Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bemmann, Katrin (ed.) | 82. Bachfest der Neuen Bachgesellschaft ; Freiberg/Sa. 20. bis 30. September 2007 in Verbindung mit den 17. Gottfried Silbermann-Tagen ; Silbermanns Orgeln und Bachs Musik. [Silbermanns Orgeln und Bachs Musik] Programm. Freiberg, 2007. 207p. |
Bachfest |
82 | [Freiberg] | 2007 |
207p |
|
| 2. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. DMA diss. The University of Wisconsin - Madison, 2000. ii, 81p. |
diss. |
| | 2000 |
ii, 81p |
|
| 3. | Williams, Patrick (arr.) | Air: (better known as the Air on the G string) / J. S. Bach arranged for organ by Patrick Williams. - London: J. B. Cramer & Co., c1950. 3p. Pl.-Nr.: J.B.C. & Co. 15714. (= Cramer's library of organ music by British & foreign composers, no. 35) [BWV 1068/2] |
CramersLibOrgM |
| 35 | 1950 |
3p |
|
| 4. | Williams, Patrick (arr.) | 'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co, c1973. 8p. Pl.-Nr.: J.B.C. & Co. Ltd. 16329. (= Cramer's Library of Organ Music by British & foreign Composers, no. 109) [BWV 68/2 in F] |
CramersLibOrgM |
| 109 | 1973 |
8p |
|
| 5. | Schmidinger, Katrin | Anmerkungen zu den Klavierkompositionen im ersteigerten 'Reisealbum Deutschland - Italien 1839/40' von Fanny Hensel. Kleine Beiträge. |
Mf |
53 | 4 | Oct-Dec 2000 |
451-453 |
|
| 6. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. PhD diss., Berlin: Humboldt-Universität, 1986. 103p |
diss. |
| | 1986 |
103p |
|
| 7. | Dinslage, Patrick | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. |
[ce]CPEB_BeitrLW |
| | 1993 |
81-95 |
|
| 8. | Dinslage, Patrick | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. |
StAI |
38 | | 1989 |
36-50 |
|
| 9. | Metzler, Patrizia | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. DMA diss., University of Illinois, Urbana-Champaign, 2007. 194p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-09694-8. Dissertation No: 3269978. |
diss. |
| | 2007 |
194p |
|
| 10. | Kazarow, Patricia | Aus tiefer Not: Martin Luther's Psalmhymn. |
Diapason |
74 | 11:888 | Nov 1983 |
8-12 |
|
| 11. | Kirkpatrick, Ralph | Bach and keyboard instruments. |
EastmanStudM |
140 | | 2017 |
121-129 |
|
| 12. | Kirkpatrick, Ralph | Bach and Mozart for violin and harpsichord (ca. 1944) |
EastmanStudM |
140 | | 2017 |
110-142 |
|
| 13. | Calais, Patrick | Bach en concert: Essai sur les 'Variations Goldberg'. Paris: L'Harmattan, 2017. 100p. ISBN: 978-2-343-12818-4; 2-343-12818-9. |
|
| | 2017 |
100p |
|
| 14. | Grimsted, Patricia Kennedy | Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. http://www.huri.harvard.edu/pdf/Grimsted_Bach_Back.pdf |
|
| | 2003 |
|
|
| 15. | Grimsted, Patricia Kennedy | Bach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. Archival Reports. |
SpoilsWar |
| 8 | May 2003 |
67-104 |
|
| 16. | Kavanaugh, Patrick | Bachov duhovni svet. [Bach's spiritual world] Trans. by Oven, Matjaz |
CerkveniGlasbenik |
88 | 4-6 | 1995 |
28-31 |
|
| 17. | Harper, Patricia L. | Bach's Chamber Music for Flute: An Expressive Breakthrough. |
FlutistQ |
27 | 1 | Fall 2001 |
32-49 |
|
| 18. | Harper, Patricia L. | Bach's Chamber Music for Flute: An Expressive Breakthrough, addenda. |
FlutistQ |
28 | 3 | Spring 2003 |
20 |
|
| 19. | Kirkpatrick, Gavin | Bach's chorus: an appreciation. Correspondence. |
EarlyM |
27 | 1 | Feb 1999 |
173 |
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| 20. | Grimsted, Patricia Kennedy | Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. http://www.huri.harvard.edu/workpaper/grimsted/SingAka.html |
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| | 2000 |
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|
| 21. | Grimsted, Patricia Kennedy | Bach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. |
SpoilsWar |
| 7 | Aug 2000 |
22-35 |
|
| 22. | Veit, Patrice | Bach à Berlin en 1829: une 'redécouverte'? |
Annales |
62 | 6 | Nov-Dec 2007 |
1347-1388 |
|
| 23. | Williams, Patrick (arr.) | Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] Simple arrangement for piano by Patrick Williams. - London: Bosworth & Co, [1958] 3p. |
|
| | 1958 |
3p |
|
