| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Lewin, David B. | The D Major Fugue Subject from WTC II: Spatial Saturation? | MTheoryOnline | 4 | 4 | Jul 1998 | [1-16] | |
| Wibberley, Roger | J. S. Bach's Prelude and Fugue in E Flat (BWV 552, 1/2): An Inspiration of the Heart? | MTheoryOnline | 4 | 5 | Sep 1998 | | |
| Aarden, Bret; Von Hippel, Paul | Rules for chord doubling (and spacing): Which ones do we need? | MTheoryOnline | 10 | 2 | Jun 2004 | | |
| Aarden, Bret; Von Hippel, Paul | Rules for Chord Doubling (and Spacing): A Reply To Wibberley. | MTheoryOnline | 10 | 3 | Sep 2004 | | |
| Sobaskie, James William | Contextual drama in Bach. | MTheoryOnline | 12 | 3 | Oct 2006 | | |
| Reed, Jacob; Bain, Matthew | A Tetrahelix Animates Bach: Revisualization of David Lewin's Analysis of the Opening of the F Minor Fugue from WTC I | MTheoryOnline | 13 | 4 | Dec 2007 | | |
| Martens, Peter A. | Glenn Gould's 'Constant Rhythmic Reference Point': Communicating Pulse in Bach's Goldberg Variations, 1955 and 1981 | MTheoryOnline | 13 | 4 | Dec 2007 | | |
| Amiot, Emmanuel | Discrete Fourier Transform and Bach's Good Temperament. | MTheoryOnline | 15 | 2 | Jun 2009 | | |
| Fitzpatrick, Michael | Models and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. | MTheoryOnline | 17 | 1 | Apr 2011 | | |
| Davis, Stacey | Stream segregation and perceived syncopation: Analyzing the rhythmic effects of implied polyphony in Bach's unaccompanied string works. | MTheoryOnline | 17 | 1 | Apr 2011 | | |
| Barolsky, Daniel; Martens, Peter | Rendering the Prosaic Persuasive: Gould and the Performance of Bach's C-minor Prelude (WTC I) | MTheoryOnline | 18 | 1 | Apr 2012 | 8p | |
| Byros, Vasili | Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach. | MTheoryOnline | 21 | 3 | Sep 2015 | 33p | |
12 matches.
