Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | 82. Bachfest der Neuen Bachgesellschaft ; Freiberg/Sa. 20. bis 30. September 2007 in Verbindung mit den 17. Gottfried Silbermann-Tagen ; Silbermanns Orgeln und Bachs Musik. [Silbermanns Orgeln und Bachs Musik] Programm. |
Bachfest |
82 | [Freiberg] | 2007 |
207p |
|
| 2. | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. |
diss. |
| | 2000 |
ii, 81p |
|
| 3. | Air: (better known as the Air on the G string) / J. S. Bach |
CramersLibOrgM |
| 35 | 1950 |
3p |
|
| 4. | 'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach |
CramersLibOrgM |
| 109 | 1973 |
8p |
|
| 5. | Anmerkungen zu den Klavierkompositionen im ersteigerten 'Reisealbum Deutschland - Italien 1839/40' von Fanny Hensel. |
Mf |
53 | 4 | Oct-Dec 2000 |
451-453 |
|
| 6. | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. |
diss. |
| | 1986 |
103p |
|
| 7. | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. |
[ce]CPEB_BeitrLW |
| | 1993 |
81-95 |
|
| 8. | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. |
StAI |
38 | | 1989 |
36-50 |
|
| 9. | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. |
diss. |
| | 2007 |
194p |
|
| 10. | Aus tiefer Not: Martin Luther's Psalmhymn. |
Diapason |
74 | 11:888 | Nov 1983 |
8-12 |
|
| 11. | Bach and keyboard instruments. |
EastmanStudM |
140 | | 2017 |
121-129 |
|
| 12. | Bach and Mozart for violin and harpsichord (ca. 1944) |
EastmanStudM |
140 | | 2017 |
110-142 |
|
| 13. | Bach en concert: Essai sur les 'Variations Goldberg'. |
|
| | 2017 |
100p |
|
| 14. | Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. |
|
| | 2003 |
|
|
| 15. | Bach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. |
SpoilsWar |
| 8 | May 2003 |
67-104 |
|
| 16. | Bachov duhovni svet. |
CerkveniGlasbenik |
88 | 4-6 | 1995 |
28-31 |
|
| 17. | Bach's Chamber Music for Flute: An Expressive Breakthrough. |
FlutistQ |
27 | 1 | Fall 2001 |
32-49 |
|
| 18. | Bach's Chamber Music for Flute: An Expressive Breakthrough, addenda. |
FlutistQ |
28 | 3 | Spring 2003 |
20 |
|
| 19. | Bach's chorus: an appreciation. |
EarlyM |
27 | 1 | Feb 1999 |
173 |
|
| 20. | Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. |
|
| | 2000 |
|
|
| 21. | Bach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. |
SpoilsWar |
| 7 | Aug 2000 |
22-35 |
|
| 22. | Bach à Berlin en 1829: une 'redécouverte'? |
Annales |
62 | 6 | Nov-Dec 2007 |
1347-1388 |
|
| 23. | Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] |
|
| | 1958 |
3p |
|
| 24. | Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. |
CramersLibOrgM |
| 37 | 1951 |
9p |
|
| 25. | Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. |
CramersLibOrgM |
| 49 | 1953 |
11p |
|
| 26. | CIM04. Conference on Interdisciplinary Musicology. Abstracts. Graz/Austria, 15-18 April 2004. |
[cr]CIM04_Graz |
| | 2004 |
27, 144, 5p |
|
| 27. | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. |
CompostelaPrize |
2 | | 2002 |
205-215 |
|
| 28. | C.P.E. Bach's Versuch reconsidered. |
EarlyM |
4 | 4 | Oct 1976 |
384-392 |
|
| 29. | Cuando Bach estaba pasado de moda. |
Quodlibet(Palacio) |
| 16 | Spring 2015 |
52-59 |
|