| 24. | Williams, Patrick (arr.) | Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co., c1951. 9p. Pl.-Nr.: J.B.C. & Co. 15741. (= Cramer's library of organ music by British & foreign composers, no. 37) [BWV 140/4] |
CramersLibOrgM |
| 37 | 1951 |
9p |
|
| 25. | Williams, Patrick (ed.) | Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. Edited by Patrick Williams. - London: J. B. Cramer, c1953. 11p. Pl.-Nr.: J.B.C. & Co Ltd 15881. |
CramersLibOrgM |
| 49 | 1953 |
11p |
|
| 26. | Parncutt, Richard; Kessler, Annekatrin; Zimmer, Fränk (eds.) | CIM04. Conference on Interdisciplinary Musicology. Abstracts. Graz/Austria, 15-18 April 2004. Hosted by the Department of Musicology, University of Graz. Presented by the European Society for the Cognitive Sciences of Music. Graz, 2004. 27, 144, 5p. ISBN: 3-200-00113-5 http://gewi.uni-graz.at/~cim04/doc_files/AbstractBooklet.pdf |
[cr]CIM04_Graz |
| | 2004 |
27, 144, 5p |
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| 27. | Bogdan, Izabela; Miernikiewicz, Patryk | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. |
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| 28. | Kirkpatrick, Ralph | C.P.E. Bach's Versuch reconsidered. Errata in EarlyM v/1 (1977), p.129. |
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| 29. | Lang, Patrick | Cuando Bach estaba pasado de moda. [When Bach was back in style] |
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| 30. | Veit, Patrice | '... daheime seine Zeit mit singen, mit beten und lesen zugebracht': Über den Umgang mit Kirchenliedern im außergottesdienstlichen Kontext. |
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| 31. | Veit, Patrice | Das Kirchenlied in der Reformation Martin Luthers. Eine thematische und semantische Untersuchung. [Vollst. zugl.: Paris, Univ., Diss., 1981 u.d.T.: Veit, Patrice: Luther et le chant] Stuttgart: Steiner, 1986. ix, 224p. ISBN: 3-515-04351-9. (= Veröffentlichungen des Instituts für Europäische Geschichte Mainz: Abteilung für Abendländische Religionsgeschichte, 120) |
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| 32. | Peire, Patrick | De koperblazers in de cantates en oratoria van J.S. Bach. [Brass instruments in the cantatas and oratorios of J.S. Bach.] |
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| 33. | Bemmann, Katrin | Die katholische Kirchenmusik Johann Gottlieb Naumanns (1741-1801). Ein Beitrag zur Überlieferungs- und Rezeptionsgeschichte. Hamburg: Kovac, 2008. 511p. ISBN: 978-3-8300-3614-2. (= Schriftenreihe Studien zur Musikwissenschaft, 13) |
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| 34. | Kast, Patrick | Die Musikanschauung Friedrich Rochlitz': Basis für Felix Mendelssohn Bartholdys Erfolge in Leipzig. |
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| 35. | Eberl, Katrin | Die Orgelchoräle Friedrich Wilhelm Zachows. |
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| 36. | Peire, Patrick | Dirigeren en repeteren in Bachs tijd. |
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| 37. | Kirkpatrick, Ralph | Domenico Scarlatti by Ralph Kirkpatrick. - Princeton: Princeton University Press, 1953. xix, 473p; 4th print, 1965 (R/1970). xviii, 482p, 37 plates; paperback repr. 1983. xviii, 491p with 34p. of plates ['Additions and corrections, November 1982': p. 465-477]. ISBN: 0691091013; ISBN: 0691027080 (pbk). |
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| 38. | Dinslage, Patrick | Edvard Griegs Jugendwerke im Spiegel seiner Leipziger Studienjahre Patrick Dinslage. |
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| 39. | Borchard, Beatrix | Einschreiben in eine männliche Genealogie? Überlegungen zur Bach-Rezeption Fanny Hensels. |
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| 40. | Lozano, Beatriz | El 'London Bach'. |
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| 41. | Stöck, Gilbert; Stöck, Katrin; Föllmer, Golo (eds.) | Facta musicologica: Musikgeschichten zwischen Vision und Wahrheit: Festschrift für Wolfgang Ruf zum 60. Geburtstag. Würzburg: Königshausen & Neumann, 2003, 307p |
