Bach Bibliography
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1. Buelow, George J.A Bach Borrowing by Gluck: Another Frontier. Bach 22 1 Spring-Summer 1991 43-61
2. Herz, GerhardA Bach Signature in the Possession of Gerhard Herz. Bach 9 4 Oct 1978 23-24
3. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part I. Bach 11 2 Apr 1980 2-20
4. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part II. Bach 11 3 Jul 1980 2-8
5. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part III. Bach 11 4 Oct 1980 3-7
6. Heinrich, AdelA Collation of the Expositions in Die Kunst der Fuge of J. S. Bach. Bach 12 2 Apr 1981 28-40
7. Ebert, Robert R.A Comparison of the Prices of Organs in Bach's Time and the 1980's. Bach 19 1 1988 28-45
8. Peters, Mark A.Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. Bach 31 1 2000 58-73
9. Smith, Mark M.A Deceptive Edition of the Bach 'Cello Suites. Bach 9 1 Jan 1978 26-29
10. Mann, AlfredA Document from the Hand of Arthur Mendel: Introduction and Commentary. Bach 20 3 Fall 1989 4-5(-14)
11. Barber, ElinoreAlbert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary. Bach 29 2 Fall-Winter 1998 1-7
12. Schweitzer, AlbertAlbert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons. Bach 3 4 Oct 1972 25-27
13. Unger, Melvin P.Alfred Mann. Bach 37 2 2006 119
14. Glöckner, AndreasAlumni and Externals in the Choirs of the Thomas School during Bach's Time. Bach 40 1 2009 1-34
15. Kellner, Herbert AntonA Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. Bach 10 4 Oct 1979 2-8
16. Kellner, Herbert AntonA Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. Bach 30 1 Spring-Summer 1999 1-9
17. Corlis, TimothyAnalysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552. Bach 37 1 2006 26-49
18. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part I. Bach 5 1 Jan 1974 23-32
19. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part II. Bach 5 2 Apr 1974 36-49
20. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part III. Bach 5 3 Jul 1974 3-12
21. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part IV. Bach 5 4 Oct 1974 3-8
22. Schulenberg, DavidAn Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. Bach 41 2 2010 24-60
23. Pisk, Paul A.A New Look at the 'Great 48'. Bach 8 2 Apr 1977 23-25
24. Butler, H. JosephA Newly Discovered Work of Charles Theodore Pachelbel. Bach 28 1-2 1997 126-144
25. Stinson, RussellAn Introduction to Beiträge zur Bachforschung. Bach 18 1 Jan 1987 22-24
26. Radice, Mark A.An Inventory of Bach's Musical Offering. Bach 6 1 Jan 1975 12-16
27. Smithers, Don L.Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a). Bach 27 2 Fall-Winter 1996 1-59
28. Ambrose, Z. PhilipAnother Lament in Weinen, Klagen, Sorgen, Zagen. Bach 13 3 Jul 1982 20-22
29. Posell, JacquesA Philatelic Visit with J. S. Bach. Bach 7 2 Apr 1976 23-28
30. Morgan, EmersonA Previously Unknown Source for the Orgelbüchlein: Yale Misc. Ms. 545. Bach 42 2 2011 64-73
31. Flindell, E. FrederickApropos Bach's Inventions [Part I] Bach 14 4 Oct 1983 3-14
32. Flindell, E. FrederickApropos Bach's Inventions, Part II. Bach 15 1 Jan 1984 3-16
33. Flindell, E. FrederickApropos Bach's Inventions, Part III. Bach 15 2 Apr 1984 3-17
34. Peters, Mark A.A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas. Bach 36 1 2005 25-66
35. Gleason, HaroldA Seventeenth-Century Organ Instruction Book. Bach 3 1 Jan 1972 3-12
36. Gleason, HaroldA Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] Bach 12 3 Jul 1981 11-20
37. Gleason, HaroldA seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] Bach 27 2 Fall-Winter 1996 60-83
38. Getz, Christine SuzanneA Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto. Bach 19 2 1988 3-24
39. Author-Title-Subject: Cumulative Index 1970-2000 Bach 31 2 2000 1-67
40. Barber, ElinoreBach Adds a Tempo Mark? Bach 1 2 Apr 1970 3-5
41. David, Hans T.Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. Bach 2 3 Jul 1971 15-16
