Bach Bibliography
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1. 12-tone Bach. MTimes 150 1908 Autumn 2009 5
2. 15 Inventions à 2 voix: Oeuvres originales / J. S. Bach. NEdFrancMClassique 117-120 c 1908
3. 15 Inventions à 3 voix: Oeuvres originales / J. S. Bach. NEdFrancMClassique 227-230 c 1910
4. 15 invenzioni a due voci ; 15 sinfonie (invenzioni) a tre voci per pianoforte / G. S. Bach. 1946 66p
5. 15 invenzioni a due voci: per pianoforte / G. S. Bach. 1946 33p
6. 15 invenzioni a tre voci (sinfonie): per pianoforte / G. S. Bach. 1946 36p
7. 15 two-part inventions / Bach. c 1920 31p
8. 1750 - het laatste jaar van Johann Sebastian Bach. 2000 102p
9. 1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [p]MSJ_Tokyo Feb 1997
10. '1788 Nen': C. P. E. Bach, Breitkopf, Forkel, Swieten, Mozart. 2011 215-225
11. 17-Seiki Shoto no Itaria Ongaku. BCJ 19 Jun 1995
12. 18-segi hubangi(1750-1800) yi Baheusang. SeoyangEumaghag 14 2007 11-32
13. 18-seiki Doitsu Ongaku to Concerto Keishiki: Italia Ongaku ni Hanei sareta J. S. Bach no Hatten o Shiya ni. Bandaly 3 Mar 2004 3-19
14. '18seiki no Enso Jissen' ni yoru Piano de hiku J.S. Bach. BulMusashinoAcadM 39 2007 19-41
15. 18seiki Zenhan no Kenban Prelude ni okeru 'Sakkyoku Kanshu': Tsuso Teionso kara Onkei no Kifuka ni itaru made. JHandaMStud 8 Mar 2010 103-114
16. 19-Seiki no Cembalo Fukko. BachZenshu 11 Jul 1996 88-100
17. 19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [p]MSJ_Tokyo Nov 2011
18. 19seiki Shoki ni okeru 'Kogakufukko' no Rekishiteki Igi: Kassel no 'Matai Junankyoku' Saien o megutte. KonanWUnivResearches 42 Aug 2006 83-91
19. 200 CD Bach Meikyoku, Meiban o kiku. 2000 240, xvi p
20. 20-segi baheu suyonggwan yi byeonceon. EumagGwaMunhwa 9 2003 81-106
21. 20-segi cobangi hoehwa eseoyi 'Baheu reunessangseu'. NangmanQ 73 Winter 2006 123-149
22. 20-Seiki no Bach Kenkyu. BulFacMTokyoGeijutsuDaigaku 26 Mar 2001 47-65
23. 23 Organ Chorale Preludes / BACH. 1925 58p
24. 23 pezzi facili per pianoforte / G. S. Bach. 1947 48p
25. 250 Jahre Matthäuspassion. Gedanken und Erfahrungen eines Dirigenten. Vortrag. 1979 33p
26. 25 Jahre für Bach in Aachen. Wolfgang Karius geht in den Ruhestand. MKirche 78 2 Mar-Apr 2008 141
27. 26. Bach-Tage Berlin 5. bis 13. Juli 1997. Begegnungen Frankreich, Italien, Deutschland. [Programmbuch]. BachTage_Berlin 1997 75p
28. 3.11 Go o ikiru Kirisutokyo: Bultmann, Marx, Bach kara mananda Koto. 2013 94p
29. 34 études de fugue et de contrepoint pour l'orgue, pour servir d'introduction aux fugues de Handel, Bach, Marcello. c 1800 164p
30. 3-Kyoku no Chorale Cantata no Gen-Koraru ni tsuite. BCJ 113 Jun 2015 30-31
31. 3 morceaux en forme de suite [in A major]: Oeuvres originales / J. S. Bach. NEdFrancMClassique 279 c 1910 5p
32. 48. PRÉLUDES ET FUGUES Dans tous les Tons, tant Majeurs, que Mineurs. Pour le CLAVECIN ou PIANO FORTÉ Composés par Jean Sebastien Bach Dédiés au Conservatoire de Musique Par l'Editeur. No. 2de Partie Prix. Contenant 24 Préludes et 24 Fugues. 1802 83p
33. 4sei no Koraru BWV 253-438 yori. BachZenshu 8 Jan 1998 230-243 [46-59]
34. 4-seitai Koraru 'Watashi wa aware na Ningen' (BWV 179/6) ni taisuru arata na Kaishaku. OngakuGaku 52 1 2006 79-80
35. 50 short choral-preludes. OrgWorks(Best) 17 1895 963-1049
36. 600 Jahre Musik an der Universität Leipzig: Studien anlässlich des Jubiläums. [fs]600JUnivLeipzig 2010 511p
37. 6 Classical Transcriptions for Violoncello & Piano AugenerEd 7752 c 1900 31p + St
38. 6 Partitas / J.S. Bach. EdNMClassique 5022 1920 80p
39. 6 Petits Préludes pour les commençants / J. S. Bach. NEdFrancMClassique 24 c 1908 7p
