Bach Bibliography
Listing of Journal Contents

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Series : BachPerspectives
Author Title Series Vol No Year Pages NB
Schulenberg, DavidComposition and Improvisation in the School of J. S. Bach. BachPerspectives1 1995 1-42
Stinson, RussellThe Compositional History of Bach's Orgelbüchlein Reconsidered. BachPerspectives1 1995 43-78
Marissen, MichaelConcerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives1 1995 79-101
Chafe, Eric T.'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. BachPerspectives1 1995103-134
Crist, Stephen A.The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. BachPerspectives1 1995135-161
Brokaw, James A., IIThe Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? BachPerspectives1 1995163-180
Stinson, RussellBach Perspectives I. BachPerspectives1 1995xii, 226p
Stauffer, George B.The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. BachPerspectives2 1996 1-9
May, ErnestConnections between Breitkopf and J. S. Bach. BachPerspectives2 1996 11-26
Glöckner, AndreasChurch Cantatas in the Breitkopf Catalogs. BachPerspectives2 1996 27-33
Schulze, Hans-JoachimJ. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. BachPerspectives2 1996 35-49
Kobayashi, YoshitakeBreitkopf Attributions and Research on the Bach Family. BachPerspectives2 1996 53-63
Daub, PeggyThe Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. BachPerspectives2 1996 65-83
Zaslaw, NealThe Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. BachPerspectives2 1996 85-103
Kobayashi, YoshitakeOn the Identification of Breitkopf's Manuscripts. BachPerspectives2 1996107-121
Hill, Goerge R.Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. BachPerspectives2 1996123-141
Cammarota, Robert M.The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. BachPerspectives2 1996143-156
Butler, Gregory G.Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives2 1996159-168
Landmann, OrtrunBreitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. BachPerspectives2 1996169-179
Stauffer, George B.The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. BachPerspectives2 1996181-203
Stauffer, George B.J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. BachPerspectives2 1996xv, 219p
Finscher, LudwigBach's Posthumous Role in Music History. BachPerspectives3 1998 1-21
Christensen, ThomasBach among the Theorists. BachPerspectives3 1998 23-46
Marshall, Robert L.Bach and Mozart's Artistic Maturity. BachPerspectives3 1998 47-79
Kinderman, WilliamBachian Affinities in Beethoven. BachPerspectives3 1998 81-108
Frisch, WalterBach, Brahms, and the Emergence of Musical Modernism. BachPerspectives3 1998109-131
Hinton, StephenHindemith, Bach, and the Melancholy of Obligation. BachPerspectives3 1998133-150
Marissen, MichaelCreative Responses to Bach from Mozart to Hindemith. BachPerspectives3 1998ix, 160p
Butler, Gregory G.The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives4 1999 9-32
Mann, AlfredIntroduction: Bach's Orchestral Music. BachPerspectives4 1999 3-8
Swack, JeanneModular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. BachPerspectives4 1999 33-53
Koster, JohnThe Harpsichord Culture in Bach's Environs. BachPerspectives4 1999 57-77
Oleskiewicz, MaryThe Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? BachPerspectives4 1999 79-110
Schulenberg, DavidVersions of Bach: Performing Practice in the Keyboard Works. BachPerspectives4 1999111-135
Renwick, William39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. BachPerspectives4 1999137-158
Walker, PaulFugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. BachPerspectives4 1999159-179
Butt, JohnBach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives4 1999181-198
Schulenberg, DavidThe Music of J. S. Bach. Analysis and Interpretation. BachPerspectives4 1999x, 208p
Owen, BarbaraBach Comes to America. BachPerspectives5 2003 1-14
Dirst, MatthewDoing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. BachPerspectives5 2003 15-35
Broyles, MichaelHaupt's Boys: Lobbying for Bach in Nineteenth-Century Boston. BachPerspectives5 2003 37-55
Greer, Mary J.'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. BachPerspectives5 2003 57-114
Schulze, Hans-Joachim'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition. BachPerspectives5 2003115-122
Wolff, ChristophDescendants of Wilhelm Friedemann Bach in the United States. BachPerspectives5 2003123-130
