Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A Guide to the Temporal Structure of the 1733 Missa. A new article based on his paper given at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. |
[cr]Belfast2007 |
2 | | 2007 |
446-458 |
|
| 2. | Alfred Mann (1917-2006): A Personal Reminiscence. http://www.americanbachsociety.org/Newsletters/BachNotes06.pdf |
BachNotesABS |
| 6 | Fall 2006 |
18-19 |
|
| 3. | Articulation in the cembalo works of J. S. Bach: A notational study. |
[cr]Stuttgart1985 |
| | 1987 |
ii: 452-465 |
|
| 4. | Aspekte von Proportion und Dimension in Johann Sebastian Bachs Missa von 1733. Übersetzung von Ulrich Leisinger. |
LeipzigerBeitrBachF |
5 | | 2002 |
235-272 |
|
| 5. | Bach and the Oratorio Tradition. A Keynote Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 6. | Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt. |
EarlyKStudNL |
6 | 1 | 1991 |
1-6 |
|
| 7. | Bach Studies. [1] Cambridge University Press, 1989. 362p. ISBN: 0532 341051. - Paperback edn. 2008, 380p. ISBN-13: 978-0521088329. |
BachStud |
1 | | 1989 |
362p |
|
| 8. | Beziehungen zwischen Taktordnung und Kompositionstechnik in Teil I des Wohltemperirten Claviers. Paper read at Internationales Symposium mit Vorträgen, Seminaren und Konzerten zum 70. Geburtstag von Ulrich Siegele in Schloss Köthen (Anhalt) 11.-15. Oktober 2000: 'Johann Sebastian Bach: Das Wohltemperirte Clavier I (Köthen, 1722): Tradition - Entstehung - Funktion - Analyse'. |
[p]IS_Köthen |
| | Oct 2000 |
|
|
| 9. | Bill Scheide: Pioneer and Promoter of Bach's Music. http://www.americanbachsociety.org/Newsletters/BachNotes11.pdf |
BachNotesABS |
| 11 | Spring 2009 |
7-8 |
|
| 10. | Carl Philipp Emanuel Bach's 1789 Matthew Passion as Pasticcio and Parody. |
WolfenbüttelArbBarockF |
43 | | 2005 |
ii: 655-672 |
|
| 11. | Composing in time: Bach's temporal design for the Goldberg Variations. |
IrishMStud |
8 | | 2004 |
103-128 |
|
| 12. | Composing in time: towards a new understanding of temporal strusture in J.S. Bach's multi-movement works. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. |
[p]BCB_Dublin |
| | Jul 2000 |
|
|
| 13. | C.P.E. Bach's St. Matthew Passion 1789 as Parody and Pasticcio. Passion, Affekt und Leidenschaft in der Frühen Neuzeit. 11. Jahrestreffen des Wolfenbütteler Arbeitskreises für Barockforschung in der Herzog August Bibliothek Wolfenbüttel vom 2. bis 5. April 2003 |
[p]WAfB_Wolfenbüttel |
| | Apr 2003 |
|
|
| 14. | Das Verhältnis zwischen Taktart und Kompositionstechnik im Wohltemperierten Klavier I. |
MwSchr |
38 | | 2002 |
147-160 |
[fs]Siegele70 |
| 15. | Die Artikulation in den Cembalowerken J. S. Bachs - eine Notationsstudie. |
BachSt |
10 | | 1991 |
280-301 |
|
| 16. | Die Fermate als Notationsmittel für das Tempoverhältnis zwischen Präludium und Fuge. |
BeitrBachF |
9-10 | | 1991 |
138-156 |
|
| 17. | Don O. Franklin named Honorary Member. http://www.americanbachsociety.org/Newsletters/BachNotes22.pdf |
BachNotesABS |
| 22 | Spring 2015 |
1-2 |
|
| 18. | George J. Buelow (March 31, 1929 -- March 30, 2009) http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf |
BachNotesABS |
| 12 | Winter 2010 |
11 |
|
| 19. | In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). |
Bach |
46 | 1 | 2015 |
1 |
|
| 20. | Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 |
[p]BICB_Manchester |
| | Jul 2004 |
|
|
| 21. | Konvention und Invention in Kantate 46: Johann Sebastian Bachs Kantate für den 10. Sonntag nach Trinitatis. [BWV 46] |
ArolserBeitrMf |
7 | | 1999 |
181-206 |
|
| 22. | Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Listening to and Performing Bach. |
Bach |
51 | 2 | 2020 |
241-258 |
|
| 23. | Problems of Tempo in J. S. Bach's Music. A paper read at the Forty-Eighth Annual Meeting of the American Musicological Society, November 4-7, 1982 at The University of Michigan, Ann Arbor. |
[p]AMS_Michigan |
| | Nov 1982 |
|
|
| 24. | Problems of Tempo in the Keyboard Works of J. S. Bach. A paper read at the Mid-Atlantic Chapter meeting of the AMS on March 4, 1984 at West Chester State College. |
[p]AMS_MidAtlantic |
| | Mar 1984 |
|
|