42. David, Hans T.Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. Bach 2 2 Apr 1971 18-19
43. Collins, DenisBach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. Bach 30 2 1999 27-48
44. Tomita, YoBach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. Bach 30 2 1999 49-72
45. Leaver, Robin A.Bach and Luther. Bach 9 3 Jul 1978 9-12; 25-32
46. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32
47. Barber, ElinoreBach and the B-A-C-H Motive. Bach 2 2 Apr 1971 3-5
48. Schenkman, WalterBach and the Beer Fiddlers. Bach 26 1-2 1995 48-56
49. Flindell, E. FrederickBach and the Middle Ages. Bach 36 2 2005 1-119
50. Paczkowski, SzymonBach and the Story of an 'Aria Tempo di Polonaise' for Joachim Friedrich Flemming. Bach 38 2 2007 64-98
51. Marshall, Robert L.Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43 1 2012 1-28
52. David, Hans T.Bach Form -- A Letter and Ground-Plan. Bach 1 2 Apr 1970 14-17
53. David, Hans T.Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742]. Bach 1 1 Winter 1970 15-16
54. Lenneberg, HansBach, Handel, and Relative Success, Part I. Bach 12 4 Oct 1981 22-27
55. Lenneberg, HansBach, Handel, and Relative Success, Part II. Bach 13 2 Apr 1982 17-22
56. Pisk, Paul A.Bach in Our Time. Bach 4 3 Jul 1973 13-17
57. Linton, MichaelBach, Luther, and the Magnificat. Bach 17 2 Apr 1986 3-15
58. Markevitch, DimitryBach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] Bach 30 1 Spring-Summer 1999 66-69
59. Trautmann, ChristophBach's Clavierübung: III. Bach 15 3 Jul 1984 3-11
60. Cox, Howard H.Bach's Conception of His Office. Bach 20 1 Spring 1989 22-30
61. Whaples, Miriam K.Bach's Earliest Arias. Bach 20 1 Spring 1989 31-54
62. Unger, Melvin P.Bach's First Two Leipzig Cantatas: The Question of Meaning Revisited. Bach 28 1-2 1997 87-125
63. Barber, ElinoreBach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) Bach 17 4 Oct 1986 24-29
64. Jerold, BeverlyBach's Lament about Leipzig's Professional Instrumentalists. Bach 36 1 2005 67-96
65. Herford, JuliusBach's Models of 'Good Inventiones' -- How to Develop the Same Well. Bach 4 1 Jan 1973 16-20
66. Herford, JuliusBach's Models of 'Good Inventiones'. [Part I]. Bach 2 4 Oct 1971 10-14
67. Herford, JuliusBach's Models of 'Good Inventiones'. Part II. Bach 3 1 Jan 1972 27-30
68. Herford, JuliusBach's Models of 'Good Inventiones'. Part III. Bach 3 2 Apr 1972 28-30
69. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations. Bach 8 2 Apr 1977 15-22
70. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II. Bach 8 3 Jul 1977 3-12
71. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III. Bach 8 4 Oct 1977 3-9
72. Collins, DenisBach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. Bach 33 2 2002 15-34
73. Mulbury, DavidBach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] Bach 3 2 Apr 1972 14-27
74. Mulbury, DavidBach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. Bach 3 3 Jul 1972 12-20
75. Mulbury, DavidBach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. Bach 3 4 Oct 1972 17-24
76. Barber, ElinoreBach's Portrait in Gerber's Lexicon. Bach 2 1 Jan 1971 3-6
77. David, Hans T.Bach's Problems and Artistic Creed. Bach 1 2 Apr 1970 6-13
78. Schulze, Hans-JoachimBach's Secular Cantatas - A New Look at the Sources. Bach 21 1 Spring 1990 26-41
79. Rilling, HelmuthBach's Significance. Bach 16 3 Jul 1985 2-16
80. Morgan, Wesley K.Bach's Singet dem Herrn ein neues Lied: an Old Problem. Bach 11 4 Oct 1980 8-23
81. Morgan, Wesley K.Bach's Singet dem Herrn ein neues Lied: an Old Problem. Part II. Bach 12 1 Jan 1981 2-12
82. Sevier, Zay DavidBach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 1. Bach 12 2 Apr 1981 11-19
83. Sevier, Zay DavidBach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 2. Bach 12 3 Jul 1981 21-29
84. Konecni, Vladimir J.Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. Bach 17 3 Jul 1986 10-21
85. Konecni, Vladimir J.Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. Bach 17 4 Oct 1986 3-16
