Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. |
diss. |
| | 2000 |
|
|
| 2. | Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. |
diss. |
| | 2000 |
|
|
| 3. | Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. |
diss. |
| | 2000 |
|
|
| 4. | Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. |
diss. |
| | 2000 |
137p |
|
| 5. | Temporality in music: A conceptual model based on the phenomenology of Paul Ricoeur. |
diss. |
| | 2000 |
169p |
|
| 6. | The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. |
diss. |
| | 2000 |
176p |
|
| 7. | Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. |
diss. |
| | 2000 |
212p |
|
| 8. | Noema: Der musikalische Gedanke in J.S. Bachs Wohltemperierten Klavier. |
diss. |
| | 2000 |
217p |
|
| 9. | Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. |
diss. |
| | 2000 |
21p |
|
| 10. | Dynamic Markings in Bach Cello Suites. |
diss. |
| | 2000 |
226p |
|
| 11. | Aspects of Sublime Rhetoric in Eighteenth-Century Music. |
diss. |
| | 2000 |
249p |
|
| 12. | Tvorcestvo I.S. Baha: Tekstologiceskoe issledovanie na materiale instrumental'nyh socinenij. |
diss. |
| | 2000 |
251p |
|
| 13. | Rockmusik und klassisch-romantische Bildungstradition. |
diss. |
| | 2000 |
437p |
|
| 14. | L'utopie liturgique: la 'Missa en si mineur' de Johann Sebastian Bach. |
diss. |
| | 2000 |
520p |
|
| 15. | Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms. |
diss. |
| | 2000 |
620p |
|
| 16. | Tvorchestvo I. S. Bakha: Tekstologhicheskoye issledovaniye. |
diss. |
| | 2000 |
687p |
|
| 17. | Bach et le nombre d'or ou la 'Passion selon Jean-Sébastien'. |
diss. |
| | 2000 |
795p |
|
| 18. | The Magnificat in D Major, BWV 243 by Johann Sebastian Bach: A study in performance and analysis. |
diss. |
| | 2000 |
81p |
|
| 19. | Musical Rhetoric in J. S. Bach's Two-Part Inventions and Implications for Their Performance on the Modern Piano. |
diss. |
| | 2000 |
88p |
|
| 20. | Narrative Parody in Bach's St.Mark Passion. |
diss. |
| | 2000 |
94p |
|
| 21. | Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565. |
diss. |
| | 2000 |
96p |
|
| 22. | Reinhard Keiser Maruko Junankyoku no Shiryo Kenkyu to Juyo Kenkyu. |
diss. |
| | 2000 |
96p |
|
| 23. | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. |
diss. |
| | 2000 |
ii, 81p |
|
| 24. | J. S. Bach's Partita in E minor, BWV 830: Motivic Analysis and Its Influence on Interpretation. |
diss. |
| | 2000 |
iv, 70p |
|
| 25. | Bach, the pedal clavichord, and the organist. |
diss. |
| | 2000 |
ix, 241p |
|
| 26. | C.P.E. Bach's fantasias: the rhetorical argument. |
diss. |
| | 2000 |
vii, 148p |
|
| 27. | Studies of Rhythm and Tempo in the Music of J. S. Bach. |
diss. |
| | 2000 |
xv, 318p |
|
| 28. | Zahlenfiguren im Werk Johann Sebastian Bachs. |
diss. |
| | 2000 |
xxii, 215p |
|