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| 42. | Borchard, Beatrix; Schwarz-Danuser, Monika (eds.) | Fanny Hensel geb. Mendelssohn Bartholdy: Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. [Internationales Symposion (Berlin): 1997.11.28-30] Stuttgart: Metzler, 1999. xxv, 341p. ISBN: 3-476-45204-2. (= M-&-P-Schriftenreihe für Wissenschaft und Forschung: Philosophie). - 2. überarb. Aufl. Kassel: Furore, 2002. xxv,341p. ISBN: 3-927327-54-9. (= Furore Edition, 811) |
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| 44. | Kirkpatrick, Ralph | Fifty Years of Harpsichord Playing. |
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| 45. | Williams, Patrick (arr.) | Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. Arranged for organ by Patrick Williams. - London: J. B. Cramer & Co, c1955. 2-7p. Pl.-Nr.: 15971. (= Cramer's Library of Organ Music by British & foreign Composers, no. 65) [BWV 244/68] |
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| 46. | Peire, Patrick | Fluit en hobo in de vocaal-instrumentale composities van J. S. Bach. |
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| 47. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p |
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| 48. | Thomson, Beatrice Leslie | Four Musicians. Sketches of Handel, Bach, Haydn, Mozart. London: Sheldon Press, 1929. 124p. |
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| 49. | Vett, Patrice | Gottes Bild und Bild des Menschen in den Liedern Luthers: Untersuchungen zur religiösen Sensibilität. |
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| 50. | Grahl, Patrick | Günther Ramin (1898-1956), Ausnahmemusiker in der Nachfolge Bachs |
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| 51. | Grahl, Patrick | Hans-Joachim Rotzsch (* 1929). Freiheit der Kunst stößt an politische Grenzen Musiker in Leipzig. |
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| 52. | Atr. | Herrn Professor Gellerts geistliche Oden und Lieder mit Melodien, nebst einem Anhange zwölf geistlicher Oden und Lieder, von C. P. E. Bach. Fünfte Auflage. Leipzig, bei Breitkopf, 1784. 74 Seiten Querfolio ohne Titel und Vorrede. Kurze Nachrichten. 5. Schöne Künste. Musik. |
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| 53. | Seidel, Katrin | 'Hier muss Bach draufstehen!' Das 'Neue Bachische Collegium Musicum' ist vor kurzem 25 Jahre alt geworden ... |
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| 54. | Diprose, Mike; Frankowski, Patryk | Historically Informed Performance practice of Bach music from organological perspective A paper read at the dialogue session 'Historically Informed Performance practice of Bach's music from organological perspective' presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. |
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| 55. | Reese, Patricia | In memoriam Wilhelm Friedemann Bach. |
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| 56. | Bemmann, Katrin | Instrumentales Repertoire der Hofkirche im Schrank II. Werke und Schreiber. A paper read at the colloquium 'Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts – Überlieferung und Notisten' held at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. |
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| 57. | Kirkpatrick, Ralph | Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. New Haven; London: Yale Univ. Press, 1984, xvii, 132p. |
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| 58. | Kirkpatrick, Ralph | Ispolnenie bahovskogo Horošo temperirovannogo klavira. [Interpreting Bach;s Das wohltemperirte Clavier] Trans. Marina Sergeevna Tolstobrova. |
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| 59. | Erdely, Beatrice (ed.) | J. C. Bach and F. P. Ricci. Introduction to the Piano: Method or Collection of Elementary Studies for the Forte-Piano or Harpsichord. London: Novello (Presser), 1987. Vol. 1: Intro., 7p; method, 13p; Studies 1-25, 16p.; vol.2: Studies 26-52, 30p.; vol. 3: Studies 53-75, 31p.; vol. 4: Studies 76-100, 37p. |
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| 60. | Oliveira, Katya Beatriz de | José Rodrigues Domingues de Meireles, Leonardo Vinci, Johann Christian Bach: Por uma interpretação vocal. [José Rodrigues Domingues de Meireles, Leonardo Vinci, and Johann Christian Bach: Interpretation of vocal works] http://www.seer.unirio.br/index.php/coloquio/article/view/454 |
