| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Schenkman, Walter | Rethinking Diabelli's Waltz in Relation to Beethoven's Variations. | AdParnassum | 4 | 8 | Oct 2006 | 7-19 | |
| Chapin, Keith | Classicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy. | AdParnassum | 4 | 8 | Oct 2006 | 115-139 | |
| Schenkman, Walter | Notes and Numbers in the Goldberg. | AdParnassum | 5 | 9 | Apr 2007 | 41-70 | |
| Jerold, Beverly | The tromba and corno in Bach's time. | AdParnassum | 6 | 12 | Oct 2008 | 7-39 | |
| Todd, R. Larry | Mendelssohn Reception and Us: Reflections on the Bicentenary. | AdParnassum | 7 | 14 | Oct 2009 | 7-36 | |
| Cooper, John Michael | Mendelssohn's Fugues for String Quartet (1821). | AdParnassum | 7 | 14 | Oct 2009 | 37-69 | |
| Stewart-MacDonald, Rohan H. | The recital in England: Sir William Sterndale Bennett's 'Classical Chamber Concerts', 1843–1856. | AdParnassum | 13 | 25 | Apr 2015 | 115-175 | |
| Arfini, Maria Teresa | Charles Valentin Alkan e Johann Sebastian Bach: un capitolo dello storicismo in Francia. | AdParnassum | 13 | 25 | Apr 2015 | 91-114 | |
| Walden, Joshua S. | 'Novelty, wit and an abundance of ideas': The mid-eighteenth century German instrumental cadenza as interpretation. | AdParnassum | 14 | 27 | Apr 2016 | 37-62 | |
9 matches.