40. 6 Preludes and fugue. OrgWorks(Best) 3 c 1895 157-253
41. 6 Preludes and fugues. OrgWorks(Best) 1 c 1892 1-68
42. 6 Preludes and fugues. OrgWorks(Best) 2 c 1894 69-156
43. 6 Suites a Violoncello Solo senza Basso. BWV 1007-1012. / J. S. Bach. 2000 6 vols
44. 6 Suites cosidette 'Francesi' per pianoforte / G. S. Bach. 1946 83p
45. 6 Suites cosidette 'Inglesi' per pianoforte / G. S. Bach. 1947 146p
46. 6 suites para violoncello solo: Bach, Goffriller, Casals y Bylsma--In memoriam. SinfoníaVirtual 38 2020
47. 7-tsu no Tokkata ni tsuite. BachZenshu 12 Jul 1998 212-215 [26-29]
48. 88. Bachfest der Neuen Bachgesellschaft e.V. vom 3.-12. Mai 2013 in Detmold. MtblNBG 70 Sommer 2012 12-13
49. A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. diss. 1993
50. A Bach Fugue [in E minor of Eberlin's 9 Toccatas and Fugues of the Griepenkerl edition] MTimes 95 1339 Sep 1954 489
51. A Bach-interpretacio valtozo stilusa: Goldberg variációk 1945-1978. [fs]Kroo70 1996 26-41
52. A Bach Myth. MTimes 26 505 1 Mar 1885 131-132
53. A barokk kor interdiszciplináris megközelítése a Bach évforduló jegyében. 2001 95p
54. A boa execução em instrumentos de teclados segundo o Ensaio sobre a maneira correta de tocar teclado, de C.P.E. Bach. [cr]RioDeJaneiro2004 2004 33-36
55. Abriss der allgemeinen Musikgeschichte. 1909 451p
56. Abschied der Musik: Ein Entwurf. NZürcherZ 213 254 31 Oct-1 Nov 1992 70
57. Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. diss. 2006 viii, 188p
58. Ach, Bach?! - Ba, Chopin! 2001 174-184
59. A Christmas Sequence OxfordChoralSongs 1639 c 1937
60. A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. diss. 2000
61. A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky. diss. 1978 90p
62. A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. diss. 1998 xiv, 368p
63. A Comparison of Thematic and Episodic Analyses of the Bach two-part Inventions. diss. 1980 212p
64. A conductor's guide to selected Baroque choral-orchestral works. 2014 xiv, 267p
65. A Conductor's Guide to the Choral-Orchestral Works of J. S. Bach. 2000 640p
66. A Conspectus of the Works of Johann Sebastian Bach. Compiled for the Bach-Gesellschaft Edition. 1948 ix, 48p
67. Activities around the composer's desk: the roles of Bach and his copyists in parody production. [p]BNUK_Cambridge Jul 2015
68. Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. UnderstandingBach 11 2016 9-38
69. Actum den 29. Juny 1707 [Bach]. NiederrheinMz 9 4 26 Jan 1861 32
70. Actus tragicus, 'Gottes Zeit ist die allerbeste Zeit' ('God's time is the best'): Kirchenkantate no.106 / Johann Sebastian Bach 1909 49p
71. Adagio and Grand Fugue. C major. From the 5th Sonata for the Violin alone. / BACH. ArrangementsOrg(Best) 3 58 c 1870 754-767
72. Adagio. From a Sonata for the Violin and Pianoforte, in G minor. / J. S. Bach. ArrangementsOrg(Best) 3 50 c 1870 660-661
73. Adagio, from violin sonata in G minor / J.S. Bach. GemsOrg 3 c 1900
74. [Adagio (Hm.) aus dem Oster-Oratorium f. Pfte u. V.] KlassischesModernes 3 4 1882
75. A Day with John Sebastian Bach. 1914 56p
76. Additional accompaniments to Bach's and Haendel's scores. DwightJM 38 12, 13 14, 28 Sep 1878 297-298; 306-307
77. Additional accompaniments to Bach's and Haendel's scores [Robert Franz] ('Atlantic Monthly' for September). DwightJM 38 11 31 Aug 1878 291-292
78. A Discovery in St Petersburg. Humanitas 8 2 Oct 2006 70-82
79. Ad musicum: K 75-letiû so dnâ roždeniâ Ûriâ Nikolaevièa Holopova--Stat'i i vospominaniâ. [fs]Holopov 2008 184p
