| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Walker, Paul Mark | Theories of Fugue from the Age of Josquin to the Age of Bach. | EastmanStudM | 13 | | 2000 | 485p | |
| Speerstra, Joel | Bach and the pedal clavichord: an organist's guide. | EastmanStudM | 26 | | 2004 | 280p | |
| Marvin, Roberta Montemorra | Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations. | EastmanStudM | 28 | | 2004 | 1-7 | |
| Stinson, Russell | New Perspectives on Bach's Great Eighteen Chorales. | EastmanStudM | 28 | | 2004 | 40-56 | |
| Crist, Stephen A. | Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48. | EastmanStudM | 28 | | 2004 | 57-84 | |
| Marissen, Michael | Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. | EastmanStudM | 28 | | 2004 | 85-94 | |
| Kramer, Richard A. | Carl Philipp Emanuel Bach and the Aesthetics of Patricide. | EastmanStudM | 28 | | 2004 | 121-142 | |
| Crist, Stephen A.; Marvin, Roberta Montemorra | Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall. | EastmanStudM | 28 | | 2004 | 448p | |
| Beach, David W. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. | EastmanStudM | 33 | | 2005 | xiii, 92p | |
| Baron, Carol K. | Transitions, Transformations, Reversals: Rethinking Bach's World. | EastmanStudM | 37 | | 2006 | 1-34 | |
| Baron, Carol K. | Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers, Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants, Worldly Mystics: The Religious World Bach Inherited. | EastmanStudM | 37 | | 2006 | 35-85 | |
| Cleve, John van | Family Values and Dysfunctional Families: Home Life in the Moral Weeklies and Comedies of Bach's Leipzig. | EastmanStudM | 37 | | 2006 | 86-107 | |
| Irwin, Joyce L. | Bach in the Midst of Religious Transition. | EastmanStudM | 37 | | 2006 | 108-126 | |
| Siegele, Ulrich | Bach's Situation in the Cultural Politics of Contemporary Leipzig. | EastmanStudM | 37 | | 2006 | 127-173 | |
| Kevorkian, Tanya | The reception of the Cantata during Leipzig Church Services, 1700-1750. | EastmanStudM | 37 | | 2006 | 174-189 | |
| Goodman, Katherine R. | From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in Bach's Leipzig. | EastmanStudM | 37 | | 2006 | 190-218 | |
| Kuhnau, Johann | A Treatise on Liturgical Text Settings (1710). | EastmanStudM | 37 | | 2006 | 219-226 | |
| Scheibel, Gottfried Ephraim | Random Thoughts About Church Music in Our Day (1721). | EastmanStudM | 37 | | 2006 | 227-249 | |
| Baron, Carol K. | Bach's Changing World: Voices in the Community. | EastmanStudM | 37 | | 2006 | xvi, 264p | |
| Cooper, John Michael | Mendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850. | EastmanStudM | 43 | | 2007 | xvi, 284p | |
| Saffle, Michael | Czerny and the keyboard fantasy: Traditions, innovations, legacy. | EastmanStudM | 53 | | 2008 | 202-228 | |
| Gramit, David | Beyond The art of finger dexterity: Reassessing Carl Czerny. | EastmanStudM | 53 | | 2008 | xiii, 280p | |
| Vial, Stephanie D. | The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. | EastmanStudM | 55 | | 2008 | xvi, 358p | |
| Kerman, Joseph | Fugue and its discontents. | EastmanStudM | 58 | | 2008 | 5-13 | |
| Schulenberg, David | Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. | EastmanStudM | 58 | | 2008 | 14-23 | |
| Curry, Robert; Gable, David; Marshall, Robert L. | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. | EastmanStudM | 58 | | 2008 | x, 375p | |
| Rothfarb, Lee | August Halm: A critical and creative life in music. | EastmanStudM | 68 | | 2009 | xix, 293p | |
| Schulenberg, David | The Music of Wilhelm Friedemann Bach | EastmanStudM | 79 | | 2010 | 354p | |
