce]Marshall |
| | 2019 |
212-237, 292-294 |
|
| 11. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. |
BachPerspectives |
3 | | 1998 |
47-79 |
|
| 12. | Marshall, Robert L. | Bach and Mozart: Styles of musical genius. |
[ce]PsychoanalyticExplorations |
2 | | 1993 |
153-169 |
|
| 13. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. |
Bach |
22 | 1 | Spring-Summer 1991 |
16-32 |
|
| 14. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. Chapter 12. |
[ce]Marshall |
| | 2019 |
186-196, 286-289 |
|
| 15. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Chapter 8. |
[ce]Marshall |
| | 2019 |
130-147, 278-279 |
|
| 16. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. |
Bach |
43 | 1 | 2012 |
1-28 |
|
| 17. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. Chapter 9. |
[ce]Marshall |
| | 2019 |
148-155, 279-280 |
|
| 18. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. |
ContextBachStud |
8 | | 2018 |
297-303 |
|
| 19. | Marshall, Robert L.; Marshall, Traute M. | Bach Family Sites. |
Bach |
51 | 1 | 2020 |
70-121 |
|
| 20. | Emery, Walter; Marshall, Robert L. | Bach, Johann Sebastian. |
NEncyclBritannica |
2 | | 1979 |
556-561 |
|
| 21. | Marshall, Robert L. | Bach, Johann Sebastian. [Repr from Encyclopaedia Britannica, 15th edition, II, pp.556-561] |
[ce]Marshall |
| | 1989 |
3-20 |
|
| 22. | Marshall, Robert L. | Bach's Chorus: A preliminary reply to Joshua Rifkin. |
MTimes |
124 | 1679 | Jan 1983 |
19-22 |
|
| 23. | Marshall, Robert L. | Bach's 'choruses' reconstituted. |
HiFi |
32 | 10 | 1982 |
64-66, 94 |
|
| 24. | Marshall, Robert L. | Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. |
SommerAkadJSBach |
| | 1981 |
2-12 |
|
| 25. | Marshall, Robert L. | Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. |
SchrRIBachAkadStuttgart |
3 | | 1990 |
48-67 |
|
| 26. | Marshall, Robert L. | Bach's Keyboard Music. Chapter 5. |
[ce]Marshall |
| | 2019 |
65-113, 270-276 |
|
| 27. | Marshall, Robert L. | Bach's 'Orchestre'. |
EarlyM |
13 | 2 | May 1985 |
176-179 |
|
| 28. | Marshall, Robert L. | Bach's Orchestre. [Repr. from EarlyM xiii (1985), pp.176-179] |
[ce]Marshall |
| | 1989 |
59-63, 303 |
|
| 29. | Marshall, Robert L. | Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. |
|
| | 1973 |
31p |
|
| 30. | Marshall, Robert L. | Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. |
[fs]Brainard |
| | 1996 |
249-278 |
|
| 31. | Marshall, Robert L. | Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. |
PerformPractReview |
13 | 1 | 2008 |
1-33 |
|
| 32. | Marshall, Robert L. | Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. A paper read at the New England Chapter of the American Musicological Society on 3 April 1993 at Tufts University. |
[p]AMS_NewEngland |
| | Apr 1993 |
|
|
| 33. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. [Repr. from MQ, lxii (1976), pp.313-357] (pp.54-58 is a postscript) |
[ce]Marshall |
| | 1989 |
23-58, 295-303 |
|
| 34. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. |
MQ |
62 | 3 | Jul 1976 |
313-357 |
|
| 35. | Marshall, Robert L. | Bach the progressive: Observations on his later works. |
GarlandLibHistWestM |
6 | | 1985 |
|
|
| 36. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. Repr. from Musical Quarterly, lxii/3 (1976), pp. 313-357. |
[ce]BaroqueComposers |
| | 2011 |
399-443 |
|
| 37. | Marshall, Robert L. | Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach. |
EarlyMAmer |
15 | 4 | Winter 2009 |
24-27 |
|
| 38. | Marshall, Robert L. | Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. |
SchrRIBachAkadStuttgart |
3 | | 1990 |
68-82 |
|
| 39. | Marshall, Robert L. | Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. Übersetzung: Traute Maass Marshall. |
MKirche |
50 | 5 | 1980 |
230-239 |
|
| 40. | Marshall, Robert L. | Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. |
SommerAkadJSBach |
| | 1981 |
13-21 |
|
| 41. | Marshall, Robert L. | 'Composing Scores' and 'Fair Copies'. [Repr. of 'Introduction' in Cantata Autographs in American Collections, New York: Garland publishing 1986, pp. vii-xv] [BWV 131, 10, 33, 171, 112, 97, 9, 118] |