86. Flindell, E. FrederickBach's Tempos and Rhetorical Applications. Bach 28 1-2 1997 151-236
87. Stinson, RussellBach's Tercentenary Issues of Periodicals: A Selected Bibliography. Bach 17 4 Oct 1986 17-23
88. Leaver, Robin A.Bach's Understanding and Use of the Epistles and Gospels of the Church Year. Bach 6 4 Oct 1975 4-13
89. Jenne, NatalieBach's Use of Dance Rhythms in Fugues. [I] Bach 4 4 Oct 1973 18-26
90. Jenne, NatalieBach's Use of Dance Rhythms in Fugues. Part II. Bach 5 1 Jan 1974 3-8
91. Jenne, NatalieBach's Use of Dance Rhythms in Fugues: Part III. Bach 5 2 Apr 1974 3-21
92. Wolff, ChristophBach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. Bach 20 1 Spring 1989 55-64
93. Crist, Stephen A.Bach, Theology, and Harmony: A New Look at the Arias. Bach 27 1 Spring-Summer 1996 1-30
94. Unmack, Susan; Hartwell, RobertBaroque Ideals of Text Declamation and Their Relevance to the Falsobordone Genre. Bach 14 4 Oct 1983 15-24
95. Barber, ElinoreBeethoven and Bach. Bach 1 4 Oct 1970 4-5
96. Barber, ElinoreBeethoven on Bach. Excerpts from Letters. Bach 1 4 Oct 1970 6-8
97. Barber, ElinoreButter, Guns, and Bach? Bach 1 3 Jul 1970 3-4
98. McLean, Hugh J.BWV 551, A Bachian Orphan. Bach 24 1 Spring-Summer 1993 35-42
99. White, H. M.Canon in the Baroque Era: Some Precedents for the Musical Offering. Bach 15 4 Oct 1984 4-15
100. Mayerovitch, RobertCD Review: Johann Sebastian Bach. Art of Fugue. Peter Elyakim Taussig, piano solo. MS 102 Crystal Music Records, 2001. Recorded on the Yamaha Disklavier PRO(R)piano. Bach 33 2 2002 71-76
101. Stinson, RussellClara Schumann's Bach Book: A Neglected Document of the Bach Revival. Bach 39 1 2008 1-66
102. Radice, Mark A.Concerning the Dating of Reinhard Keiser's St. Mark Passion. Bach 24 1 Spring-Summer 1993 15-20
103. Kellner, Herbert AntonConsidering the Tempering Tonality B-Major in Well-Tempered Clavier II. Bach 30 1 Spring-Summer 1999 10-25
104. Schulenberg, DavidC.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. Bach 23 2 Fall-Winter 1992 5-30
105. Corrao, TimothyC. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I. Bach 12 4 Oct 1981 17-21
106. Corrao, TimothyC. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II. Bach 13 2 Apr 1982 23-27
107. Corneilson, PaulC. P. E. Bach's Evangelist: Johann Heinrich Michel. Bach 41 2 2010 1-23
108. Baumgartner, NicholasCurrents in Bach Interpretation in Contemporary Germany. Bach 30 2 1999 1-26
109. Currie, Randolph N.Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. Bach 4 1 Jan 1973 26-38
110. Currie, Randolph N.Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. Bach 4 2 Apr 1973 25-39
111. David, Hans T.Deceptive Performance Traditions. (1926) Bach 25 2 Fall-Winter 1994 36-53
112. David, Hans T.Deceptive Performance Traditions. (1926) Bach 21 2 Summer 1990 15-22
113. Steiger, RenateDialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping. Bach 33 2 2002 35-70
114. Badura-Skoda, EvaDid J. S. Bach Compose 'Pianoforte Concertos'? Bach 31 1 2000 1-16
115. Jerold, BeverlyEditorial Decisions for Ornaments in Bach's Works. Bach 33 2 2002 1-14
116. Greer, MaryEmbracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach. Bach 34 1 2003 1-71
117. Baumgartner, NicholasEuropean Bach Interpretation at the Turn of the Millennium. Bach 33 1 2002 1-56
118. Schulze, Hans-JoachimEy! How Sweet the Coffee Tastes: Johann Sebastian Bach's Coffee Cantata in its Time. Bach 32 2 2001 1-34
119. Schulze, Hans-Joachim'Ey! Wie schmeckt der Coffee süsse': Johann Sebastian Bachs Kaffee-Kantate in ihrer Zeit. Bach 32 2 2001 36-117
120. Barber, Elinore[Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790] Bach 15 1 Jan 1984 28-34
121. Jerold, BeverlyFasch and the Beginning of Modern Artistic Choral Singing. Bach 35 1 2004 61-86
122. Oleskiewicz, Mary'For the Church as Well as For the Orchestra': J.S. Bach, the Missa, and the Dresden Court, 1700-1750. Bach 38 2 2007 1-38
123. Rogal, Samuel J.For the Love of Bach: The Charles Burney - Samuel Wesley Correspondence. Bach 23 1 Spring-Summer 1992 31-37