| 30. | '... daheime seine Zeit mit singen, mit beten und lesen zugebracht': Über den Umgang mit Kirchenliedern im außergottesdienstlichen Kontext. |
[cr]Stuttgart1995 |
| | 1998 |
329-335 |
|
| 31. | Das Kirchenlied in der Reformation Martin Luthers. Eine thematische und semantische Untersuchung. |
|
| | 1986 |
ix, 224p |
|
| 32. | De koperblazers in de cantates en oratoria van J.S. Bach. |
Adem |
21 | 1 | 1985 |
30-33 |
|
| 33. | Die katholische Kirchenmusik Johann Gottlieb Naumanns (1741-1801). Ein Beitrag zur Überlieferungs- und Rezeptionsgeschichte. |
SchrRStMw |
13 | | 2008 |
511p |
|
| 34. | Die Musikanschauung Friedrich Rochlitz': Basis für Felix Mendelssohn Bartholdys Erfolge in Leipzig. |
MendelssohnSt |
12 | | 2001 |
187-204 |
|
| 35. | Die Orgelchoräle Friedrich Wilhelm Zachows. |
HändelJb |
51 | | 2005 |
45-58 |
|
| 36. | Dirigeren en repeteren in Bachs tijd. |
Adem |
21 | 3 | 1985 |
145-148 |
|
| 37. | Domenico Scarlatti |
|
| | 1953 |
xix, 473p |
|
| 38. | Edvard Griegs Jugendwerke im Spiegel seiner Leipziger Studienjahre Patrick Dinslage. |
SvenskTidskrMf |
78 | | 1996 |
25-50 |
|
| 39. | Einschreiben in eine männliche Genealogie? Überlegungen zur Bach-Rezeption Fanny Hensels. |
BeitrGesBachRezeption |
1 | | 2007 |
59-76 |
|
| 40. | El 'London Bach'. |
Sinfonica |
14 | 166 | Nov 2008 |
7 |
|
| 41. | Facta musicologica: Musikgeschichten zwischen Vision und Wahrheit: Festschrift für Wolfgang Ruf zum 60. Geburtstag. |
[fs]Ruf60 |
| | 2003 |
307p |
|
| 42. | Fanny Hensel geb. Mendelssohn Bartholdy: Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. |
MPSchRWissF |
| | 1999 |
xxv, 341p |
|
| 43. | Felix Mendelssohn Bartholdy (1809-1847). Denkmäler des Komponisten in der Stadt Leipzig. |
ThomanerJ |
| 2 | 2009 |
20-21 |
|
| 44. | Fifty Years of Harpsichord Playing. |
EarlyM |
11 | 1 | Jan 1983 |
31-41 |
|
| 45. | Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. |
CramersLibOrgM |
| 65 | 1955 |
7p |
|
| 46. | Fluit en hobo in de vocaal-instrumentale composities van J. S. Bach. |
Adem |
16 | 3 | May-Jun 1980 |
109-112 |
|
| 47. | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. |
diss. |
| | 2006 |
xii, 454p |
|
| 48. | Four Musicians. Sketches of Handel, Bach, Haydn, Mozart. |
|
| | 1929 |
124p |
|
| 49. | Gottes Bild und Bild des Menschen in den Liedern Luthers: Untersuchungen zur religiösen Sensibilität. |
WolfenbüttelF |
31 | | 1986 |
7-24 |
|
| 50. | Günther Ramin (1898-1956), Ausnahmemusiker in der Nachfolge Bachs |
ThomanerJ |
| 4 | 2010 |
16-17 |
|
| 51. | Hans-Joachim Rotzsch (* 1929). Freiheit der Kunst stößt an politische Grenzen |
ThomanerJ |
| 3 | 2010 |
16-18 |
|
| 52. | Herrn Professor Gellerts geistliche Oden und Lieder mit Melodien, nebst einem Anhange zwölf geistlicher Oden und Lieder, von C. P. E. Bach. Fünfte Auflage. Leipzig, bei Breitkopf, 1784. 74 Seiten Querfolio ohne Titel und Vorrede. |
AllgDBib |
66 | 2 | 1786 |
427 |
|
| 53. | 'Hier muss Bach draufstehen!' Das 'Neue Bachische Collegium Musicum' ist vor kurzem 25 Jahre alt geworden ... |
GewandhausMag |
| 43 | 2004 |
14-19 |
|
| 54. | Historically Informed Performance practice of Bach music from organological perspective |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 55. | In memoriam Wilhelm Friedemann Bach. |
