Bach Bibliography Search Result

Author : Butt, John
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza.	[ce]CambridgeCompanion_Bach			1997	60-71
	2.	Bach and the dance of humankind.	[ce]MusicologyDance			2020	19-48
	3.	Bach: cantatas and a passion. Recording Reviews.	EarlyM	34	1	Feb 2006	168-171
	4.	Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p.				1990	xiii, 278p
	5.	Bach in the 21st Century: Re-evaluating him from the perspective of performance. A Keynote Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.	[p]BCB_Dublin			Jul 2000
	6.	Bach in the twenty-first century: re-evaluating him from the perspective of performance.	IrishMStud	8		2004	191-204
	7.	Bach in the twenty-first century: re-evaluating him from the perspective of performance. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 191-204 (= Irish Musical Studies 8)]	BachNachwelt	4		2005	169-181
	8.	Bach: 'Mass in B Minor'. Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks)	CambridgeMHandb			1991	126p
	9.	Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford]	BachNotesLBS			Mar 2007	[5]
	10.	Bach Passions and the Concepts of Time. A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University.	[p]CWolff_Harvard			Sep 2005
	11.	Bach Recordings since 1980: A Mirror of Historical Performance.	BachPerspectives	4		1999	181-198
	12.	Bach's Dialogue with Modernity: Perspectives on the Passions. Cambridge: Cambridge University Press, 2010. 336p. ISBN-13: 978-0521883566. - Paperback edn. 2012. ISBN 978-1107404601.				2010	336p
	13.	Bach's Mass in B Minor: Considerations of its Early Performance and Use.	JMcol	9	1	Winter 1991	109-123
	14.	Bach's metaphysics of music.	[ce]CambridgeCompanion_Bach			1997	46-59
	15.	Bach's organ sonatas BWV 525-530: Compilation and Recomposition.	OrganYb	19		1988	80-90
	16.	Bach's Passions and the Textures of Time.	HarvardPubM	22		2008	111-120	[fs]CWolff
	17.	Bach's vocal scoring: what can it mean?	EarlyM	26	1	Feb 1998	99-107
	18.	Bach the heretic? A paper read at the Sixth Biennial Conference on Baroque Music, University of Edinburgh, Scotland, 7-10 July 1994.	[p]BCB_Edinburgh			Jul 1994
	19.	Bach, the Postmodern Mindset and Scholarship Today. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University.	[p]IS_Oxford			Dec 2001
	20.	Between rhetoric and dialectic - Bach's inventive stance in the Passions. A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow.	[p]SMA_Glasgow			Apr 2009
	21.	Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. A key-note paper read at conference 'Mendelssohn in the Long Nineteenth Century' held at Trinity College Dublin, 15-17 July 2005.	[p]MendelssohnL19C_Dublin			Jul 2005
	22.	Canonische Veränderungen über Vom Himmel hoch. [BWV 769 (769a)]	BachHandb	4	2	2008	949-961
	23.	Choral culture and the regeneration of the organ.	[ce]CambridgeHist19cM			2002	522-543
	24.	Choral music.	[ce]CambridgeHist19cM			2002	213-236
	25.	Choralpartiten. [BWV 758, 767-768, 770, Anh. 77, 78]	BachHandb	4	1	2007	494-510
	26.	Clavier Übung III. Quellen, Hintergründe und Intentionen; Praeludium Es-Dur BWV 552/1; Musik für die Messe; Musik für den Katechismus; Fuga Es-Dur BWV 552/2.	BachHandb	4	2	2008	906-929
	27.	Die 'Schübler-Choräle'. [BWV 645-650]	BachHandb	4	2	2008	996-1006
	28.	Emotion in the German Lutheran Baroque and the development of subjective time consciousness. [BWV 32/1]	MAnalysis	29	1-3	Mar-Oct 2010	19-36
	29.	Figuring out Bach.	[fs]Elliott			2005	211-219
	30.	Historical instruments and the embodiment of music.	PubSchweizerischMfG		46	2006	9-16	[cr]Lausanne2004
	31.	Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? A paper read at the Northern California Chapter of the American Musicological Society in Fall 1992 at University of California, Davis.	[p]AMS_NorthernCalifornia			Fall 1992
	32.	Historical Perspective & Introduction.	[ce]SacredChoralMusicJSB			1997	1-4
	33.	Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice.	JRMA	116	1	1991	41-62
	34.	In Search of Bach the Organist.	[ce]BHSTercentenaryEssays			1985	185-206
	35.	J. S. Bach and G. F. Kauffmann: reflections on Bach's later style.	BachStud	2		1995	47-61
	36.	Leonhardt's Role in the Invention of Historically Informed Performance.	Bach	48	2 and 49/1	2018	9-12
	37.	Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. Trans. by Ramon Silles.	Quodlibet		11	Jun 1998	3-15
	38.	Music education and the art of performance in the German Baroque. Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs)	CambridgeMlTextsMonographs			1994	xix, 237p
	39.	Organs and universities—A universal association?	[cr]Harvard2012			2013	1-10
	40.	Ornamentation.	[ce]SacredChoralMusicJSB			1997	48-54
	41.	Perfectly infinite. In: BBC music magazine special issue 1997 p. 38-40. ISSN: 0966-7180	BBCMMag			1997	38-40
	42.	Performer's View: Bach and the Performance of Meaning.	AmerBachSocNL			Fall 2001	5, 10
	43.	Playing with History: The Historical Approach to Musical Performance. Cambridge: Cambridge University Press, 2002. xv, 265p. ISBN: 0-521-81352-2 (hardback); 0-521-01358-5 (paperback); 0-511-03020-7 (eBook).				2002	xv, 265p
	44.	Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.	[p]BNUK_Cambridge			Jul 2015
	45.	Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). Cantus Cölln / Concerto Paladino / Konrad Junghänel. Harmonia Mundi HMC901783/84, 2003; two disks, 2' 33''.	18cM	1	1	Mar 2004	109-111
	46.	The Cambridge Companion to Bach. Cambridge Univ. Press, 1997. xv, 326p. ISBN: 0-521-45350-X; 0-521-58780-8; 0-521-45962-1. (= Cambridge Companions to Music)	[ce]CambridgeCompanion_Bach			1997	xv, 326p
	47.	The historical performance movement; Bach and the organ in 2000.	[ce]IAOMillenniumBook			2000	15-19
	48.	The Postmodern Mindset, Musicology and the Future of Bach Scholarship. http://www.bachnetwork.co.uk/ub1/butt.pdf	UnderstandingBach	1		2006	9-18
	49.	The Sacred Choral Music of J. S. Bach: A Handbook. Brewster, Mass.: Paraclete Press, 1997. 66p. ISBN: 1-55725-197-5.	[ce]SacredChoralMusicJSB			1997	66p
	50.	The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. PhD diss., Cambridge Univ., 1987. 336, 79, 31p.	diss.			1987	336, 79, 31p
	51.	The universal musician. Bach has been borrowed by innumerable causes, from religion to modernism. John Butt examines a life with many meanings.	Guardian			12 Dec 2005	16-19	section G2.
	52.	Towards a genealogy of the keyboard concerto.	[ce]KeyboardInBaroqueEurope			2003	93-110
	53.	Vida de Bach. [Bach's Life] Trad. María Condor. Madrid: Cambridge University Press, 2000. 384p. - Madrid: Akal Cambridge, 2003. 324p				2000	384p
	54.	Who is speaking in the Bach passions?	[cr]Weimar2004	2		2012	428-433