124. Dadelsen, Georg vonFriedrich Smend's Edition of the B-minor Mass by J. S. Bach. Bach 20 2 Summer 1989 49-74
125. Collins, DenisFrom Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. Bach 38 2 2007 39-63
126. Botwinick, SaraFrom Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. Bach 35 2 2004 1-59
127. Serebrennikov, MaximFrom Partimento Fugue to Thoroughbass Fugue: New Perspectives. Bach 40 2 2009 22-43
128. Smith, Timothy A.Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music. Bach 40 2 2009 44-65
129. Boe, JohnFully Notated Articulation in Bach's Mature Keyboard Music. Bach 7 1 Jan 1976 12-19
130. Boe, JohnFully Notated Articulation in Bach's Mature Keyboard Music -- Part II. Bach 7 2 Apr 1976 14-22
131. Leaver, Robin A.Further Thoughts on B-A-C-H. Bach 2 4 Oct 1971 36-37
132. George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976) Bach 25 2 Fall-Winter 1994 54-58
133. Mann, AlfredGerhard Herz (September 24, 1911--September 3, 2000). Bach 32 1 2001 77-78
134. Crean, EliseG. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons. Bach 40 2 2009 1-21
135. Collins, Timothy A.Gottfried Reiche: A More Complete Biography. Bach 19 3 Fall 1988 4-18
136. Barber, ElinoreHans Theodore David: 'A Portrait in Outline'. Bach 1 3 Jul 1970 25-29
137. David, Hans T.Hebrew Letters in Polyphonic Settings by Christian Composers. Bach 2 2 Apr 1971 6-17
138. Öhm-Kühnle, ChristophHeinrich Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hitherto Unknown Revised Version. Bach 38 1 2007 45-66
139. Radice, Mark A.Heinrich Schütz and the Foundations of the Stile Recitativo in Germany. Bach 16 4 Oct 1985 9-23
140. Leaver, Robin A.Heinrich Schütz as a Biblical Interpreter. Bach 16 4 Oct 1985 4-8
141. Leaver, Robin A.Heinrich Schütz as a Biblical Interpreter. [Part I] Bach 4 3 Jul 1973 3-8
142. Heinrich, AdelHeretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. Bach 17 4 Oct 1986 30-41
143. Collins, DenisHistorical Precedents for Bach's Evolutio Canon BWV 1087/10. Bach 24 1 Spring-Summer 1993 5-14
144. Siegele, Ulrich'I had to be industrious...'. Thoughts about the relationship between Bach's social and musical character. Bach 22 2 Fall-Winter 1991 5-12
145. Cole, WarwickImprovisation as a Stimulus to Composition in Bach's Partita II. Bach 31 1 2000 96-112
146. Goldstein, MichaelIn Tokyo: A Little-Known Bach Autograph. [BWV 1006a] Bach 9 2 Apr 1978 33-36
147. Fairleigh, James P.Italian Prototypes of the Baroque Ritornello. Bach 14 3 Jul 1983 2-11
148. Faulkner, QuentinJacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. Bach 21 1 Spring 1990 42-59
149. Harriss, Ernest C.J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. Bach 9 3 Jul 1978 2-8
150. Butler, Lynn EdwardsJohann Christoph Bach's New Organ for Eisenach's Georgenkirche. Bach 35 1 2004 42-60
151. Radice, Mark A.Johann Mattheson and the Stylus Narrativus. Bach 18 3 Jul 1987 3-9
152. Schenkman, WalterJohann Mattheson's Organisten-Probe: Erlaeuterungen, A Translation, Part I. Bach 12 4 Oct 1981 10-16
153. Braunlich, HelmutJohann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach. Bach 12 2 Apr 1981 2-10
154. Ahrens, ChristianJohann Sebastian Bach and The 'New Gusto' In Music Around 1740. Bach 33 1 2002 69-83
155. Kroeger, KarlJohann Sebastian Bach in Nineteenth-Century America. Bach 22 1 Spring-Summer 1991 33-42
156. Hirsch, ArturJohann Sebastian Bach's Cantatas in Chronological Order. Bach 4 3 Jul 1973 18-35
157. David, Hans T.Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. Bach 2 1 Jan 1971 29-32
158. Rathey, MarkusJohann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship. Bach 43 1 2012 65-83
159. Leaver, Robin A.Johann Sebastian Bach: Theological Musician and Musical Theologian. Bach 31 1 2000 17-33
160. Tatlow, RuthJ. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20 3 Fall 1989 15-33
161. Appel, Richard G.J. S. Bach and the Bay Psalm Book. Bach 1 3 Jul 1970 22-24
