Bach Bibliography Search Result

Author : Fabian, Dorottya
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez. [Towards a performance history of J.S Bach's sonatas and partitas for solo violin: Preliminary investigations] (= Somfai László 70 eves)	MagyarZene	42	3-4	Oct 2004	311-335	Latin 2
	2.	A musicology of performance: theory and method based on Bach's solos for violin. Cambridge: Open Book Publishers, 2015. ii, 339p. ISBN: 978-1-78374-153-3.				2015	ii, 339p
	3.	An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt In: Aesthetics and experience in music performance, ed. Elizabeth Mackinlay, Denis Collins and Samantha Owens. Newcastle upon Tyne: Cambridge Scholars Press, 2005. xxiv, 348p. ISBN: 1-904303-50-1; 978-1-904303-50-3; pp.70-84.				2005	70-84
	4.	A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance. Part 3: Models and Quantifications of Expressive Performance of Western Classical Music, Chapter 16. [BWV 1004]	[ce]ExpressivenessMPerform			2014	283-303
	5.	Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature. Aldershot: Ashgate, 2003. xiv, 314p. ISBN: 0-7546-0549-3; 978-0-7546-0549-2.				2003	xiv, 314p
	6.	Bach performance practice in the twentieth century: recordings, reviews and reception. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 179-189 (= Irish Musical Studies 8)]	BachNachwelt	4		2005	157-167
	7.	Bach performance practice in the twentieth century: recordings, reviews and reception.	IrishMStud	8		2004	179-189
	8.	Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1996.	[p]BCB_Exeter			Jul 1998
	9.	Commercial Sound Recordings and Trends in Expressive Music Performance: Why Should Experimental Researchers Pay Attention? Part 1: Reception and aesthetics of Western Classical music performance, Chapter 4. [BWV 1004]	[ce]ExpressivenessMPerform			2014	58-79
	10.	Doing without thinking? Aspects of musical decision-making revisited.	[cr]Vienna2013			2013	201
	11.	Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations.	MScientiae		Special Issue	2003	49-71
	12.	Expressiveness in music performance: Empirical approaches across styles and cultures. New York: Oxford University Press, 2014. 416p. ISBN: 9780199659647.	[ce]ExpressivenessMPerform			2014	416p
	13.	Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists.	PerformPractReview	14	1	2009	1-40
	14.	Is diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings.	Context		31	2006	165-180
	15.	J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998.	diss.			1998
	16.	Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988).	MScientiae	12	2	Fall-Winter 2008	177-206
	17.	Ornamentation in recent recordings of J.S. Bach's solo sonatas and partitas for violin.	MinAd	11	2	2013	1-21
	18.	Performed and perceived dotting are different: Implications for performance practice and pedagogy. Poster presented at the Conference on Interdisciplinary Musicology, Graz, 15-18 April 2004. [Abstract]	[cr]CIM04_Graz			2004	74-75
	19.	Performing solo Bach: a case study of musical decision-making.	MScientiae	18	1	Mar 2014	35-52
	20.	The Changing Style of Performing J. S. Bach's Music 1950-1975. A Paper read at Seventh Biennial Conference on Baroque Music, Univ. of Birmingham, 4-7 July 1996.	[p]BCB_Birmingham			Jul 1996
	21.	The dimensions of baroque music performance: a semantic differential study.	PsycholM	34	4	2006	537-587
	22.	The Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818.	McolAustralia	28		2005-06	127-130
	23.	The Recordings of Joachim, Ysaÿe and Sarasate in light of their Reception by Nineteenth-Century British Critics. [Repr. in Classical and Romantic music. - Farnham: Ashgate, 2011. ISBN: 978-0-7546-2859-0; 0-7546-2859-0. Pages: 97-119]	IReviewAesthSociolM	37	2	Dec 2006	189-211
	24.	Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations.	[fs]Somfai70			2005	87-108