80. A fantasy on modal identity: Implications and explications in Mozart's K. 475 through fundamental-bass strategies. [cr]Tallinn2006 2008 102-117
81. Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48 2 2020 193-203
82. 'Affektenlehre' in the Works of J. S. Bach and C. P. E. Bach. CompostelaPrize 2 2002 113-121
83. Affekt und Expression: Ästhetische Anmerkungen zum 18. Jahrhundert. [ce]HamburgerBach 1988 193-205
84. A Formal Convention in 17th-Century Italian Instrumental Music. [cr]Copenhagen1972 1974 288-295
85. A French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
86. A Goldberg-variációk különbözõ felvételei: A Bach-interpretáció változása 1945-1981 között. BachTanulmanyok 6 1999 17-34
87. A guide to the performance of Bach's B Minor Mass. diss. 1968 256p
88. 'Ah how fleeting.' ChurchCantata(Whittaker) 26 1929 30p
89. A Historiography of Musical Historicism: The Case of Johannes Brahms. diss. 2013 xi, 133p
90. Air aus der Orchestersuite in D dur / von J. S. Bach. 1871 5p + St
91. Air aus der Suite für Orchester in D-Dur von J. S. Bach. [Partitur] 1865 4p
92. Air & Bourrée from Suite no. 3 in D / Bach. 1930 5, 3p + St
93. Air célèbre sur la quatrième corde 1902
94. Air dans la cantate de la pentecôte / J. S. Bach. 1886 5p
95. Air dans la sterbe cantate / traduction de Sylvain St. Étienne ; musique de Seb. Bach. c 1886 3p
96. Air de la Pentecôte: Easter cantata / J. S. Bach c 1900 5p
97. Air et Gavotte de J. S. Bach transcrits pour Piano par J. Schulhoff. (Leipzig, Barthof Senff.) Signale 20 46 12 Nov 1862 625
98. Air. From the Overture in D-Major. / J. S. Bach. 1910 5
99. Air von S. Bach GottschalgsRepertorium 3 29 1877 58-59
100. Aktual'nye voprosy iskusstvoznaniâ: Èelovek--tekst--kul'tura--Sbornik statej po materialam VII Vserossijskoj nauèno-praktièeskoj konferencii studentov i aspirantov. [cr]Saratov2009 [Aktualnye] 2009 182p
101. Albert Schweitzer, el organista. RadioClasica 10 115 Feb 1998 35-38
102. Albert Schweitzers Begegnung mit der Orgel. VeröffGOrgelfreunde 7 1954 96p
103. Album of twenty-one favorite pieces / Joh Sebastian Bach. 1907 49p
104. A Lecture on Spinets, Harpsichords, and Clavichords. MTimes 26 513 1 Nov 1885 646-649
105. Aleksandr Naumoviè Dolžanskij: Sbornik statej k 100-letiû so dnâ roždeniâ. [fs]Dolzanskij100 2008 512p
106. A lesson in analysis: An account of the study of Bach's E major invention with Felix-Eberhard von Cube. IndianaTheoryReview 9 1 Spring 1988 63-74
107. A life with J.S. Bach. RCOYb 2003-20 2003 47-52
108. Alio modo: Sulle trascrizioni bachiane di György Kurtág. NuoveMusiche 2 2017 135-155
109. Alla breve: pro organo pleno [in D major]. OrgWorks(Best) S-3 30 c 1895 435-440
110. Allegorija i emblema v kantate J. S. Bacha 'O Ewigkeit, du Donnerwort' Nr. 60. [ce]ProblemyMusykalnogoStilja 1985 45-62
111. Allegro from the Third Sonata for the Pianoforte and Violin. / J. S. Bach. ArrangementsOrg(Best) 3 43 c 1870 564-568
112. 'Allein Gott in der Höh' sei Ehr' BWV 663: Vom Dank zum Trost. MGottesd 29 4 1975 106-110
113. Alle Kirchenkantaten Bachs. Stuttgart. Musica 24 3 May-Jun 1970 274-275
114. Alleluja! = Haleliwia: The final chorus of church cantata No. 142 / Bach [Kuhnau?] ExtendedChorales 13 1929 5p
115. Alle Menschen mussen sterben / J.S. Bach. GemsOrg 3 c 1900
116. Alle radici dell'occidente: Apollineo e Dionisiaco--Un reale antagonismo? Apollineo e Dionisiaco nella storia della cultura occidentale e nella musica di J. S. Bach [ce]Convergenze 2017
117. Allgemeines Gelehrten-Lexicon. 1750-51 2284, 1320, 1174, 2250 Sp