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| 61. | Williams, Patrick (arr.) | J.S. Bach's organ toccata and fugue in D minor. arranged for two pianos, four hands / by Patrick Williams. - London: Bosworth, c1947. 19, 19p. Pl.-Nr.: 21021. [BWV 565] |
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| | 1947 |
19, 19p |
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| 62. | Kirkpatrick, Ralph (ed.) | Keyboard Practice consisting of an Aria with thirty variations for the harpsichord with 2 Manuals Prepared for the Enjoyment of Music-Lovers by Johann Sebastian Bach. Edited for the harpsichord or piano by Ralph Kirkpatrick. - New York; London: G. Schirmer, 1938. xxviii, 83p. Best.-Nr.: Ed. 1614. Pl.-Nr. 37149. [Cover title: Johann Sebastian Bach: The 'Goldberg' Variations. Edited for the harpsichord, or piano by Ralph Kirkpatrick] [BWV 988] |
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| | 1938 |
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| 63. | Kirkpatrick, Ralph | 'Le clavier bien tempéré' de Johann Sebastian Bach. Trans. by Dennis Collins. Paris: Lattès, 1984. 192p. (= Musiques et musiciens) |
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| 64. | Grahl, Patrick | Max Reger (1873-1916). Kein Komponist des Entweder-Oder. Musiker in Leipzig. |
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| 66. | Kast, Patrick | Mendelssohns schwierige freundschaftliche Verhältnisse. [Bach viewed by A.B. Marx and Mendelssohn] |
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| 67. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. In: Three classical minuets / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1949. 7p. Pl.-Nr.: L.G. & B. 10066. |
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| 68. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. In: Three classical dances: for piano / with optional second piano part composed by Patrick Williams. - London: Bosworth & Co., c1955. 7p. Pl.-Nr.: B. & Co. Ltd. 21625. |
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| | 1955 |
7p |
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| 69. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. In: Three classical minuets. Set 2 / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1951. 13p. Pl.-Nr.: L.G. & B. 10111. |
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| 70. | Bick, Martina; Borchard, Beatrix; Hottmann, Katharina; Warnke, Krista (eds.) | Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004 - 2006 an der Hochschule für Musik und Theater Hamburg. Hrsg. von Martina Bick, Beatrix Borchard, Katharina Hottmann und Krista Warnke. - Hamburg: von Bockel, 2007. 265p. ISBN: 3-932696-66-2, 978-3-932696-66-4. (= Eine Veröffentlichung der Hochschule für Musik und Theater Hamburg) |
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| 71. | Fitzpatrick, Michael | Models and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. http://www.mtosmt.org/issues/mto.11.17.1/mto.11.17.1.fitzpatrick.html [BWV 859/2 -- compared with Reed and Bain Tonnetz design] |
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| 72. | Borchard, Beatrix; Back, Regina; Treydte, Elisabeth; Wenzel, Silke (eds.) | Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. Hrsg. von Beatrix Borchard, Regina Back und Elisabeth Treydte unter redaktioneller Mitarbeit von Silke Wenzel. - Hildesheim, Zürich, New York: Georg Olms Verlag, 2016. vi, 256p. ISBN 978-3-487-15405-3. (= Studien und Materialien zur Musikwissenschaft, 92) |
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| 73. | Veit, Patrice | Musique et cantiques protestants. [Protestant music and hymn tunes.] In: Le siecle des lumieres et la Bible. edited by Yvon Belaval and Dominique Bourel. Paris: Beauchesne, 1986. (= La Bible de tous les temps, 7). - pp.290-315. |
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290-315 |
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| 74. | Hulle, Beatrijs Van | Muziek en maatschappij - Een cultuurhistorische reis 'In de voetsporen van Johann Sebastian Bach' |
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| 75. | Flint de Medicis, Catrina | Nationalism and early music at the French fin de siècle: Three case studies. |