[ce]Marshall |
| | 1989 |
83-110, 304-305 |
|
| 42. | Marshall, Robert L. | Editore traditore: Ein weiterer 'Fall Rust'? |
[fs]Dürr65 |
| | 1983 |
183-191 |
|
| 43. | Marshall, Robert L. | 'Editore traditore': Suspicious Performance Indications in the Bach Sources. [Repr. of 'Editore traditore: Ein weiterer 'Fall Rust'?', in Wolfgang Rehm (ed.), Bachiana et alia Musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Kassel [u.a.]: Bärenreiter, 1983, pp. 183-191] Postscript, p. 254. |
[ce]Marshall |
| | 1989 |
241-254, 331-333 |
|
| 44. | Marshall, Robert L. (ed.) | Eighteenth-Century Keyboard Music. New York: Schirmer, 1994. xvi, 443p. ISBN: 0-02-871355-9. - Prentice Hall, 1994, 384p. (= Studies in Musical Genres and Repertories) - 2nd edn in paperback from Routledge, 2003. ISBN: 0415966426. |
[ce]18cKeyboardM |
| | 1994 |
xvi, 443p |
|
| 45. | Marshall, Robert L.; Marshall, Traute M. | Exploring the World of J. S. Bach: A Travelor's Guide [by] Robert L. Marshall and Traute M. Marshall. Published in cooperation with the American Bach Society. - Urbana, Chicago and Springfield: University of Illinois Press, 2016. xxx, 245p. ISBN 978-0252081767 (pbk), 978-0252040313 (ebook) |
|
| | 2016 |
xxx, 245p |
|
| 46. | Marshall, Robert L. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. |
BachPerspectives |
11 | | 2017 |
1-23 |
|
| 47. | Marshall, Robert L. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. Chapter 10. |
[ce]Marshall |
| | 2019 |
156-173, 280-284 |
|
| 48. | Marshall, Robert L. | Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. Epilogue (ossia Postmortem). |
[ce]Marshall |
| | 2019 |
252-259, 296-298 |
|
| 49. | Marshall, Robert L. | How J. S. Bach composed four-part Chorales. |
MQ |
56 | 2 | Apr 1970 |
198-221 |
|
| 50. | Marshall, Robert L.; Rifkin, Joshua | In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). [Marshall, pp.[1]-3; Rifkin, pp.3-4] http://www.americanbachsociety.org/Newsletters/BachNotes15.14.pdf |
BachNotesABS |
| 15 | Fall 2011 |
1-4 |
|
| 51. | Marshall, Robert L. | Johann Christian Bach and Eros. Chapter 11. |
[ce]Marshall |
| | 2019 |
174-185, 284-286 |
|
| 52. | Marshall, Robert L. | Johann Sebastian Bach. [Headings: The Repertoire; Bach's Instruments; The First Decade, ca. 1703-1713: Apprenticeship and Early Mastery; The First Synthesis: 1713-1723; The Second Synthesis: Leipzig, 1726-1741; The Final Decade] |
[ce]18cKeyboardM |
| | 1994 |
68-123 |
|
| 53. | Marshall, Robert L. | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1989. 255p. [Ed.-Nr.: BA 5060-41] |
NBA |
1 | 19 | 1989 |
255p |
|
| 54. | Marshall, Robert L. | J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. |
JAMSoc |
32 | 3 | Autumn 1979 |
463-498 |
|
| 55. | Marshall, Robert L. (ed.) | Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. Kantaten zum 9. Sonntag nach Trinitatis: Herr, gehe nicht ins Gericht, BWV 105; Was frag ich nach der Welt, BWV 94; Tue Rechnung! Donnerwort, BWV 168. Kantaten zum 10. Sonntag nach Trinitatis: Schauet doch und sehet, ob irgendein Schmerz sei, BWV 46; Nimm von uns, Herr, du treuer Gott, BWV 101; Herr, deine Augen sehen nach dem Glauben, BWV 102. Hrsg. von Robert Marshall. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1985. xii, 276p. Ed.-Nr.: BA 5060. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 19) |
NBA |
1 | 19 | 1985 |
xii (6p facs), 276p |
|
| 56. | Marshall, Robert | Killing--and Burying--Sebastian. A paper read at the biennial meeting of the American Bach Society 'Johann Sebastian Bach and His Sons' held at Kenyon College in Ohio, May 1-4, 2014. |
[p]ABS_Ohio |
| | May 2014 |
|
|
| 57. | Marshall, Robert L. | Luther, Bach, and the early reformation chorale. [Transcript of the author's Kessler Reformation lecture, October 17, 1995] Atlanta: Pitts Theology Library, 1995. iv, 15p. (= Occasional publications of the Pitts Theology Library) |
|
| | 1995 |
iv, 15p |
|
| 58. | Marshall, Robert L. | Mozart and Amadeus. Chapter 13. |
[ce]Marshall |
| | 2019 |
197-211, 289-292 |
|
| 59. | Marshall, Robert L. | Mozart's Unfinished: Some Lessons of the Fragments Chapter 15. |