118. All glory, thanks, and blessing = Gogoniant ac anrhydedd (Sei lob und Preis mit Ehren): the final chorus of Church Cantata no.92 ExtendedChorales 15 1929 11p
119. All Men, Now Sing, Rejoice ... c 1937 8p
120. A Lost Bach Magnificat. MLetters 21 4 Oct 1940 312-318
121. Als Der Hoch-Edle, Gestreng und Veste Herr Hr. Moritz Gerhard von Liljenheim, Sr. Hochfl. Durchl zu Sachsen Eisenach würcklicher Geheimbder Rath, Von hier Seinen Abzug auff Erfurth fortsetzete, 1692 2 Bl
122. Als ich aus dem Flugzeug stieg, war es, als Stünde ich in meinem Wohnzimmer. BachMag 2 2003 10-11
123. Alte Musik in Österreich. Forschung und Praxis seit 1800 ; Symposion, Graz, 22. - 24. März 2007 ; Bericht. NBeitrAuffPraxis 7 2009 431p
124. Alterations, Additions and Accommodations: Bach's '48' and the early-nineteenth-century British Organist. RCOYb 2000-20 2001 64-77
125. Altered chords in the 371 chorale harmonizations of J. S. Bach. diss. 1942 v, 88p
126. Altösterreichische Orgelpraxis zur Zeit der Wiener Klassik. [fs]Haselböck70 1998 7-16
127. Amateurs kiezen voor Bach in finale 5e Hanzesteden orgelconcours. Orgelvriend 39 2 1997
128. A Minor Mendelssohnian Mystery: The Curious Case of the Credo and the Nachspiel. JMcolResearch 29 2-3 Apr 2010 148-158
129. A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. diss. 1969 105p
130. Amsterdam. Orgelconcert, gegeven door den heer Van Eyken in de Nieuwe Kerk, op vrijdag den 21. mei 1847, 's avonds te 6 ure. Caecilia 4 13 1 Jul 1847 142-143
131. Anais do 5º Colóquio de Pesquisa da Pós-Graduação da Escola de Música da UFRJ. [cr]RioDeJaneiro2004 2004
132. Analisi della fuga Sicut locutus est dal Magnificat di J.S. Bach. Analisi 5 14 1994 13-25
133. Analisi schenkeriana: Per un'interpretazione organica della struttura musicale. QuadMusicaRealta 32 1995 165p
134. Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. [fs]Stephan65 1990 97-111
135. Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. MuziekWetenschap 1 1991
136. Analysing Bach's ink through a glass darkly. MTimes 139 1865 Winter 1998 37-38, 40-42
137. An analysis of Reinhard Keiser's St. Mark's Passion. OitaDaigakuKGKK 14 2 1992 309-324
138. An approach to playing the 2nd Brandenburg concerto. HistBrassSocNL 15 Summer 2002 12
139. Andante - Bourrée - Double / Bach. 1928 7p
140. Andante from 'Orione': (1763) / J. C. Bach 1931 3p + St
141. Andante per violoncello e pianoforte (dalle variazioni a Goldberg) di J. S. Bach 1937 4p
142. An English Organist's Approach to Bach 1800-1850. [p]ICMJSB_London Nov-Dec 2000
143. A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. [p]BMC_London Apr 1996
144. A new perspective on the performance of dotted rhythms. EarlyM 38 4 Nov 2010 585-588
145. A new source of Bach's Violin Solos from Prague and its implication for the work's reception history. [p]BICB_Southampton Jul 2012
146. A New Source of Bach's Violin Solos from Vienna. [p]BICB_Canterbury Jul 2016
147. An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt 2005 70-84
148. Anfangsgründe zur Erlernung der Musik und insonderheit des Claviers, durch eignen Fleiß und Erfahrung. 1773 44p
149. Anfrage. Wie muss die Begleitung des Kirchengesanges mit der Orgel in protestantischen Kirche beschaffen seyn? AllgMlZ 29 43 24 Oct 1827 723-727
150. Anfänge institutioneller Musikerziehung in Deutschland (1800-1843): Pläne, Realisierung und zeitgenössische Kritik: mit Darstellung der Bedingungen und Beurteilung der Auswirkungen. StMges19Jh 33 1973 384p
151. Angelické suity / J. S. Bach ; 1. (1. - 3.) 1948 70p
152. Angelické suity / J. S. Bach ; 2. (4. - 6.) 1948 65p
