| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Cameron, Jasmin Melissa | The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800. | ContextBachStud | 1 | | 2006 | xxiv, 371p | |
| Elferen, Isabella van | Mystical love in the German Baroque: theology, poetry, music. | ContextBachStud | 2 | | 2009 | xxvi, 357p | |
| Leahy, Anne | J. S. Bach's 'Leipzig Chorale' Preludes: Music, Text, Theology. | ContextBachStud | 3 | | 2011 | xxviii, 297p | |
| Göncz, Zoltán | Bach's Testament: On the Philosophical and Theological Background of The Art of Fugue. | ContextBachStud | 4 | | 2013 | xvi, 178p | |
| Irwin, Joyce L. | Foretastes of heaven in Lutheran church music tradition: Johann Mattheson and Christoph Raupach on music in time and eternity. | ContextBachStud | 5 | | 2015 | xlix, 162p | |
| Paczkowski, Szymon | Polish style in the music of Johann Sebastian Bach. | ContextBachStud | 6 | | 2017 | xvi, 402p | |
| Bartel, Dietrich | Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe. | ContextBachStud | 7 | | 2017 | xv, 157p | |
| Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). | ContextBachStud | 8 | | 2018 | 3-22 | |
| Chafe, Eric | Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). | ContextBachStud | 8 | | 2018 | 23-50 | |
| Peters, Mark A. | Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) | ContextBachStud | 8 | | 2018 | 51-73 | |
| Greer, Mary | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. | ContextBachStud | 8 | | 2018 | 75-102 | |
| Petzoldt, Martin | The Theological in Bach Research (2007). | ContextBachStud | 8 | | 2018 | 103-118 | |
| Sanders, Reginald L. | Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. | ContextBachStud | 8 | | 2018 | 121-137 | |
| Lee, Kayoung | The Tonally Open Ritornello in J. S. Bach's Church Cantatas. | ContextBachStud | 8 | | 2018 | 139-151 | |
| Allanbrook, Wye J. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. | ContextBachStud | 8 | | 2018 | 153-164 | |
| Schulze, Hans-Joachim | Parody and Text Quality in the Vocal Works of J. S. Bach. | ContextBachStud | 8 | | 2018 | 167-176 | |
| Leaver, Robin A. | J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? | ContextBachStud | 8 | | 2018 | 177-203 | |
| Butler, Gregory | J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. | ContextBachStud | 8 | | 2018 | 205-214 | |
| Saunders, Steven | Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. | ContextBachStud | 8 | | 2018 | 215-224 | |
| Tomita, Yo | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. | ContextBachStud | 8 | | 2018 | 225-242 | |
| Kevorkian, Tanya | The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. | ContextBachStud | 8 | | 2018 | 245-259 | |
| Grant, Jason B. | The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. | ContextBachStud | 8 | | 2018 | 261-279 | |
| Scheide, William H. | The Need for a New Music: J. S. Bach in Contemporary Context (1946). | ContextBachStud | 8 | | 2018 | 281-295 | |
| Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. | ContextBachStud | 8 | | 2018 | 297-303 | |
| Peters, Mark A.; Sanders, Reginald L. | Compositional Choices and Meaning in the Vocal Music of J. S. Bach. | ContextBachStud | 8 | | 2018 | xxi, 328p | |
25 matches.