162. Barber, ElinoreJ. S. Bach and The Critics. Bach 2 3 Jul 1971 4-6
163. Barber, ElinoreJ. S. Bach in the Year of the Moon. Bach 1 1 Winter 1970 3-5
164. Butler, Gregory G.J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20 2 Summer 1989 4-37
165. Bates, William H.J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. Bach 39 2 2008 1-89
166. Herford, JuliusJ. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. Bach 4 3 Jul 1973 36-40
167. Butler, Gregory G.J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. Bach 25 1 Spring-Summer 1994 5-10
168. Peters, Mark A.J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase. Bach 43 1 2012 29-65
169. Barber, ElinoreJ. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. Bach 29 1 Spring-Summer 1998 38-76
170. Kellner, Herbert AntonKepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion. Bach 25 1 Spring-Summer 1994 46-56
171. Leaver, Robin A.Leipzig's Rejection of J. S. Bach, Part I. Bach 3 3 Jul 1972 27-39
172. Leaver, Robin A.Leipzig's Rejection of J. S. Bach, Part II. Bach 3 4 Oct 1972 3-7
173. Leaver, Robin A.List of the Settings of Bible Texts in the Works of Heinrich Schütz. Bach 16 4 Oct 1985 24-31
174. Leaver, Robin A.List of the Settings of Bible Texts in the Works of Heinrich Schütz. Bach 4 3 Jul 1973 8-12
175. Schweitzer, AlbertLitterae ab musicis. Bach 2 2 Apr 1971 20-21
176. David, Hans T.Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'. Bach 1 4 Oct 1970 31-32
177. David, Hans T.Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. Bach 2 3 Jul 1971 17-20
178. David, Hans T.Litterae ab musicis. [Letter to Alfred Einstein] Bach 2 1 Jan 1971 33-34
179. Spitta, PhilippLitterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] Bach 3 1 Jan 1972 22-26
180. Dupré, MarcelLitterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. Bach 3 2 Apr 1972 31-32
181. Herz, GerhardLombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved. Bach 8 1 Jan 1977 3-11
182. Ambrose, JaneMadness and Music: Handel's Porphyric Patron, George III. Bach 27 1 Spring-Summer 1996 57-65
183. Winzenburger, Walter P.Meter and Tempo Indications in Music of the Early Baroque. Bach 3 1 Jan 1972 13-21
184. Mann, AlfredMissa Brevis and Historia: Bach's A-Major Mass. Bach 16 1 Jan 1985 6-11
185. Smith, Timothy A.More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. Bach 17 2 Apr 1986 24-30
186. Kochevitsky, George A.More on Articulation in J. S. Bach's Keyboard Music. Bach 8 1 Jan 1977 25-29
187. Espinosa, AlmaMore on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide. Bach 12 1 Jan 1981 13-22
188. Marissen, MichaelMore Source-Critical Research on J. S. Bach's Musical Offering. Bach 25 1 Spring-Summer 1994 11-27
189. Ellis, MarkMotif and Structure in Bach's Fifth Prelude. Bach 37 1 2006 1-25
190. Wolff, ChristophMusical Forms and Dramatic Structure in Bach's St. Matthew Passion. Bach 19 1 1988 6-20
191. Benitez, Vincent P.Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. Bach 18 1 Jan 1987 3-21
192. Collins, DenisMusical Terminology in the Canonic Works of Bach: An Historical Context. Bach 26 1-2 1995 91-101
193. Payne, Thomas B.Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. Bach 17 1 Jan 1986 18-35
194. David, Hans T.Music History - A Teaching, Learning, Performing Experience. Bach 2 3 Jul 1971 28-32
195. Leaver, Robin A.New Light on the Pre-History of The Bach Choir of Bethlehem. Bach 22 2 Fall-Winter 1991 24-34
196. Ambrose, JaneNotations on Mattheson's Der Brauchbare Virtuoso. Bach 17 3 Jul 1986 3-9
197. Ambrose, JaneNotations on Mattheson's Der brauchbare Virtuoso. (1986) Bach 25 2 Fall-Winter 1994 91-98
198. Hoehren, RobertNotes on Bach and the organ of his Time. Bach 16 1 Jan 1985 69-80
199. Noehren, RobertNotes on Bach and the Organ of his Time. Bach 26 1-2 1995 70-83
200. Noehren, RobertNotes on Bach and the Organ of his Time. Bach 6 2 Apr 1975 3-14
201. Livingstone, ErnestNotes on the Art of Fugue: A Fragment. Bach 28 1-2 1997 82-86