153. Anglo-American Awareness: Arpeggios in Aesthetics. [ce]AngloAmericanAwareness 2005 247p
154. An interpretation of BWV 532. OrganYb 32 2003 99-107
155. An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. diss. 1997
156. An Interview with Peter Schickle. MEducatorsJ 62 6 Feb 1976 76-78
157. An introduction to Bach for the organ. 1930 68p
158. An Introduction to Counterpoint in the Style of J. S. Bach. 1961 44p
159. Ankündigung des grössten musikalischen Kunstwerkes aller Zeiten und Völker: Fünfstimmige Missa mit vollem Orchester [von Johann Sebastian Bach]. AllgMlZOK 2 37 12 Sep 1818 247-248
160. Anleitung zum Gesange: Poznámky k teoretickému dielu Franza Paula Riglera. SlovenskaHudba 31 3-4 2005 336-355
161. Anleitung zur Singkunst. 1757 xvi, 239p
162. Anleitung zur Singkunst [1757]. 1966 xvi, 239p
163. Anleitung zur Singkunst [1757]. 2002 xxix, 283p
164. Anleitung zur Singkunst (1757, Faksimile-Nachdruck). 1966 xxxviii, xvi, 239, 44p
165. Anna Magdalena as Bach's Copyist. [p]Women_Yale Oct 2009
166. Anna Magdalena as Bach's Copyist. [p]BNUK_Oxford Jan 2008
167. Anna Magdalena as Bach's Copyist. UnderstandingBach 2 2007 59-76
168. Anna Magdalena Bach. 1981 35p
169. Anna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany. UnderstandingBach 5 2010 87-97
170. Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. [p]BICB_Belfast Jul 2010
171. Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (1). ReihaiToOngaku 153 Spring 2012 54-58
172. Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (2). ReihaiToOngaku 156 Winter 2013 54-58
173. Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (3). ReihaiToOngaku 157 Spring 2013 42-46
174. Annäherungen an die Alte Musik: Leipziger Protagonisten einer Bewegung. [fs]600JUnivLeipzig 2010 327-336
175. Anonym überlieferte Kantaten im Bestand der Universitätsbibliothek Frankfurt am Main. StMaterMw 49 2008 425-434
176. Ansbach ist Gastgeber des 92. Bachfestes unserer Gesellschaft im Sommer 2017. MtblNBG 78 Sommer 2016 9-11
177. Antonio Vivaldi's Violinconcerte unter besonderer Berücksichtigung der von Johann Sebastian Bach bearbeiteten. VjsMw 1 3 1885 356-380
178. AN WASSERFLÜSSER BABYLON. Chorale Prelude by J. S. Bach. 1945 5p
179. Análisis de la Fuga en do menor de El clave bien temperado, Libro I, de Johann Sebastian Bach. MusicaInvestigacion 4 7-8 2001 117-129
180. A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. diss. 1995 165p
181. A Pilgrimage through the Church Cantatas of J. S. Bach. MTimes 77 1119, 1120, 1121 May, June, Jul 1936 401-404; 501-504, 603-607
182. A Portrait of Bach. Illustrated by Faith Jaques. 1957 153p
183. Aporías: Las per-versiones sonoras sobre las Suites de violonchelo de Bach (de Pau Casals a Peter Gregson). SulPonticello 70 2020
184. A Possible Source for Bach's Organ Fugue in B minor, BWV 544. Diapason 67 1976 13
185. Approaching musical Classicism: understanding styles and style change in eighteenth-century instrumental music. ColMSymposium 20 1 Spring 1980 7-48
186. Appunti musicali sui Thirty two short films about Glenn Gould di François Girard (1993). II: La musica e le immagini in movimento. HortusMusicus 6 23 Jul-Sep 2005 97-103
187. Appunti musicali sui Thirty two short films about Glenn Gould di François Girard (1993). I: La musica assente. HortusMusicus 6 22 Apr-Jun 2005 67-73
188. Arbeit für das Werk Bachs. Gespräch mit H. Walcha. Mleben 3 7-8 Jul-Aug 1950 212-214
189. Arcana musicae. [fs]Wesolowski 1999 217p
190. Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita HistMCultores 111 2007 xxiv, 707p