Wollny, PeterOn Miscellaneous American Bach Sources. BachPerspectives5 2003131-150
Baron, Carol Kitzes'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces. BachPerspectives5 2003151-177
Crist, Stephen A.The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. BachPerspectives5 2003179-215
Crist, Stephen A.Bach in America. BachPerspectives5 2003xiv, 227p
Rifkin, JoshuaThe 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. BachPerspectives6 2007 1-98
Swack, JeanneA Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. BachPerspectives6 2007 99-135
Zohn, StevenBach and the Concert en ouverture. BachPerspectives6 2007137-156
Butler, Gregory G.J. S. Bach's Concerted Ensemble Music, The Ouverture. BachPerspectives6 2007xi, 163p
Butler, Gregory G.Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). BachPerspectives7 2008 1-20
Dirksen, PieterJ. S. Bach's Violin Concerto in G Minor. BachPerspectives7 2008 21-54
Schulenberg, DavidThe Sonate auf Concertenart: A Postmodern Invention? BachPerspectives7 2008 55-96
Wolff, ChristophSicilianos and Organ Recitals: Observations on J. S. Bach's Concertos. BachPerspectives7 2008 97-114
Butler, Gregory G.J. S. Bach's Concerted Ensemble Music, The Concerto. BachPerspectives7 2008xi, 121p
Wolff, ChristophUnder the Spell of Opera? Bach's Oratorio Trilogy. BachPerspectives8 2011 1-12
Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives8 2011 13-41
Rathey, MarkusDrama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. BachPerspectives8 2011 42-68
Snyder, Kerala J.Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. BachPerspectives8 2011 69-95
Dreyfus, LaurenceThe Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. BachPerspectives8 2011 96-121
Chafe, EricBach's Ascension Oratorio: God's Kingdoms and Their Representation. BachPerspectives8 2011122-145
Melamed, Daniel R.J. S. Bach and the Oratorio Tradition. BachPerspectives8 2011ix, 153p
Hirschmann, Wolfgang'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries. BachPerspectives9 2013 1-23
Zohn, StevenAesthetic Mediation and Tertiary Rhetoric. BachPerspectives9 2013 24-49
Talle, AndrewBach, Graupner, and the Rest of Their Contented Contemporaries. BachPerspectives9 2013 50-76
Dunlop, Alison J.The Famously Little-Known Gottlieb Muffat. BachPerspectives9 2013 77-119
Maul, MichaelBach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict. BachPerspectives9 2013120-143
Talle, AndrewJ. S. Bach and His German Contemporaries. BachPerspectives9 2013viii, 151p
Marshall, Robert L.Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. BachPerspectives11 2017 1-23
Oleskiewicz, MaryKeyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. BachPerspectives11 2017 24-82
Schulenberg, DavidC. P. E. Bach's Keyboard Music and the Question of Idiom. BachPerspectives11 2017 83-112
Cortens, EvanVoices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach. BachPerspectives11 2017113-131
Blanken, ChristineRecently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive. BachPerspectives11 2017132-171
Oleskiewicz, MaryJ. S. Bach and His Sons. BachPerspectives11 2017x, 191p
Noll, MarkHistorical Proximity: John Wesley Visits Leipzig in 1738. BachPerspectives12 2018 1-16
Irwin, Joyce L.Dancing in Bach's Time: Sin or Permissible Pleasure? BachPerspectives12 2018 17-35
Leaver, Robin A.A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). BachPerspectives12 2018 36-62
Stockigt, Janice B.Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives12 2018 63-83
Rathey, MarkusBach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. BachPerspectives12 2018 84-103
Stauff, DerekThe Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany. BachPerspectives12 2018104-128
Cypess, RebeccaMusic Historicism: Sara Levy and the Jewish Enlightenment. BachPerspectives12 2018129-151
Leaver, Robin A.Bach and the Counterpoint of Religion. BachPerspectives12 2018x, 157p
Zepf, MarkusReworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer. BachPerspectives13 2020 1-35
Hill, Moira LeanneRepaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions. BachPerspectives13 2020 36-73
Knyt, Erinn E.The Bach-Busoni Goldberg Variations. BachPerspectives13 2020 74-100
Crist, Stephen A.Bach as Modern Jazz. BachPerspectives13 2020101-121
Exner, EllenCertifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell. BachPerspectives13 2020122-142
Buch, LauraBach Reworked. BachPerspectives13 2020149p

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