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| 76. | Kirkpatrick, Ralph | On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) |
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| 77. | Kirkpatrick, Ralph | On playing the Clavichord. |
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| 78. | Bödeker, Hans Erich; Veit, Patrice; Werner, Michael (eds.) | Organisateurs et formes d'organisation du concert en Europe 1700-1920: Institutionnalisation et pratiques. Berlin: BWV Berliner Wissenschafts-Verlag, 2008. xv, 357p. ISBN: 978-3-83051-551-7. (= Musical life in Europe 1600-1900: Circulation, institutions, representation; No. 11) |
MLifeEurope1600-1900 |
11 | | 2008 |
xv, 357p |
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| 79. | M¹dry, Alina; Frankowski, Patryk | Perneckher's Harmonia pastorella and C.P.E. Bach's trio in F: A rare example of compositions for concertato bass recorder. |
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| 80. | Ganz, Beatrice | Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). [A lecture in series 'Information and Experimentation' at the Basel Music Academy, January 18, 1975.] |
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3-13 |
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| 81. | Hehmann, Patrick | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Hausarbeit. München: GRIN Verlag, 2005, 13p. ISBN-10: 3638520021. |
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13p |
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| 82. | Hehmann, Patrick | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Studienarbeit. München: Grin Verlag, 2007. 36p. ISBN-10: 3638802558; ISBN-13: 978-3638802550 |
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36p |
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| 83. | Deurzen, Patrick van | Rabelais in het land van Descartes. Op 13 december brengt het Koninklijk Concertgebouworkest een nieuw orkestwerk van Peter Jan Wagemans in premiere, De Stad en de Engel, een eendelige symfonie over de samenkomst van het heilige en het profane. Ter inleiding een gesprek met de componist waarin Wagner, Bach, Obrecht, Schnittke, 'engelenpoeder' en muzikale archetypen een belangrijke rol spelen. 'Het muzikale archetype is een soort negentiende-eeuwse variant van de barokke affectenleer, maar dan diffuser en minder schematisch uitgewerkt' |
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| 84. | Kirkpatrick, Meredith (ed.) | Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. Rochester, NY: University of Rochester, 2017. x, 199p. ISBN:978-1-58046-591-5. |
EastmanStudM |
140 | | 2016 |
x, 199p |
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| 85. | Krahe, Kristin R. M.; Reyersbach, Katrin; Synofzik, Thomas (eds.) | Robert und Clara Schumann im Briefwechsel mit der Familie Mendelssohn. Hrsg. vom Robert-Schumann-Haus Zwickau (et al). - Köln: Dohr, 2009. 517p. - ISBN: 978-3-86846-012-4. (= Schumann-Briefedition; Ser. 2: Freundes- und Künstlerbriefwechsel, 1) |
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517p |
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| 86. | Latrobe, Christian Ignatius (ed.) | Selection of sacred music from the works of some of the most eminent Composers of Germany and Italy: the vocal parts in score, the instrumental adapted to the Piano Forte. London: Printed & sold by Robert Birchall, 1806[-1826]. 6 vols. [v.1, p.2 = Bach] |
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| 87. | Tishkoff, Doris Patricia | Sensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach. PhD diss., History: Michigan State Univ., 1983. 193p. [DA 83-15516.] - Dissertation Abstracts International, Volume: 44-03, Section: A, page: 0833. |
diss. |
| | 1983 |
193p |
|
| 88. | Marr, Andrew; Haim, Emmanuelle; Greer, Germaine; Quatro, Suzi; Bostridge, Ian; Motion, Andrew; Mitchell, Katie | So what's so good about Bach then? For some it is the mathematical precision of his compositions. For others it is the passionate cry of his soul infusing the music. Here, some famous fans say why they love JSB. |
Guardian |
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14-15 |
section G2. |
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