191. Architectural Settings. [ce]AstonMagnaAcademy 2009 141-174
192. Archäologische Funde aus den mutmaßlichen Gräbern von Johann Sebastian und Anna Magdalena Bach. BachJb 95 2009 200-213
193. A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. diss. 1956 xv, 185p
194. Are the alleged remains of Johann Sebastian Bach authentic? MedicalJAustralia 190 4 2009 213-217
195. A Reverie on a Bach Prelude. MonMRec 57 679 1 Jul 1927 194
196. Aria aus der Pfingst-Cantate / Joh. Seb. Bach. OeuvChoisiesPiano 8 c 1860 10p
197. Ariadne Musica Neo-organoedum Per Viginti Praeludia, totidem Fugas atque Quinque Ricercaras Super totidem Sacrorum anni Temporum Ecclesiasticas Cantilenas è difficultatum labyrintho educens 1715 51p
198. Aria, Et exultavit = My soul rejoices: from the Magnificat / J.S. Bach OxfordChoralSongs 1440 c 1928 6p
199. Aria from the Pastorella 1929 4p
200. Aria (G-Dur) aus der Matthäus-Passion 1916 7p
201. Aria Meikyokushu (I). SekaiOngakuZenshu 77 1935 174p
202. Aria Meikyokushu (II). SekaiOngakuZenshu 78 1935 170p
203. Aria: My heart, ever faithful = Mein gläubiges Herze: from Church Cantata no.68 Also hat Gott die Welt geliebt / J.S. Bach OxfordChoralSongs 1455 1929 6p
204. Aria religiosa 'Komm, süßer Tod' (Vieni, o dolce morte) / Johann Sebastian Bach. 1939 3p
205. Aria und Meditatio. Anmerkungen zu den langsamen Sätzen von Bachs Triosonaten. Kmusiker 41 5 1990 161-169
206. Aria 'Ware wa Kare no Na o tsugen' BWV 200. BachZenshu 15 Jul 1999 314-316 [49-51]
207. Arii v korotkih messah I.S. Baha: Molitva ili propoved'? [cr]Saratov2009 [Dialogièeskoe] 2009 56-62
208. Arnold Schmitz cho: Die Bildlichkeit der wortgebundenen Musik Johann Sebastian Bachs no Naiyo ni Kansuru Ichikosatsu. JHumanSciArtUTokushima 4 1997 191-198
209. Arp Schnitger en zijn werk in het Groningerland. PubStichtGroningenOrgLand 1 1969 104p
210. Arrangements of Orchestral Works I / Carl Philipp Emanuel Bach. CPEBachCW 1 10.1 2007 xx, 136p
211. Art and Science: Or Bach as an Exposition of the Bible. StudChurchHist 28 1992 343-353
212. Arte oratoria di Gioseffo Maria Platina. 1716 xxxvi, 632p
213. Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR Nov 2005
214. Articulation in Bach: Interpreting Historical Evidence with Common Sense and Good Taste. AmerOrganist(2) 15 7 Jul 1981 30-32
215. Articulation in the Lute Music of J. S. Bach. GuitarReview 63 1985 26-31
216. Articulation no Fukakuteisei: J. S. Bach no shijishita Slur no Futoitsusei ni tsuite. KunitachiColMJ 39 2004 41-51
217. As 'Bachianas Brasileiras' de Villa-Lobos. 1971 125p
218. A Score of Famous Composers. 1891 540p
219. A Second Book of Chorals by Johann Sebastian Bach. 1932 iv, 31p
220. A Selection from the Passion of our Lord according to St. Luke / attributed to J. S. Bach. 1926 iv, 56p
221. A self-study of learning the prelude from Bach's suite no. 6 for cello solo: Comparing words and actions. 2011 9-29
222. A short passion: (from St Matthew's Gospel) / Johann Sebastian Bach. 1931 xxiii, 135p
223. 'As Members by their Head are guided', 'Life's last Moment': Soprano Recitative and Aria from Church Cantata No. 31 ... OxfordSerBachArias 7 1929
224. A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. diss. 1980
225. A sonáta fejlõdése Beethovenig. ZeneszetiLapok 13 10-11 23 Mar 1873 77-78
226. Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. diss. 1992 91p
227. Aspects of Performance Practice. [ce]18cKeyboardM 1994 33-67
228. Aspects of the Reception of Bach's Well-Tempered Clavier in Chopin's Time: An Overview of Print and Manuscript Sources [cr]Warsaw2017 2019 171-196