HändelHausMt |
| 2 | 1996 |
54f |
|
| 56. | Instrumentales Repertoire der Hofkirche im Schrank II. Werke und Schreiber. |
[p]Dresden |
| | Jun 2010 |
|
|
| 57. | Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. |
|
| | 1984 |
132p |
|
| 58. | Ispolnenie bahovskogo Horošo temperirovannogo klavira. |
[ce]KakIspolnjatBaha |
| | 2006 |
164-173 |
|
| 59. | J. C. Bach and F. P. Ricci. Introduction to the Piano: Method or Collection of Elementary Studies for the Forte-Piano or Harpsichord. |
|
| | 1987 |
4 vols |
|
| 60. | José Rodrigues Domingues de Meireles, Leonardo Vinci, Johann Christian Bach: Por uma interpretação vocal. |
CadernosColoquio |
9 | 1 | 2009 |
|
|
| 61. | J.S. Bach's organ toccata and fugue in D minor. |
|
| | 1947 |
19, 19p |
|
| 62. | Keyboard Practice consisting of an Aria with thirty variations for the harpsichord with 2 Manuals Prepared for the Enjoyment of Music-Lovers by Johann Sebastian Bach. |
|
| | 1938 |
xxviii, 83 p |
|
| 63. | 'Le clavier bien tempéré' de Johann Sebastian Bach. |
|
| | 1984 |
192p |
|
| 64. | Max Reger (1873-1916). Kein Komponist des Entweder-Oder. |
ThomanerJ |
| 3 | 2010 |
18-19 |
|
| 65. | Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. |
diss. |
| | 1996 |
220p |
|
| 66. | Mendelssohns schwierige freundschaftliche Verhältnisse. |
KoblenzMendelssohnTage |
Vort 5 | | 2006 |
93-116 |
|
| 67. | Minuet in G / J. S. Bach. |
|
| | 1949 |
|
|
| 68. | Minuet in G / J. S. Bach. |
|
| | 1955 |
7p |
|
| 69. | Minuet in G / J. S. Bach. |
|
| | 1951 |
13p |
|
| 70. | Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004 - 2006 an der Hochschule für Musik und Theater Hamburg. |
|
| | 2007 |
265p |
|
| 71. | Models and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. |
MTheoryOnline |
17 | 1 | Apr 2011 |
|
|
| 72. | Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. |
StMaterMw |
92 | | 2016 |
vi, 256p |
|
| 73. | Musique et cantiques protestants. |
|
| | 1986 |
290-315 |
|
| 74. | Muziek en maatschappij - Een cultuurhistorische reis 'In de voetsporen van Johann Sebastian Bach' |
Adem |
39 | 3 | 2003 |
137-143 |
|
| 75. | Nationalism and early music at the French fin de siècle: Three case studies. |
19cMReview |
1 | 2 | 2004 |
43-66 |
|
| 76. | On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) |
EastmanStudM |
140 | | 2017 |
99-101 |
|
| 77. | On playing the Clavichord. |
EarlyM |
9 | 3 | Jul 1981 |
293-305 |
|
| 78. | Organisateurs et formes d'organisation du concert en Europe 1700-1920: Institutionnalisation et pratiques. |
MLifeEurope1600-1900 |
11 | | 2008 |
xv, 357p |
|
| 79. | Perneckher's Harmonia pastorella and C.P.E. Bach's trio in F: A rare example of compositions for concertato bass recorder. |
McolBrunensia |
47 | 1 | 2012 |
189-197 |
|
| 80. | Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). |
Bach |
7 | 2 | Apr 1976 |
3-13 |
|
| 81. | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Hausarbeit. |
|
| | 2005 |
13p |
|
| 82. | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Studienarbeit. |
|
| | 2007 |
36p |
|
| 83. | Rabelais in het land van Descartes. |
MensMelodie |
51 | | Nov-Dec 1996 |
474-478 |
|
| 84. | Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. |