202. Leaver, Robin A.Number Associations in the Structure of Bach's Credo, BWV 232. Bach 7 3 Jul 1976 17-24
203. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I. Bach 6 3 Jul 1975 11-19
204. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II. Bach 6 4 Oct 1975 14-19
205. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III. Bach 7 1 Jan 1976 27-32
206. Boer, Bertil H. van, Jr.Observations on Bach's Use of the Horn. Bach 11 3 Jul 1980 9-23
207. Boer, Bertil Herman van Jr.Observations on Bach's Use of the Horn. Bach 11 2 Apr 1980 21-28
208. Collins, TimothyObservations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Bach 17 2 Apr 1986 31-45
209. Jerold, Beverly[On Gertrud Schmeling Mara.] Bach 36 2 2005 120-122
210. Marissen, MichaelOn Linking Bach's F-Major Sinfonia and his Hunt Cantata. Bach 23 2 Fall-Winter 1992 31-46
211. Clement, AlbertOn the Inner Correlation of the Six Chorales BWV 645-650 and its Significance. Bach 34 2 2003 1-62
212. Jenne, NatalieOn the Performance of Keyboard Allemandes. Bach 10 2 Apr 1979 13-30
213. Paczkowski, SzymonOn the Problems of Parody and Style in the 'Et resurrexit' from the Mass in B minor by Johann Sebastian Bach. Bach 37 2 2006 1-44
214. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
215. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
216. Leaver, Robin A.Parody and Theological Consistency: Notes on Bach's A-Major Mass. Bach 21 3 Winter 1990 30-43
217. Krenek, ErnstParvula Corona Musicalis. Bach 2 4 Oct 1971 18-31
218. Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations. Bach 27 1 Spring-Summer 1996 66-85
219. Kochevitsky, George A.Performing Bach's Keyboard Music: Articulation. Bach 4 1 Jan 1973 21-25
220. Kochevitsky, George A.Performing Bach's Keyboard Music: Dynamics. A Postscript. Bach 7 1 Jan 1976 3-11
221. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments. Part I Bach 5 3 Jul 1974 37-40
222. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). Bach 5 3 Jul 1974 25-30
223. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. Bach 6 1 Jan 1975 24-35
224. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura. Bach 6 2 Apr 1975 27-40
225. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents. Bach 6 3 Jul 1975 20-35
226. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks. Bach 6 4 Oct 1975 23-29
227. Kochevitsky, George A.Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. Bach 4 4 Oct 1973 27-35
228. Kochevitsky, George A.Performing Bach's Keyboard Music -- Phrasing. Bach 3 4 Oct 1972 28-32
229. Kochevitsky, George A.Performing Bach's Keyboard Music: Tempo. Bach 4 2 Apr 1973 22-24
230. Kochevitsky, George A.Performing Bach's Keyboard Music -- The Choice of an Instrument. Bach 3 2 Apr 1972 33-37
231. Mendel, ArthurPersönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') Bach 20 3 Fall 1989 6-14
232. Jerold, BeverlyPitch in the Vocal Works of J. S. Bach. Bach 31 1 2000 74-95
233. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents. (1978-1979) Bach 25 2 Fall-Winter 1994 63-90
234. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents, Part I. Bach 9 4 Oct 1978 2-10
235. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents, Part II. Bach 10 1 Jan 1979 3-12
236. Schenkman, WalterPortrait of Mattheson, the Editor, Together with His Correspondents, Part III. Bach 10 2 Apr 1979 2-8
237. Krenek, ErnstPostscript to the 'Parvula Corona' Bach 3 3 Jul 1972 21-26
238. Milka, Anatoly [Milka, Anatolij P.]Preface to the Facsimile Reproduction of the Original Edition of Gottfried Kirchhoff's L'A.B.C. Musical: Contenant des Preludes et des Fugues les Tons Pour l'Orgue, ou le Clavecin Fort utile aux disciples pour aprendre a accompagner de la Basse Continue et a faire des Preludes et des Fugues. Amsterdam, c.1734. Bach 42 2 2011 1-39
239. Ganz, BeatriceProblems of Articulation in Baroque Keyboard Music (At the Piano or Organ). Bach 7 2 Apr 1976 3-13
240. Tomita, YoPsalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Bach 32 1 2001 17-43