| 25. | Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. A paper read at the Forth-Second Annual Meeting of the American Musicological Society, Meeting Jointly with the College Music Society, November 4-7, 1976 at Bellevue-Stratford Hotel, Philadelphia. |
[p]AMS_Philadelphia |
| | Nov 1976 |
|
|
| 26. | Proportionen und Dimensionen in der Missa in h. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. |
[p]WK_Leipzig |
| | Jan 2000 |
|
|
| 27. | Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa. |
Bach |
48 | 1 | 2017 |
76-92 |
|
| 28. | 'Recht Glauben, Christlich Leben, Seelig Sterben': Johann Olearius and Johann Sebastian Bach. |
[cr]Stuttgart1995 |
| | 1998 |
229-248 |
|
| 29. | 'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67. [BWV 67] |
Bach |
46 | 1 | 2015 |
2-28 |
|
| 30. | Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). |
BachStud |
1 | | 1989 |
240-278 |
|
| 31. | Remembrance of Martin Petzoldt. In Memoriam: Martin Petzoldt (13 April 1946-13 March 2015). |
BachNotesABS |
| 23 | Fall 2015 |
4-6 |
|
| 32. | Textual Problems in Bach's W.T.C. A paper given at the Rocky Mountain Chapter meeting of the AMS on April 22-23, 1977. |
[p]AMS_RockyMountain |
| | Apr 1977 |
|
|
| 33. | The 2009 Montreal Bach Symposium -- A Conference Report. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf |
BachNotesABS |
| 12 | Winter 2010 |
2 |
|
| 34. | The 6/4 Time-signature as Sign and Symbol. 'American Bach Sources and Current Theological Research in Bach': The Annual Meeting of the Internationale Arbeitsgemeinschaft für theologische Bachforschung, September 10-14, 1997, hosted by the Newberry Library, Chicago as part of its exhibit: 'The Music and Mind of Bach.' |
[p]IATB_Chicago |
| | Sep 1997 |
|
|
| 35. | The Carnegie Manuscript and J. S. Bach. |
CarnegieMag |
60 | 7 | 1991 |
20-25 |
|
| 36. | The Carnegie Manuscript and J. S. Bach. |
Bach |
22 | 1 | Spring-Summer 1991 |
5-15 |
|
| 37. | The Fermata as Notational Convention in the Music of J. S. Bach. |
FestschriftSer |
10 | | 1992 |
345-381 |
[fs]Ratner |
| 38. | The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective. |
[cr]Amsterdam1993 |
| | 1995 |
179-203 |
|
| 39. | The Missing Adagio. |
EarlyMReview |
| 119 | Jun 2007 |
12-13 |
|
| 40. | The Music for Keyboard. A paper read at the South Central Chapter meeting of the AMS on 11-13 April 1985 at the University of Georgia under the session 'Perspectives on Bach Performance Practices'. |
[p]AMS_SouthCentral |
| | Apr 1985 |
|
|
| 41. | The relationship between the theological and temporal dimension of the Matthew Passion. Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000. |
[p]IBS_Utrecht |
| | Sep 2000 |
|
|
| 42. | The Role of 'Tacktarten' in Bach's composition of the chorale cantatas. Paper read at Internationale Arbeitsgemeinschaft für theologische Bachforschung e.V. 'Tradition und Erneuerung in Johann Sebastian Bachs Choralbearbeitungen' Die Gestaltung des lutherischen Kirchenliedes in Bachs Choralkantaten und Orgelchorälen. Symposium vom 30. September - 4. Oktober 1999 im Tagungszentrum Løgumkloster/Dänemark. |
[p]IATB_Logumkloster |
| | Oct 1999 |
|
|
| 43. | The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion. |
[fs]Leaver65 |
| | 2007 |
121-139 |
|
| 44. | The Role of Time Signatures in Bach's Composition of Jahrgang I. |
DortmundBachF |
3 | | 2002 |
329-356 |
|
| 45. | Viewing the Goldberg Variations as a musico-mathematical matrix. |
DortmundBachF |
6 | | 2003 |
231-250 |
|
| 46. | Viewing the Goldberg Variations as a musico-mathematical matrix. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002. |
[p]BS_Dortmund |
| | Jan-Feb 2002 |
|
|
| 47. | Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective. |
Bach |
46 | 1 | 2015 |
29-48 |
|
| 48. | Viewing the poetic texts in Bach's Matthew Passion from a new perspective. |
[fs]Petzoldt65 |
| | 2011 |
67-77 |
|
| 49. | Vom alten zum neuen Adam: Phrygischer Kirchenton und moderne Tonalität in J.S.Bachs Kantate 38. |
[cr]Eisenach1996 |
| | 1999 |
129-144 |
|
| 50. | Vom Recht Sterben, Christlich Leben, und Seelig Sterben: Johann Olearius und Johann Sebastian Bach. Paper read at a conference on 'Die Quellen Johann Sebastian Bachs: Bachs Musik im Gottesdienst' held on 4-8 October 1995 in Stuttgart. |
[p]QJSB_Stuttgart |
| | Oct 1995 |
|
|