Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Chapin, Keith M. | Bach's silence, Mattheson's words: Professional and humanist ways of speaking of music. In: Keith Chapin and Andrew H. Clark (eds.), Speaking of Music: Addressing the Sonorous. - New York: Fordham University Press, 2013. 344p. ISBN: 0-8232-5138-1; 978-0-8232-5138-4; 0-8232-5139-X; 978-0-8232-5139-1. pp. 49-69. |
|
| | 2013 |
49-69 |
|
| 2. | Chapin, Keith | Classicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy. |
AdParnassum |
4 | 8 | Oct 2006 |
115-139 |
|
| 3. | Chapin, Keith Moore | From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845. |
diss. |
| | 2002 |
322p |
|
| 4. | Chapin, Keith | Human Work with Divine Material: A Work Concept in the Theory of Christoph Bernhard. A paper read at the Society for Seventeenth-Century Music, Eleventh Annual Conference, held at Wake Forest University, Winston-Salem, North Carolina, 3-6 April 2003. http://www.arts.uci.edu/sscm/archives/WForAbs.html |
[p]SSCM_Winston-Salem |
| | Apr 2003 |
|
|
| 5. | Chapin, Keith | Scheibe's Mistake: Sublime Simplicity and the Criteria of Classicism. |
18cM |
5 | 2 | Sep 2008 |
165-178 |
|
| 6. | Chapin, Keith | Temporal Modes and Symbolic Stakes: Strict Composition in Early Nineteenth-Century Europe. |
Musurgia |
21 | 1-2-3 | Oct 2014 |
29-41 |
|
| 7. | Chapin, Keith | The Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008. |
[p]AMS_Nashville |
| | Nov 2008 |
|
AbstractsPapersAMSoc p.105 |