| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Sitsky, Larry | Busoni and the Piano: The Works, the Writings, and the Recordings. | ContributStudMDance | 7 | | 1986 | xi, 409p | |
| Baron, Samuel | J. S. Bach: The Flauto and the Traverso. | ContributStudMDance | 19 | | 1992 | 11-18 | |
| Bennis, Ann Edward | An Odd Couple: J. S. Bach and A. S. Huxley. | ContributStudMDance | 19 | | 1992 | 19-21 | |
| Corrigan, Vincent | Hemiola in the Eighteenth Century. | ContributStudMDance | 19 | | 1992 | 23-32 | |
| Daverio, John J. | The 'Unravelling' of Schoenberg's Bach. | ContributStudMDance | 19 | | 1992 | 33-44 | |
| Sammern-Frankenegg, Fritz | The Message of Johann Sebastian Bach in Ingmar Bergman's Cinematic Art. | ContributStudMDance | 19 | | 1992 | 45-57 | |
| Adams, Howard C. | The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. | ContributStudMDance | 19 | | 1992 | 5-9 | |
| Gottlieb, Stephen A. | Bach's Musical Offering as Autobiography. | ContributStudMDance | 19 | | 1992 | 59-68 | |
| Hall, Richard A. Spurgeon | Bach and Edwards on the Religious Affections. | ContributStudMDance | 19 | | 1992 | 69-81 | |
| Joseph, Charles M. | Bach the Architect: Some Remarks on Structure and Pacing in Selected Praeludia. | ContributStudMDance | 19 | | 1992 | 83-93 | |
| Schulenberg, David | Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. | ContributStudMDance | 19 | | 1992 | 95-109 | |
| Smithers, Don L. | The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'. | ContributStudMDance | 19 | | 1992 | 111-126 | |
| Benstock, Seymour L. | Johann Sebastian: A Tercentenary Celebration. | ContributStudMDance | 19 | | 1992 | 176p | |
| Groocock, Joseph | Fugal Composition: A Guide to the Study of Bach's '48'. | ContributStudMDance | 65 | | 2003 | xiii, 230p | |
14 matches.
