Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Peters, Manfred | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. PhD, Technische Universität Dresden, 2004. |
diss. |
| | 2004 |
|
|
| 2. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004. |
diss. |
| | 2004 |
|
|
| 3. | Pranata, Julianto | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. DMA diss., University of Memphis, 2004. 105p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-74611-1. |
diss. |
| | 2004 |
105p |
|
| 4. | Roberts, Scott | Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. PhD. diss., The Florida State University, 2004. 124p. |
diss. |
| | 2004 |
124p |
|
| 5. | Kruse, Hermann | Die Chorwerke von Moritz Hauptmann (1792–1868). PhD diss., Universität Dortmund, 2004. 135p. |
diss. |
| | 2004 |
135p |
|
| 6. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. |
diss. |
| | 2004 |
151p |
|
| 7. | Rautio, Riitta Aulikki | Fortspinnungstypus revisited: Schemata and prototypical features in J. S. Bach's minor-key cantata aria introductions. DPhil diss., Jyvaskylan Yliopisto, 2004. 238p. |
diss. |
| | 2004 |
238p |
|
| 8. | Holtan, Eric Howard | The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy. DMA diss., The University of Arizona, 2004. 254p. |
diss. |
| | 2004 |
254p |
|
| 9. | Bennett, Evan | The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. PhD diss., Princeton University, 2004. 256p. - Ann Arbor, MI: University Microfilms International, 2004. ISBN: 0-496-70725-6. Dissertation No: 3123414. |
diss. |
| | 2004 |
256p |
|
| 10. | Kamatani, Pamela M. | Science, metaphysics, and the late works of J. S. Bach. PhD. diss., University of California, Berkeley, 2004. 305p. |
diss. |
| | 2004 |
305p |
|
| 11. | Aspaas, Christopher Paul | A history of the Oregon Bach Festival. PhD, Florida State University, 2004. - Ann Arbor, MI: University Microfilms International, 2004. 318p. ISBN: 0-496-94092-9. UMI No. 3160542. |
diss. |
| | 2004 |
318p |
|
| 12. | Dürre, Ronald | Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. PhD diss. Otto-von-Gueriche-Universität Magdeburg, 2004. |
diss. |
| | 2004 |
417p |
|
| 13. | Ahn, So-Yi | Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. DMA diss., Arizona State University, 2004. 51p. |
diss. |
| | 2004 |
51p |
|
| 14. | Allen-Russell, Ann van | Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. PhD diss., Musicology, Goldsmiths College, University of London, 2004. 608p |
diss. |
| | 2004 |
608p |
|
| 15. | Dommange, Thomas | Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. Paris, Univ., Diss., 2004. 623p. |
diss. |
| | 2004 |
623p |
|
| 16. | O'Leary, Alec | J. S. Bach: English suite no. 4, BWV 809 for two guitars. MMus, diss. in Performance. Dublin Institute of Technology/Institiúid Teicneolaíochta Bhaile Átha Cliath, 2004. 67p. |
diss. |
| | 2004 |
67p |
|
| 17. | Lim, Jungmook | A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture. DMA diss., University of Cincinnati, 2004. 77p. - Ann Arbor, MI: University Microfilms International, 2004. 79p. ISBN: 0-496-92945-3. UMI No. 3159799. [BWV 1011] |
diss. |
| | 2004 |
77p |
|
| 18. | Ruhl, Nicole | Events im Spektrum kulturpolitischer Zielsetzungen. Künstlerische, gesellschaftliche und ökonomische Dimensionen von Kulturevents untersucht am Beispiel des Leipziger Bachfests. Leipzig, Univ., Magisterarbeit, 2004. 96 Bl. |
diss. |
| | 2004 |
96p |
|
| 19. | Kranenburg, Peter van | De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl. MA Diss. Utrecht University, 2004. 97p. http://www.lodebar.nl/pvk/downloads/pvankranenburg_scriptie-1.0.3.pdf |
diss. |
| | 2004 |
97p |
|
| 20. | Lockey, Nicholas | The Instrumental Variations Sets of Antonio Vivaldi: Old Forms in New Genres. Master of Arts in Musicology, University of Victoria (Canada), 2004, ix, 155pp, app. |
diss. |
| | 2004 |
ix, 155p |
|
| 21. | Bae, Jin Young | Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. DMA diss., University of Washington, 2004. v, 101p. |
diss. |
| | 2004 |
v, 101p |
|
| 22. | Santos, Carmelo de los | Performance-Practice Issues of the Chaconne from Partita II, BWV 1004, by Johann Sebastian Bach. DMA diss, The University of Georgia, Athens. 2004. vii, 150p |
diss. |
| | 2004 |
vii, 150p |
|
| 23. | Linnartz, Elizabeth Byrum | The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach. DMA diss., Vocal Performance, University of North Carolina at Greensboro, 2004. xi, 238p |
diss. |
| | 2004 |
xi, 238p |
|
| 24. | Matsumoto, Kanae | Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni. DMA diss., University of California, Los Angeles, 2004. xi, 80p. [BWV 1001-1006] |
diss. |
| | 2004 |
xi, 80p |
|
| 25. | Dykstra, Ruth Elaine | Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. DMA diss., The University of Texas at Austin, 2004. xii, 167p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-76120-X. |
diss. |
| | 2004 |
xii, 167p |
|
| 26. | Bordignon, Paolo Michele | Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. DMA diss., Performance, Juilliard School, 2004. xii, 174p. |
diss. |
| | 2004 |
xii, 174p |
|
| 27. | Cron, Matthew | The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. PhD diss., Brandeis University, 2004. xix, 830p. - Ann Arbor, MI: University Microfilms International. ISBN: 0-496-83086-4. Dissertation No: 3135883. |
diss. |
| | 2004 |
xix, 830p |
|
| 28. | Golomb, Uri | Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. PhD diss., University of Cambridge, 2004. xv, 432p. Available online at http://edocs.ub.uni-frankfurt.de/volltexte/2005/3077/ |
diss. |
| | 2004 |
xv, 432p |
|
| 29. | Lee, Joong-Oh | A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay. DMA diss., University of Miami, 2004. xvi, 132p. - Ann Arbor, MI: University Microfilms International (UMI), ISBN: 0-496-72664-1. |
diss. |
| | 2004 |
xvi, 132p |
|