EastmanStudM |
140 | | 2016 |
x, 199p |
|
| 85. | Robert und Clara Schumann im Briefwechsel mit der Familie Mendelssohn. |
SchumannBriefEd |
2 | 1 | 2009 |
517p |
|
| 86. | Selection of sacred music from the works of some of the most eminent Composers of Germany and Italy: the vocal parts in score, the instrumental adapted to the Piano Forte. |
|
| | 1806-1826 |
|
|
| 87. | Sensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach. |
diss. |
| | 1983 |
193p |
|
| 88. | So what's so good about Bach then? |
Guardian |
| | 12 Dec 2005 |
14-15 |
|
| 89. | Stuttgarter Generationswechsel: Katrin Zagrosek übernahm im September 2018 die geschäftsführende Intendanz der Internationale Bachakademie Stuttgart. |
BachMag |
| 32 | Herbst/Winter 2018 |
24-25 |
|
| 90. | The Effect of Bach's Magnificat on Emotions, Immune, and Endocrine Paramaters During Physiotherapy Treatment of Patients with Infectious Lung Conditions. |
JMTherapy |
44 | 2 | 2007 |
156-168 |
|
| 91. | The Goldberg Variations. |
EnglishBachFestival(Oxford) |
| | 1963 |
50-51 |
|
| 92. | The Goldberg variations: piano or harpsichord / J. S. Bach. |
SchirmerLib |
1980 | | 1993 |
xxviii, 83p |
|
| 93. | The Horn and Horn-Playing and the Austro-Bohemian Tradition from 1680-1830. |
|
| | 1970 |
xiv, 256p |
|
| 94. | The 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary. |
diss. |
| | 2009 |
276p |
|
| 95. | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. |
IrishMStud |
4 | | 1996 |
444p |
|
| 96. | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. |
IrishMStud |
5 | | 1996 |
409p |
|
| 97. | The Schola Cantorum, early music and French political culture, from 1894 to 1914. |
diss. |
| | 2007 |
365p |
|
| 98. | The Use of Pedal in J. S. Bach's French Suites, English Suites, and Partitas: a General Guide to Pedalling in the Keyboard Music. |
diss. |
| | 1980 |
86p |
|
| 99. | The Valveless Horn in Modern Performance of Eighteenth-Century Music. |
ProceedRMA |
91 | | 1964-65 |
45-60 |
|
| 100. | The Waldhorn and its association in Bach's time. |
RMAResChronicle |
| 3 | 1965 |
51-54 |
|
| 101. | Three Hundred Years at the Keyboard: A Piano Source Book from Bach to the Moderns. Historical background, composers, styles, compositions, national schools. |
|
| | 1984 |
302p |
|
| 102. | To Adelina Patti [Fugal entry with a tonal answer from Bach (Rossini Villa, May 24, 186---)] |
MWorld |
59 | 22 | 28 May 1881 |
336 |
|
| 103. | User Friendly Baroque Ornamentation: Five Leading Baroque Performers Clarify Viola Literature. |
AmerStringTeacher |
47 | 1 | Winter 1997 |
43-52 |
|
| 104. | Von den geschleiften und den gestoßenen Tönen in der Claviermusik des 18. Jahrhunderts. |
SchweizerischeMzMpädagBl |
114 | 4 | Jul-Aug 1974 |
205-214 |
|
| 105. | Wilhelm Rust (1822-1892). Ein Musiker-Leben für die Leipziger Thomaskirche. |
ThomanerJ |
| 1 | 2008 |
16-17 |
|
| 106. | Writing the book on Bach. |
OperaNews |
79 | 1 | Jul 2014 |
24-27 |
|
| 107. | XVI. Internationaler Johann-Sebastian-Bach-Wettbewerb Leipzig 08.-19. Juli 2008; Orgel, Gesang, Violoncello/Barockvioloncello. |
|
| | 2008 |
125p |
|
| 108. | Zur Bach-Rezeption Fanny Hensels. |
[p]IK_Leipzig |
| | Nov 2005 |
|
|