| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Schulenberg, David | Composition and Improvisation in the School of J. S. Bach. | BachPerspectives | 1 | | 1995 | 1-42 | |
| Stinson, Russell | The Compositional History of Bach's Orgelbüchlein Reconsidered. | BachPerspectives | 1 | | 1995 | 43-78 | |
| Marissen, Michael | Concerto Styles and Signification in Bach's First Brandenburg Concerto. | BachPerspectives | 1 | | 1995 | 79-101 | |
| Chafe, Eric T. | 'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. | BachPerspectives | 1 | | 1995 | 103-134 | |
| Crist, Stephen A. | The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. | BachPerspectives | 1 | | 1995 | 135-161 | |
| Brokaw, James A., II | The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? | BachPerspectives | 1 | | 1995 | 163-180 | |
| Stinson, Russell | Bach Perspectives I. | BachPerspectives | 1 | | 1995 | xii, 226p | |
| Stauffer, George B. | The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. | BachPerspectives | 2 | | 1996 | 1-9 | |
| May, Ernest | Connections between Breitkopf and J. S. Bach. | BachPerspectives | 2 | | 1996 | 11-26 | |
| Glöckner, Andreas | Church Cantatas in the Breitkopf Catalogs. | BachPerspectives | 2 | | 1996 | 27-33 | |
| Schulze, Hans-Joachim | J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. | BachPerspectives | 2 | | 1996 | 35-49 | |
| Kobayashi, Yoshitake | Breitkopf Attributions and Research on the Bach Family. | BachPerspectives | 2 | | 1996 | 53-63 | |
| Daub, Peggy | The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. | BachPerspectives | 2 | | 1996 | 65-83 | |
| Zaslaw, Neal | The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. | BachPerspectives | 2 | | 1996 | 85-103 | |
| Kobayashi, Yoshitake | On the Identification of Breitkopf's Manuscripts. | BachPerspectives | 2 | | 1996 | 107-121 | |
| Hill, Goerge R. | Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. | BachPerspectives | 2 | | 1996 | 123-141 | |
| Cammarota, Robert M. | The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. | BachPerspectives | 2 | | 1996 | 143-156 | |
| Butler, Gregory G. | Johann Gottlob Immanuel Breitkopf: The Formative Years. | BachPerspectives | 2 | | 1996 | 159-168 | |
| Landmann, Ortrun | Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. | BachPerspectives | 2 | | 1996 | 169-179 | |
| Stauffer, George B. | The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. | BachPerspectives | 2 | | 1996 | 181-203 | |
| Stauffer, George B. | Bach Perspectives 2: J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. | BachPerspectives | 2 | | 1996 | xv, 219p | |
| Finscher, Ludwig | Bach's Posthumous Role in Music History. | BachPerspectives | 3 | | 1998 | 1-21 | |
| Christensen, Thomas | Bach among the Theorists. | BachPerspectives | 3 | | 1998 | 23-46 | |
| Marshall, Robert L. | Bach and Mozart's Artistic Maturity. | BachPerspectives | 3 | | 1998 | 47-79 | |
| Kinderman, William | Bachian Affinities in Beethoven. | BachPerspectives | 3 | | 1998 | 81-108 | |
| Frisch, Walter | Bach, Brahms, and the Emergence of Musical Modernism. | BachPerspectives | 3 | | 1998 | 109-131 | |
| Hinton, Stephen | Hindemith, Bach, and the Melancholy of Obligation. | BachPerspectives | 3 | | 1998 | 133-150 | |
| Marissen, Michael | Bach Perspectives 3: Creative Responses to Bach from Mozart to Hindemith. | BachPerspectives | 3 | | 1998 | ix, 160p | |
| Butler, Gregory G. | The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. | BachPerspectives | 4 | | 1999 | 9-32 | |
| Mann, Alfred | Introduction: Bach's Orchestral Music. | BachPerspectives | 4 | | 1999 | 3-8 | |
| Swack, Jeanne | Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. | BachPerspectives | 4 | | 1999 | 33-53 | |
| Koster, John | The Harpsichord Culture in Bach's Environs. | BachPerspectives | 4 | | 1999 | 57-77 | |
