Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A Perfect Chord: Trinity in Music, Music in the Trinity. |
Religions |
| 4 | 2013 |
485–501 |
|
| 2. | Bach performance in Italian 'instructive editions'. |
[cr]Aveiro2009 |
| | 2009 |
|
|
| 3. | Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 4. | Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 5. | From Bach's violin to Italian pianos: the Sei Solo in the Italian piano transcriptions. |
[cr]Montecassiano2019 |
| | 2019 |
17-24 |
|
| 6. | Instructive Editions and Piano Performance Practice: A Case Study. Bach's Well-Tempered Clavier in Italy between 19th and 20th Century. |
|
| | 2012 |
364p |
|
| 7. | Instructive Editions of Bach's Well-Tempered Clavier in Italy. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 8. | Instructive Editions of Bach's Well-Tempered Clavier in Italy. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 9. | Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. |
diss. |
| | 2012 |
466p |
|
| 10. | Italian Instructive Editions of The Well-Tempered Clavier: A Useful Resource for Performance Practice Studies. |
UnderstandingBach |
9 | | 2014 |
49-74 |
|
| 11. | 'Mit Harfen und mit Zimbeln schon': Bach's cantata BWV 140 as a case-study for a theological interpretation of music. |
[ce]Bertoglio |
| | 2016 |
107-178 |
|
| 12. | The Mother, the sinners and the cross. |
[ce]Bertoglio |
| | 2016 |
61-106 |
|
| 13. | Through music to truth: Music and theology in dialogue with Italian culture. |
[ce]Bertoglio |
| | 2016 |
187p |
|
| 14. | Translating Bach: Understanding Bach Piano Performance through Lipiński's Instructive Edition |
[cr]Warsaw2017 |
| | 2019 |
343-367 |
|