[ce]Marshall |
| | 2019 |
238-251, 294-296 |
|
| 60. | Marshall, Robert L. | Musical sketches in J. S. Bachs cantata autographs. [incl. facs of BWV 117/1, Anh.2, 248/31, and 65/1] [BWV 105, 29, 117, Anh.2, 248, 65, 183, 39, 215, 198, 133] |
[fs]Strunk |
| | 1968 |
405-427 |
|
| 61. | Marshall, Robert L. | On Bach's Universality. [Repr. from Martin Heckscher et al (ed.), The Universal Bach: Lectures Celebrating the Tercentenary of Bach's Birthday. Fall 1985. Philadelphia: American Philosophical Society, 1986, pp. 50-81] [BWV 78] |
[ce]Marshall |
| | 1989 |
65-79, 303-304 |
|
| 62. | Marshall, Robert L. | On Bach's Universality. |
[cr]Philadelphia1985 |
| | 1986 |
50-81 |
|
| 63. | Marshall, Robert L. | On the origin of Bach's Magnificat: a Lutheran composer's challenge. |
BachStud |
1 | | 1989 |
3-17 |
|
| 64. | Marshall, Robert L. | On the Origin of the Magnificat: A Lutheran Composer's Challenge. [Repr. from Bach Studies, ed. Don Franklin. Cambridge: Cambridge Univ. Press, 1988, pp.3-17] |
[ce]Marshall |
| | 1989 |
161-173, 312-313 |
|
| 65. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. |
[p]AMS_Vancouver |
| | Nov 1985 |
|
|
| 66. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. |
[ce]JSBOrganist |
| | 1986 |
212-239 |
|
| 67. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [Repr. of 'Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works', in George B. Stauffer and Ernest May (eds.), J. S. Bach as Organist. His instruments, music and performance practices. - London: B. T. Batsford Ltd., 1986, pp. 212-239] |
[ce]Marshall |
| | 1989 |
271-293, 337-339 |
|
| 68. | Marshall, Robert L. | Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. |
[cr]Leipzig1985 |
| | 1988 |
303-314 |
|
| 69. | Marshall, Robert L. | Postscript [to 'Bach the Progressive'] Repr. from The Music of Johann Sebastian Bach. The Sources, The Style, The Significance, New York: Schirmer Books (1989), pp. 54-58. |
[ce]BaroqueComposers |
| | 2011 |
459-463 |
|
| 70. | Marshall, Robert L. | Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. |
[ce]Marshall |
| | 2019 |
1-8, 261 |
|
| 71. | Marshall, Robert L. | Redeeming the St. John Passion... And J. S. Bach. http://www.americanbachsociety.org/Newsletters/BachNotes17.8.pdf |
BachNotesABS |
| 17 | Fall 2012 |
5-11 |
|
| 72. | Marshall, Robert L. | Redeeming the St. John Passion--and J. S. Bach. Chapter 4. |
[ce]Marshall |
| | 2019 |
56-64, 269-270 |
|
| 73. | Marshall, Robert L. | Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece. |
Commentary |
| | Jul-Aug 2012 |
36-39 |
|
| 74. | Marshall, Robert L. (ed.) | Studies in Renaissance and Baroque music in Honor of Arthur Mendel. Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974. 392p. ISBN: 3-7618-0412-1 (Bärenreiter); 0-913574-26-0 (Boonin). |
[fs]Mendel |
| | 1974 |
392p |
|
| 75. | Marshall, Robert L. | Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. |
[ce]BHSTercentenaryEssays |
| | 1985 |
259-276 |
|
| 76. | Marshall, Robert L. | Tempo and Dynamics: The Original Terminology. [Repr. of 'Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology', Peter F.Williams (ed), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985, pp. 259-276] |
[ce]Marshall |
| | 1989 |
255-269, 333-337 |
|
| 77. | Marshall, Robert L. | The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [Repr. of 'Introduction', Johann Sebastian Bach, Fantasia per il Cembalo. BWV 906. Facsimile Edition. Kassel [u.a.]: Bärenreiter, 1976, pp. [2-7]] |
[ce]Marshall |
| | 1989 |
193-200, 314-316 |
|
| 78. | Marshall, Robert L. | The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [Repr. of 'Commentary', Johann Sebastian Bach, Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort hrsg. von Robert Marshall. Leipzig: Zentral-Antiquariat der DDR; Neuhausen-Stuttgart: Hänssler, 1983, pp. 5-7] |
[ce]Marshall |
| | 1989 |
131-142 |
|
| 79. | Marshall, Robert Lewis | The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. Princeton Univ. in 2 vols. 1968, 660p. (Ann Arbor: Univ. Microfilms. 1969.) |
diss. |
| | 1968 |
660p |
|