241. Barber, ElinoreQuestions to the Editor. Bach 2 2 Apr 1971 24-26
242. Barber, ElinoreQuestions to the Editor. Bach 2 1 Jan 1971 38-41
243. Barber, ElinoreQuestions to the Editor. Bach 2 3 Jul 1971 25-27
244. Barber, ElinoreQuestions to the Editor. Bach 2 4 Oct 1971 32-35
245. Barber, ElinoreQuestions to The Editor [Part I]. Bach 1 1 Winter 1970 19-22
246. Barber, ElinoreQuestions to the editor [Part II]. Bach 1 2 Apr 1970 21-25
247. Barber, ElinoreQuestions to the Editor. [Part III]. Bach 1 3 Jul 1970 45-47
248. Barber, ElinoreQuestions to the Editor. [Part IV.] Bach 1 4 Oct 1970 35-40
249. Brokaw, James A., IIRecent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II. Bach 16 3 Jul 1985 17-35
250. Elferen, Isabella van'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion. Bach 35 1 2004 1-28
251. Schenkman, WalterRhythmic Patterns of the Baroque -- Part I. Bach 5 3 Jul 1974 21-28
252. Schenkman, WalterRhythmic Patterns of the Baroque -- Part II. Bach 5 4 Oct 1974 9-17
253. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part I, Continued: Walter B Hewlett's English Translations of the Eight Wegweiser Pages Previously Printed in the January 1987 BACH Journal together with BACH Editorial Notes Including Minor Differences between the 1692 and 1698 Wegweiser Editions, and Dr. Hewlett's Explanatory Notes. Bach 18 2 Apr 1987 4-35
254. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part II: 'Introductory Remarks' from Walter B Hewlett's Vermehrter ... Wegweiser of 1698 and the 1692 Wegweiser Pages 9-14 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and BACH Editorial Notes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 2 Apr 1987 37-63
255. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part III). The 1692 Wegweiser, Pages 15-21 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 3 Jul 1987 11-37
256. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part IV). The 1692 Wegweiser, Pages 22-29 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 4 Oct 1987 29-54
257. [Hewlett, Walter B.]Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kunst die Orgel recht zu schlagen (Part V). The 1692 Wegweiser, Pages 30-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 19 2 1988 25-56
258. [Hewlett, Walter B.]Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kust die Orgel recht zu schlagen. The 1692 Wegweiser, Pages 41-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions Together with Dr. Hewlett's Translation of Carissimi's Ars Cantandi, 1696 Edition (Published with the 1698 Wegweiser) Bach 19 3 Fall 1988 19-74
259. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part I: Einige Canonische Veränderungen über das Weynacht-Lied 'Vom Himmel hoch da komm ich her'. Bach 8 3 Jul 1977 13-25
260. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part II: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1, title-page, Praeludium, Allemande, Corrente, Sarabande. Bach 8 4 Oct 1977 11-22
261. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia. Bach 9 1 Jan 1978 15-22
262. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half]. Bach 9 2 Apr 1978 17-24
263. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IX: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, Toccata. Bach 10 3 Jul 1979 32-39
264. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. Bach 9 3 Jul 1978 13-24
265. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV. Bach 9 4 Oct 1978 11-22
266. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V. Bach 10 1 Jan 1979 13-25
267. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VIII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V, contd.: Passepied, Gigue. Bach 10 2 Apr 1979 9-12
268. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part X: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, contd.: Allemande, Corrente, Air, Sarabande, Tempo di Gavotta, Gigue. Bach 10 4 Oct 1979 9-18
269. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. [Part XI] Clavierübung, Book IV [the 'Goldberg' Variations] Nürnberg: Balthaser Schmid [ca. 1742], BWV 988. Bach 11 1 Jan 1980 2-40
270. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part II: Ricercar, a 6. Bach 11 3 Jul 1980 24-31
271. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part I. Bach 11 2 Apr 1980 29-36
272. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIV. Die Kunst der Fuge (Leipzig, 1752). Bach 11 4 Oct 1980 32-36
273. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX. Die Kunst der Fuge (Leipzig, 1752). Conclusion. Bach 13 1 Jan 1982 2-44
274. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX [sic!]. Suite Première avec Prelude (Eighteenth-century Manuscript Copy of the First 'English' Suite) Bach 13 2 Apr 1982 29-36
275. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XV. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus I; Contrapunctus II. Bach 12 1 Jan 1981 30-35
276. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus III, Contrapunctus IV. Bach 12 2 Apr 1981 20-27
277. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus V, Contrapunctus VI. Bach 12 3 Jul 1981 30-36
278. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVIII. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus VII, Contrapunctus VIII. Bach 12 4 Oct 1981 28-35
279. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Bach 14 1 Jan 1983 29-39
280. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Bach 14 2 Apr 1983 3-60
281. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXI. [Suite 5] Prelude, BWV 810 Gigue; [Suite 6] Prelude, BWV 811. Bach 13 4 Oct 1982 14-29
282. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIV. Heinrich Nicolaus Gerber's Eighteenth-century Manuscript Copy of J. S. Bach's Wohl-temperirte Clavier. Bach 14 3 Jul 1983 31-44
283. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIX. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 4 Oct 1984 37-52
284. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XX. Suite Première avec Prelude. Prélude, Gigue; [Suite 6] Gigue. Bach 13 3 Jul 1982 23-34
285. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXV. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 14 4 Oct 1983 25-35
286. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVI. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 1 Jan 1984 36-43
287. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVII. Heinrich Nicolaus Gerber's Sixteenth-century [sic] (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 2 Apr 1984 35-44
288. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVIII. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 3 Jul 1984 33-36
289. Barber, ElinoreRiemenschneider Bach Institute Vault Holdings, Facsimile Series: .. Wegweiser .. Die Kunst die Orgel recht zu schlagen -- A Seventeenth-century Organ Instruction Book, Part I. Bach 18 1 Jan 1987 25-36
290. Winzenburger, Janet; Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 2 3 Jul 1971 21-24
291. Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 1 4 Oct 1970 33-34
292. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 1 3 Jul 1970 41-44
293. Winzenburger, Janet; Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 3 1 Jan 1972 31-34
294. Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 3 4 Oct 1972 43-44
295. Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 2 2 Apr 1971 22-23
296. Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 3 3 Jul 1972 40-42
297. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library vault holdings. Bach 2 1 Jan 1971 35-37
298. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales. Bach 2 4 Oct 1971 15-17
299. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications. Bach 3 2 Apr 1972 38-39
300. Barber, ElinoreRiemenschneider Bach Library Vault Holdings [Part I]. Bach 1 1 Winter 1970 17-18
301. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings [Part II]. Bach 1 2 Apr 1970 17-20

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