| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Whitmore, Philip | Towards an Understanding of the Capriccio. | JRMA | 113 | 1 | 1988 | 47-56 | |
| Butt, John | Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. | JRMA | 116 | 1 | 1991 | 41-62 | |
| Cook, Nicholas | The Editor and the Virtuoso, or Schenker versus Bülow. | JRMA | 116 | 1 | 1991 | 78-95 | |
| Winter, Robert S. | Of Realizations, Completions, Restorations and Reconstructions: From Bach's 'The Art of Fugue' to Beethoven's Tenth Symphony. | JRMA | 116 | 1 | 1991 | 96-126 | |
| Maunder, Richard | J.C. Bach and the early piano in London. | JRMA | 116 | 2 | 1991 | 201-210 | |
| Williamson, Rosemary | Sterndale Bennett's Lost Piano Concerto Found. | JRMA | 119 | 1 | 1994 | 115-129 | |
| Cowgill, Rachel | The London Apollonicon Recitals, 1817-32: A Case-Study in Bach, Mozart and Haydn Reception. | JRMA | 123 | 2 | 1998 | 190-228 | |
| Garratt, James | Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music. | JRMA | 125 | 2 | 2000 | 164-204 | |
| Varwig, Bettina | Death and Life in J. S. Bach's Cantata Ich habe genung (BWV 82). | JRMA | 135 | 2 | 2010 | 315-356 | |
| Cenciarelli, Carlo | Dr Lecter's Taste for 'Goldberg', or: The Horror of Bach in the Hannibal Franchise. | JRMA | 137 | 1 | 2012 | 107-134 | |
10 matches.