| Oleskiewicz, Mary | The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? | BachPerspectives | 4 | | 1999 | 79-110 | |
| Schulenberg, David | Versions of Bach: Performing Practice in the Keyboard Works. | BachPerspectives | 4 | | 1999 | 111-135 | |
| Renwick, William | 39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. | BachPerspectives | 4 | | 1999 | 137-158 | |
| Walker, Paul | Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. | BachPerspectives | 4 | | 1999 | 159-179 | |
| Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. | BachPerspectives | 4 | | 1999 | 181-198 | |
| Schulenberg, David | Bach Perspectives, vol. 4. The Music of J. S. Bach. Analysis and Interpretation. | BachPerspectives | 4 | | 1999 | x, 208p | |
| Owen, Barbara | Bach Comes to America. | BachPerspectives | 5 | | 2003 | 1-14 | |
| Dirst, Matthew | Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. | BachPerspectives | 5 | | 2003 | 15-35 | |
| Brovles, Michael | Haupt's Boys: Lobbying for Bach in Nineteenth-Century Boston. | BachPerspectives | 5 | | 2003 | 37-55 | |
| Greer, Mary J. | 'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. | BachPerspectives | 5 | | 2003 | 57-114 | |
| Schulze, Hans-Joachim | 'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition. | BachPerspectives | 5 | | 2003 | 115-122 | |
| Wolff, Christoph | Descendants of Wilhelm Friedemann Bach in the United States. | BachPerspectives | 5 | | 2003 | 123-130 | |
| Wollny, Peter | On Miscellaneous American Bach Sources. | BachPerspectives | 5 | | 2003 | 131-150 | |
| Baron, Carol Kitzes | 'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces. | BachPerspectives | 5 | | 2003 | 151-177 | |
| Crist, Stephen A. | The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. | BachPerspectives | 5 | | 2003 | 179-215 | |
| Crist, Stephen A. | Bach perspectives. Volume Five. Bach in America. | BachPerspectives | 5 | | 2003 | xiv, 227p | |
| Rifkin, Joshua | The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. | BachPerspectives | 6 | | 2007 | 1-98 | |
| Swack, Jeanne | A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. | BachPerspectives | 6 | | 2007 | 99-135 | |
| Zohn, Steven | Bach and the Concert en ouverture. | BachPerspectives | 6 | | 2007 | 137-156 | |
| Butler, Gregory G. | Bach Perspectives. Volume Six. J. S. Bach's Concerted Ensemble Music, The Ouverture. | BachPerspectives | 6 | | 2007 | xi, 163p | |
| Butler, Gregory G. | Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). | BachPerspectives | 7 | | 2008 | 1-20 | |
| Dirksen, Pieter | J. S. Bach's Violin Concerto in G Minor. | BachPerspectives | 7 | | 2008 | 21-54 | |
| Schulenberg, David | The Sonate auf Concertenart: A Postmodern Invention? | BachPerspectives | 7 | | 2008 | 55-96 | |
| Wolff, Christoph | Sicilianos and Organ Recitals: Observations on J. S. Bach's Concertos. | BachPerspectives | 7 | | 2008 | 97-114 | |
| Butler, Gregory G. | Bach Perspectives. Volume Seven. J. S. Bach's Concerted Ensemble Music, The Concerto. | BachPerspectives | 7 | | 2008 | xi, 121p | |
| Wolff, Christoph | Under the Spell of Opera? Bach's Oratorio Trilogy. | BachPerspectives | 8 | | 2011 | 1-12 | |
| Melamed, Daniel R. | Johann Sebastian Bach and Barthold Heinrich Brockes. | BachPerspectives | 8 | | 2011 | 13-41 | |
| Rathey, Markus | Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. | BachPerspectives | 8 | | 2011 | 42-68 | |
| Snyder, Kerala J. | Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. | BachPerspectives | 8 | | 2011 | 69-95 | |
| Dreyfus, Laurence | The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. | BachPerspectives | 8 | | 2011 | 96-121 | |
| Chafe, Eric | Bach's Ascension Oratorio: God's Kingdoms and Their Representation. | BachPerspectives | 8 | | 2011 | 122-145 | |
| Melamed, Daniel R. | J. S. Bach and the Oratorio Tradition. | BachPerspectives | 8 | | 2011 | ix, 153p | |
64 matches.
