Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Myhajlova, Iryna Mykolaivna | Ideâ transcendentnogo v muzyci J.-S. Baha ta A.G. Šnitke: Obrazy, symvoly, paradoksy. [The transcendental principle in music of J.S. Bach and Schnittke: Images, symbols, paradoxes] - Kand, Iskusstvovedenie from Nacional'na Muzyèna Akademiâ Ukrainy imeni P.I. Èajkovs'kogo, Kyiv, 2009. 179p. |
diss. |
| | 2009 |
179p |
Latin 2 |
| 2. | Redrow, Sean Patrick | The 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary. DMA diss., Boston University, 2009. 276p. - Ann Arbor, MI: University Microfilms International, 2009. ISBN: 978-1-109-00167-9; Dissertation No: 3345580. |
diss. |
| | 2009 |
276p |
|
| 3. | Sulaiman, Samaa | Les pianistes et le répertoire du baroque tardif pour clavier: réflexion sur un corpus d'interprétations discographiques (J.S.Bach, Rameau, D.Scarlatti). PhD diss., Université Lyon 2, 2009. 338p |
diss. |
| | 2009 |
338p |
|
| 4. | Lephay, Pierre-Emmanuel | Que faire d'une oeuvre inachevée? Les choix interprétatifs face au manque à travers les exemples de 'L'art de la fugue' de Bach, 'La Khovantchina' de Moussorgsky et la 'Neuvième symphonie' de Bruckner. PhD diss., Univ. Strasbourg, 2009. 2 vols. (469 p, 143 p) |
diss. |
| | 2009 |
469, 143p |
|
| 5. | Joyce, Elizabeth B. | Representation of 'the world' in the church cantatas of Johann Sebastian Bach. PhD diss., Brandeis University, 2009. 606p. - Ann Arbor, MI: University Microfilms International, 2009. ISBN: 978-1-109-11414-0; Dissertation No: 3352978 |
diss. |
| | 2009 |
606p |
|
| 6. | Helfgott, Maria | Die Orgelmesse: Eine Untersuchung der orgelbegleiteten Messen vom ausgehenden 18. bis zum beginnenden 20. Jahrhundert. PhD diss., Universität Wien, 2009. 675p. |
diss. |
| | 2009 |
675p |
|
| 7. | Alexander, Daniel | The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style. DMA diss., University of Houston, 2009. 89p. - Ann Arbor, MI: University Microfilms International, 2009. AAT 3399329. ISBN: 978-1-109-64749-5 |
diss. |
| | 2009 |
89p |
|
| 8. | Beck, Kimberly Jean | The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. MA diss., University of Iowa, 2009. iv, 111p. |
diss. |
| | 2009 |
iv, 111p |
|
| 9. | D'Elia, Peter | Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. MA thesis, Tufts University, May 2009. iv, 73p |
diss. |
| | 2009 |
iv, 73p |
|
| 10. | Seighman, Gary B. | Expanding the Choral Conductor's Horizon: The Application of Selected Literary Theories to the Process of Choral Score Study. DMA diss. University of Maryland. 2009. v, 170p. [BWV 48] |
diss. |
| | 2009 |
v, 170p |
|
| 11. | Rice, Karen M. | Beyond Third Stream: Henry Martin's Preludes and fugues for solo piano. DMA diss., University of North Carolina, Greensboro, 2009. vi, 170p. - Ann Arbor, MI: University Microfilms International, 2009. ISBN: 978-1-109-15645-4; Dissertation No: 3355977. |
diss. |
| | 2009 |
vi, 170p |
|
| 12. | McCormick, Susan | The Choralbuch of Johann Christian Kittel. Its significance in our understanding of Bach's legacy. MA diss., School of Music and Sonic Arts, Queen's University Belfast, 2009. 2 vols. vii, 78p; v, 533p. |
diss. |
| | 2009 |
vii, 78p; v, 533p |
|