229. Aspekte der Bach-Rezeption in Japan. [ce]BeitrBReception1945-2005 2007 35-58
230. Aspetti della fortuna dell'arte della fuga di Bach, BWV 1080. StudiItaloTedeschi 21 2002 1-17; 18-19 [Ger.]
231. 'Aspro cammino è l'arte': Marco Anzoletti (1867-1929). [cr]Trento2009 2010 201p
232. 'As rapid, rushing rivulets': Tenor Aria from Church Cantata no.26 'Ah, how fleeting' (= Ach wie flüchtig, ach wie nichtig) / J. S. Bach OxfordSerBachArias 24 1929 11p
233. Assessing a text-critical database using AI techniques. [p]RMA_London Nov 1996
234. A Stemma of Matthew 22, in Latin Incunabula Bibles. GutenbergJb 37 1962 117-121
235. A Stronghold Sure = Ein Feste Burg / composed by J.S. Bach. 1897 20p
236. A Study of Piano Technic from Bach to Clementi, Field and Cramer. Etude 24 10 Oct 1906 630-632
237. A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. diss. 1977 290p
238. A Tamas-iskola cantora. Iskolakultura 4 1996 49-64
239. Atarashii Bach Kenkyu to Erdmann Shokan. Philharmony 39 11 1967 18-24
240. Atarashii Bach Zo towa nani ka? OngakuGeijutsu 21 10 1963 6-13
241. Atarashii C.P.E. Bach Zo ni mukete: 1988-Nen Iko no Kenkyu Doko o Shiten to shite. 2001 278-284
242. A third Gainsborough portrait of Johann Christian Bach? MQ 74 2 1990 295-302
243. A Tribute to Rosalyn Tureck (1914-2003) AmerBachSocNL Fall 2003 1, 5
244. Att Vaexa med Bach. MTidningKFJ 4 Apr 1996 30-31
245. 'Auf dem pohlnischen Parnasse': Der Bach-Schüler Johann Philipp Kirnberger in Polen. BachMag 29 Frühjahr/Sommer 2017 36-37
246. Auf der Suche nach dem Werk: Max Reger--Sein Schaffen, sein Sammlung. Eine Ausstellung des Max-Reger-Instituts Karlsruhe in der Badischen Landesbibliothek zum 125. Geburtstag Max Regers. [fs]MaxReger125 1998 319p
247. Auf der Suche nach der göttlichen Ästhetik: J. S. Bachs Passacaglia BWV 582 zwischen Hölle und Himmel. 2012 339p
248. 'Aufs LautenWerk'. Bachs Lautenwerke auf der Gitarre. FonoForum 35 12 1990 62-65
249. Ausdruckscharaktere in Bachscher Cembalo-, Clavichord- und Lautenmusik. BeitrMw 25 2 1983 120-129
250. Ausführliche Beschreibung der grossen neuen Orgel in der Kirchen zu St. Petri und Paule allhie zu Görlitz. 1704 24p
251. Ausgewählte Aufsätze zur geistlichen Musik / Arnold Schmitz. BeitrGesKm 3 1996 viii, 346p
252. Authenticity as a political act: Straub-Huillet's Chronicle of Anna Magdalena Bach and the post-war Bach revival. MPolitics 5 1 Winter 2011 24p
253. (Auto)Biography as a Musicological Discourse. [cr]Belgrad2008 2010 xii, 456p
254. Ave Maria / di Carlo Gounod. c 1863 2 St
255. A. Vivaldi: 'Concerto in re maggiore per violino, archi e cembalo F. I no 138' 1960
256. Avoiding 'fugue state' when playing Bach's fugues. PianoBul 34 1 2016 58-64
257. Avtograf I.S. Baha v Puškinskom dome... MuzykalnajaAkad 1 Spring 2007 190-200
258. Avtograf P 200/3 kak istoènik informacii o zaveršennosti Iskusstva fugi. [fs]Kon90 2010 176-184
259. Avtograph J. S. Bacha v Pushkinskom Dome: Revizija istochnikov prodolzhaetsya. 2009
