| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Daw, Stephen | German Lutheran choirs of Bach's time: Their constitution, performance practice and repertoire. | OrganistsReview | 58 | [2]: 230 | Apr 1973 | 13-15 | |
| Williams, Simon | Some Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). | OrganistsReview | 78 | 3 | 1992 | 209-211 | |
| Phillips, M. | A Question of Style. | OrganistsReview | 81 | 2 | 1995 | 103 | |
| Sanger, David | My fascination with the sources. I. | OrganistsReview | 86 | 1:337 | Feb 2000 | 64-68 | |
| Sanger, David | My fascination with the sources. II. | OrganistsReview | 86 | 2:338 | May 2000 | 164-169 | |
| Hopkins, José | Widor, Bach and the organ. | OrganistsReview | 86 | 3: 339 | Aug 2000 | 215-217 | |
| Bertalot, John | Spirituality and symbolism in the music of J S Bach. (Part 1) | OrganistsReview | 86 | 3: 339 | Aug 2000 | 222-225 | |
| Sanger, David | My fascination with the sources. III. | OrganistsReview | 86 | 3:339 | Aug 2000 | 264-267 | |
| Ghielmi, Lorenzo | The Interpretation of the Bach-Vivaldi Concertos. | OrganistsReview | 86 | 4: 340 | Nov 2000 | 312, 314-316 | |
| Bertalot, John | Spirituality and symbolism in the music of J S Bach - Part 2. | OrganistsReview | 86 | 4: 340 | Nov 2000 | 331-335 | |
| Williams, Peter | The International Organ Competition, Leipzig, July 2000. | OrganistsReview | 86 | 4: 340 | Nov 2000 | 336-337 | |
| Hollick, Douglas | Thoughts on the performance of Bach's chorale prelude 'O Mensch, bewein dein Sünde gross'. | OrganistsReview | 87 | 1: 341 | Feb 2001 | 36-37 | |
| Rogg, Lionel | Phrasing in relation to Bach's prosody in his Cantatas. Harmonic rhythm. | OrganistsReview | 87 | 2: 342 | May 2001 | 134, 136-137 | |
| Shenton, Kenneth | 'His position is next to Bach himself'. Josef Rheinberger 1839-1901. | OrganistsReview | 87 | 4: 344 | Nov 2001 | 315-319 | |
| Faulkner, Quentin | More than meets the eye: slurs and metrical ambiguities in Bach's Prelude and Fugue in E-flat (BWV 552). | OrganistsReview | 89 | 1: 349 | Feb 2003 | 18-21 | |
| Parsons, James | Start from here! ~ 2. Meisterstück ~ play Bach at the Thomaskirche. | OrganistsReview | 89 | 2: 350 | May 2003 | 164-165, 167-168 | |
| Lloyd, Allan | The blindness of J S Bach and G F Handel. 'A nugget of Norwich 'nowledge'. | OrganistsReview | 89 | 4: 352 | Nov 2003 | 336-337 | |
| Daw, Stephen | The lesser-known contemporaries of J. S. Bach. | OrganistsReview | 92 | 4 | 2006 | 7-13 | |
| Kitchen, John | Two siginficant Bach pupils. | OrganistsReview | 92 | 4 | 2006 | 15-23 | |
| Williams, Peter F. | Johann Sebastian Bach's ideal organ. | OrganistsReview | 94 | 2 | May 2008 | 7-13 | |
| Quinney, Robert | J. S. Bach's music for organ. | OrganistsReview | 94 | 2 | May 2008 | 23-25, 27-29, 31 | |
| Dyke, Peter; Norris, Hilary | Mendelssohn's six sonatas for organ: The case for an influence from Bach's Clavierübung III. | OrganistsReview | 95 | 1 | Feb 2009 | 15-19 | |
| Bell, Tom | Coffee and chorale preludes: William Whitehead and the Orgelbüchlein Project. | OrganistsReview | 98 | 2 | Jun 2012 | 20-21 | |
| Norman, John | Barber as well as Bach? | OrganistsReview | 99 | 4 | Dec 2013 | 36-37 | |
| Hogg, Mervyn | Johann Sebastian Bach's Orgelbüchlein: The evolution and features of published editions. | OrganistsReview | 100 | 1 | Mar 2014 | 40-46 | |
| Goode, David | The complete Bach. | OrganistsReview | 103 | 1 | Mar 2017 | 20-21 | |
| Neame, Stuart | Who wrote BWV 565, the toccata and fugue in D minor? And why? | OrganistsReview | 103 | 3 | Sep 2017 | 30-37 | |
27 matches.