| 80. | Marshall, Robert Lewis | The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. 2 vols. Princeton, NJ: Princeton Univ. Press, 1972. xv, 271p.; 189p. ISBN: 0-691-09113-7. (= Princeton Studies in Music, 4) |
PrincetonStudM |
4 | | 1972 |
xv, 271p; 189p |
|
| 81. | Marshall, Robert L. | The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [Repr. from JAMSoc, xxxii (1979), pp.463-498] Postscript, p.225. |
[ce]Marshall |
| | 1989 |
201-225, 316-328 |
|
| 82. | Marshall, Robert L. | The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition. Colloquy. |
ColMSymposium |
27 | | 1987 |
198-205 |
|
| 83. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. A paper given at the Greater New York Chapter meeting of the AMS in October, 1971. |
[p]AMS_GreaterNewYork |
| | Oct 1971 |
|
|
| 84. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. |
[fs]Mendel |
| | 1974 |
165-182 |
|
| 85. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [Repr. from Studies in Renaissance and Baroque music in Honor of Arthur Mendel. - Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974, pp.165-182] |
[ce]Marshall |
| | 1989 |
143-159, 308-312 |
|
| 86. | Marshall, Robert L. | The Mass in B Minor: The Autograph Scores and the Compositional Process. [Repr. of 'Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs', MKirche, l/5 (1980), pp. 230-239] |
[ce]Marshall |
| | 1989 |
175-189, 313-314 |
|
| 87. | Marshall, Robert L. | The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts Chapter 6. |
[ce]Marshall |
| | 2019 |
114-120, 276-277 |
|
| 88. | Marshall, Robert L. | The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. New York: Schirmer Books, 1989. xxiii, 375p. |
[ce]Marshall |
| | 1989 |
xxiii, 375p |
|
| 89. | Marshall, Robert L. | The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son). |
[gs]Moldenhauer |
| | 2000 |
81-85 |
|
| 90. | Marshall, Robert L. | The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. |
[fs]AlvinJohnson |
| | 1990 |
192-200 |
|
| 91. | Marshall, Robert L. | The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. Chapter 2. |
[ce]Marshall |
| | 2019 |
30-37, 266-268 |
|
| 92. | Marshall, Robert L. | The Sketches. [Repr. of 'Musical sketches in J. S. Bachs cantata autographs', in Studies in music history; essays for Oliver Strunk, ed. Harold S. Powers, Princeton, N.J.; Princeton U.P, 1968, pp.405-427] [BWV 117, Anh. 2, 232, 29, 183, 198, 133, 215, 39] |
[ce]Marshall |
| | 1989 |
111-129, 305-308 |
|
| 93. | Marshall, Robert L. | Toward a Twenty-First-Century Bach Biography. Texts and Contexts. |
MQ |
84 | 3 | Fall 2000 |
497-525 |
|
| 94. | Marshall, Robert L. | Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. A paper given at the Midwest Chapter meeting of the AMS on November 18-20, 1977 at Northwestern University. |
[p]AMS_Midwest |
| | Nov 1977 |
|
|
| 95. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. |
[fs]Scheide |
| | 1993 |
179-188 |
|
| 96. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Chapter 7. |
[ce]Marshall |
| | 2019 |
121-129, 277-278 |
|
| 97. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. |
Bach |
21 | 2 | Summer 1990 |
3-14 |
|
| 98. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.) | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester,NY: University of Rochester, 2008. x, 375p. ISBN: 1-58046-285-8; 978-1-58046-285-3. (= Eastman studies in music, 58) |
EastmanStudM |
58 | | 2008 |
x, 375p |
[fs]Rosen80 |
| 99. | Marshall, Robert L.; Marshall, Traute M. | Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit. Übersetzung: Stephanie Wollny. |
BachJb |
101 | | 2015 |
155-165 |
|
| 100. | Marshall, Robert L. | Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. |
[fs]Schulze65 |
| | 1999 |
270-281 |
|
| 101. | Marshall, Robert L. | Young Man Bach: Toward a Twenty-First-Century Bach Biography. Chapter 1. |
[ce]Marshall |
| | 2019 |
9-29, 261-266 |
|
| 102. | Marshall, Robert L. | Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. |
[cr]Marburg1978 |
| | 1981 |
48-71 |
|
| 103. | Marshall, Robert L. | Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. |
BachJb |
51 | | 1965 |
144-147 |
|