Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Jansen, Frans | Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. Doctoraalscriptie Muziekwetenschap, Universiteit Utrecht, Faculteit der Letteren. Augustus 2006. 103p. |
diss. |
| | 2006 |
103p |
|
| 2. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p. |
diss. |
| | 2006 |
113p |
|
| 3. | Kim, Mary Byung-Ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. DMA diss., Southern Baptist Theological Seminary, 2006. 158p. [BWV 84] |
diss. |
| | 2006 |
158p |
|
| 4. | Harju, Tommi | Kaanonien kaatama? Johann Gottfried Waltherin elämä. [Brought down by canons? The life of Johann Gottfried Walther] Lic, Jyväskylän Yliopisto, 2006. 161p. |
diss. |
| | 2006 |
161p |
|
| 5. | Sidorova, Elena Viktorovna | Principy hudožestvennogo pretvoreniâ horala v duhovnyh kantatah I. S. Baha. [Principles of chorale implementation in J. S. Bach's sacred cantatas] - Kand, Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni S.V. Rahmaninova, Rostov, 2006. 174p. |
diss. |
| | 2006 |
174p |
|
| 6. | Lloyd, Rebecca Joanne | Bach among the conservatives: the quest for theological truth. PhD thesis, King's College London. 199p. |
diss. |
| | 2006 |
199p |
|
| 7. | Schüllerová, Silvie | Afektová teorie a hudebně rétorické figury. [Doctrine of Affections and Musical-Rhetorical Figures] PhD thesis, Faculty of Education, Masaryk University, Brno. 2006. 208p. |
diss. |
| | 2006 |
208p |
Latin 2 |
| 8. | Keen, Basil Sidney Charles | The Bach choir, 1876-1928. PhD diss., Goldsmiths College, University of London, 2006. 281 leaves. |
diss. |
| | 2006 |
281p |
|
| 9. | Kempf, Davorin | Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte. Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin, 2006. 417p. |
diss. |
| | 2006 |
417p |
|
| 10. | Lim, Aesook | The long chorale preludes of J. S. Bach (1685-1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and others. DMA diss., University of North Texas, 2006. 42p |
diss. |
| | 2006 |
42p |
|
| 11. | Rubinoff, Kailan Ruth | The early music movement in the Netherlands: History, pedagogy and ethnography. PhD diss., Music: University of Alberta, 2006. 443p. |
diss. |
| | 2006 |
443p |
|
| 12. | Berkhan, Jonathan | Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. PhD diss., Victoria University of Wellington, New Zealand, 2006. 461p. |
diss. |
| | 2006 |
461p |
|
| 13. | Lutterman, John Kenneth | Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. PhD diss., University of California, Davis, 2006. 598p |
diss. |
| | 2006 |
598p |
|
| 14. | Fišerová, Hana | Raný vývoj klavíru a klavírní pedagogiky a komparace interpretačních přístupů ve vybraných skladbách J. S. Bacha a F. Chopina. Diploma thesis, Faculty of Education, Masaryk University, Brno. 2006. 63p. [BWV 1055] |
diss. |
| | 2006 |
63p |
Latin 2 |
| 15. | Mills, Ian | A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. M.A. dissertation, Musicology, Queen's University, Belfast 2006. 67p. |
diss. |
| | 2006 |
67p |
|
| 16. | Kingsbury, Brett | From Bach to Busoni: Transcription as visionary process in Ferruccio Busoni's Fantasia Contrappuntistica. DMA diss., University of British Columbia, 2006. 75p. - Ann Arbor, MI: University Microfilms International, 2006. ISBN: 978-0-494-30318-4. Dissertation No: NR30318. [BWV 1080/19] |
diss. |
| | 2006 |
75p |
|
| 17. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. Dottore in Discipline delle Arti della Musica e dello Spettacolo. Universitŕ degli Studi di Bologna, 2006. 94p. |
diss. |
| | 2006 |
94p |
|
| 18. | Yoo, Esther S. | Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'. DMA diss., University of Cincinnati, 2006. 97p. - Ann Arbor, MI: University Microfilms International, 2006. ISBN: 978-0-542-87256-3. Dissertation No: 3231151 |
diss. |
| | 2006 |
97p |
|
| 19. | Carter, Adele Hall | Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. DMA diss., University of Maryland, College Park. 2006. ii, 4p. [3 chapters as recital performance on CD] |
diss. |
| | 2006 |
ii, 4p |
|
| 20. | Kim, Eun-Ho | Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005. MM diss., University of Cincinnati, 2005. 78p. - Ann Arbor, Mich: UMI, 2006, iv, 78p |
diss. |
| | 2006 |
iv, 78p |
|
| 21. | Florence, Dominic | Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. DMA diss., Music from University of British Columbia. 2006. ix, 55p. ISBN: 978-0-494-19878-0. |
diss. |
| | 2006 |
ix, 55p |
|
| 22. | McGahie, Paul D. | The Choral Fugue: A Comparative Study of Style and Procedure in Works by J.S. Bach and W.A. Mozart. DMA diss., Ensembles and Conducting Division of the College-Conservatory of Music, University of Cincinnati, 2006. [vi], 114p. |
diss. |
| | 2006 |
vi, 114p |
|
| 23. | Fabrikant, Marina | Bach-Busoni Chaconne. A piano transcription analysis. DMA diss., The University of Nebraska, Lincoln, 2006. vi, 152p. - Ann Arbor, MI: University Microfilms International, 2006; ISBN: 978-0-542-61862-8. Dissertation No: 3212927. [BWV 1004/5] |
diss. |
| | 2006 |
vi, 152p |
|
| 24. | Knobel, Bradley James | Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. DMA diss., College of Music, Florida State University, 2006. vii, 361p |
diss. |
| | 2006 |
vii, 361p |
|
| 25. | Hughes, Indra Nicholas Martindale | Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. DMA diss., University of Auckland, 2006. viii, 188p. |
diss. |
| | 2006 |
viii, 188p |
|
| 26. | Luongo, Paul Gabriel | Theodore Thomas's 1902 Performance of Bach's B-minor Mass: Working within the Grand American Festival. MA diss., College of Music, Florida State University, 2006. x, 96p |
diss. |
| | 2006 |
x, 96p |
|
| 27. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p |
diss. |
| | 2006 |
xii, 454p |
|
| 28. | Pinkevičius, Vidas | Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works. DMA diss., The University of Nebraska - Lincoln, 2006. xiii, 81p. |
diss. |
| | 2006 |
xiii, 81p |
Latin 2 |
| 29. | Green, William R. | Robert Shaw's Approach to Rhythm and Phrasing as Evidenced in His Preparation of Bach's B minor Mass. DMA diss., Choral Conducting, University of Kentucky, 2006. xv, 190 p |
diss. |
| | 2006 |
xv, 190p |
|