260. Awake us, Lord, and hasten = Bywhâ ni, Iôr tragywydd (Ertödt uns durch dein' Gute); the closing number of Church Cantata no.22 ExtendedChorales 2 1927 9p
261. Bach. 1966 80p
262. Bach. [ce]BaroqueComposers 2011 xxxvii, 574p
263. Bach. 1963 188, 52p
264. Bach. MensMelodie 61 2 2006 23
265. Bach. MTimes 103 1430 Apr 1962 242
266. Bach. 1947
267. Bach, 1725-Nen Natsu. 'Matai Junankyoku' Sakkyoku Zen'ya. BachZenshu 3 Oct 1997 104-119
268. Bach 2000. Music between Virgin Forest and Knowledge Society. CompostelaPrize 2 2002 308p
269. Bach Achieves His Goal. His First Year of Regular Church Music Following the Leipzig Lutheran Calendar. c 1960
270. B-A-C-H-agram. MusicAGOMag 8 4 Apr 1974 37
271. Bach Album. BachSosho Bekkan 1 1983 422p
272. Bach-Album 1 / J. S. Bach. c 1920 15p
273. Bach al piano. Ritmo 723 2000 72-73
274. Bach als heenwijzing naar geloff. [ce]KleinBBoek 1975 7-33
275. Bach am Ende 'seines' Jahrtausends - Das 72. Bachfest der Neuen Bachgesellschaft vom 9. bis 12. Oktober 1997 in Frankfurt am Main. MtblNBG 41 Dec 1997 12-14
276. Bach analysis of state of stress in underground construction. 1995 213-216
277. Bach and 'Das Wohltemperirte Klavier.' 1934 33p
278. Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). [fs]Leaver65 2007 169-191
279. Bach and Edwards on the Religious Affections. ContributStudMDance 19 1992 69-81
280. Bach and Equal Temperament. MOpinion 73 874 Jul 1950 595
281. Bach and God. [p]BNUK_Cambridge Jul 2017
282. Bach and Handel in Elysium. MBook 7 1952 285-287
283. Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. Bach 30 2 1999 49-72
284. 'Bach and His Sons' Bachfest Leipzig 2008. BachNotesABS 10 Fall 2008 8-9
285. Bach and Newton: Artistic parallels—About the creative content of the Urtext of the inventions and sinfonias. ProblemyMlNauki 3 2016 15-20
286. Bach and our time. MCourier 142 1950 142-146
287. Bach and Schumann. [ce]VaughanWilliamsOnMusic 2008 129-132
288. Bach and the Bassoon. MTimes 78 1134 Aug 1937 741
289. Bach and the Christmas carol. AmerOrganist(2) 20 11 Nov 1986 25
290. Bach and the Happy Few. About Mrs. Anna Magdalena Bach's Autograph Copy of the 4th, 5th and 6th Cello Suites: Sequel to Bach, the Fencing Master. 2014 96p
291. Bach and the Liturgical Year StudiaLiturg 31 2 2001 179-182
292. Bach and the Organ of To-day. MOpinion 73 871 Apr 1950 427, 429
293. Bach and the pedal clavichord: an organist's guide. EastmanStudM 26 2004 280p
294. Bach: An environment for computer-aided composition in Max. [cr]ICMC2012 2012 373-378
295. Bach, a New Binaural Parameter 1995 409-412
296. Bach-Archiv Leipzig. MtblNBG 44 Sommer 1999 48-50
297. Bach-Archiv Leipzig. MtblNBG 41 Dec 1997 35; 36-37
298. Bach-Archiv Leipzig. MtblNBG 40 Jun 1997 27-30
299. [Bach Aria Group: Concert in New York] MAmer 84 1 Jan 1964 49-50
300. Bach aria index. 1971 88p
301. Bach at the space station: Hermeneutic pliability and multiplying gaps in Andrei Tarkovsky's Solaris. MSoundMovingImage 8 1 Spring 2014 1-23
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