| Melamed, Daniel R. | Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. | EastmanStudM | 102 | | 2013 | 111-135 | |
| Cypess, Rebecca; Glixon, Beth; Link, Nathan | Word, image, and song, Vol. 2: Essays on musical voices. | EastmanStudM | 102 | | 2013 | 288p | |
| Schulenberg, David | The Music of Carl Philipp Emanuel Bach. | EastmanStudM | 114 | | 2014 | xv, 416p | |
| Todd, R. Larry | Mendelssohn and the contrapuntal tradition. | EastmanStudM | 118 | | 2014 | 15-39 | |
| Mercer-Taylor, Peter | Mendelssohn and the legacy of Beethoven's ninth: Vocality in the 'Reformation' symphony. | EastmanStudM | 118 | | 2014 | 61-88 | |
| Little, William A. | Mendelssohn and the Organ. | EastmanStudM | 118 | | 2014 | 91-110 | |
| Stinson, Russell | Some observations on Mendelssohn's Bach recital. | EastmanStudM | 118 | | 2014 | 111-121 | |
| Thistlethwaite, Nicholas J. | 'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform. | EastmanStudM | 118 | | 2014 | 122-140 | |
| Davidsson, Hans | Mendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context. | EastmanStudM | 118 | | 2014 | 141-210 | |
| Wolff, Christoph | The Bach tradition among the Mendelssohn ancestry. | EastmanStudM | 118 | | 2014 | 213-223 | |
| Thym, Jürgen | Mendelssohn, the organ, and the music of the past: Constructing historical legacies. | EastmanStudM | 118 | | 2014 | x,339p | |
| Willner, Channan | Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works. | EastmanStudM | 122 | | 2015 | 157-170 | |
| Beach, David W.; Goldenberg, Yosef | Bach to Brahms: Essays on musical design and structure. | EastmanStudM | 122 | | 2015 | 326p | |
| Wollny, Peter | Bach and the violin. | EastmanStudM | 135 | | 2016 | 95-122 | |
| Riggs, Robert | The violin. | EastmanStudM | 135 | | 2016 | xviii, 306p | |
| Burkhart, Charles | A letter about the C-major fugue from The well-tempered clavier, Book I. | EastmanStudM | 136 | | 2016 | 3-11 | |
| Anson-Cartwright, Mark | The opening tonal complex of Bach's St. Matthew passion: A linear view. | EastmanStudM | 136 | | 2016 | 12-25 | |
| Samarotto, Frank | Recurrence and fantasy in C.P.E. Bach's rondo in G major. | EastmanStudM | 136 | | 2016 | 26-41 | |
| Beach, David W.; Mak, Su-yin | Explorations in Schenkerian analysis. | EastmanStudM | 136 | | 2016 | xii, 359p | |
| Kirkpatrick, Meredith | Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. | EastmanStudM | 140 | | 2016 | x, 199p | |
| Kirkpatrick, Ralph | On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) | EastmanStudM | 140 | | 2017 | 99-101 | |
| Kirkpatrick, Ralph | Bach and Mozart for violin and harpsichord (ca. 1944) | EastmanStudM | 140 | | 2017 | 110-142 | |
| Kirkpatrick, Ralph | Bach and keyboard instruments. | EastmanStudM | 140 | | 2017 | 121-129 | |
| Goozé, Marjanne E. | What was the Berlin Jewish salon around 1800? | EastmanStudM | 145 | | 2018 | 21-38 | |
| Helfer, Martha B. | Lessing and the limits of enlightenment. | EastmanStudM | 145 | | 2018 | 99-121 | |
| Sacks, Elias | Poetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity. | EastmanStudM | 145 | | 2018 | 122-146 | |
| Sela-Teichler, Yael | Longing for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin. | EastmanStudM | 145 | | 2018 | 147-177 | |
| Cypess, Rebecca | Duets in the collection of Sara Levy and the ideal of 'unity in multiplicity'. | EastmanStudM | 145 | | 2018 | 181-204 | |
| Cypess, Rebecca; Sinkoff, Nancy | Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin. | EastmanStudM | 145 | | 2018 | x, 292p | |
57 matches.
