Bach Bibliography
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Series : ^diss.$
Year : 2000
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
[]
1. A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. diss. 2000
2. Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. diss. 2000
3. Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. diss. 2000
4. Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. diss. 2000 137p
5. Temporality in music: A conceptual model based on the phenomenology of Paul Ricoeur. diss. 2000 169p
6. The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. diss. 2000 176p
7. Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. diss. 2000 212p
8. Noema: Der musikalische Gedanke in J.S. Bachs Wohltemperierten Klavier. diss. 2000 217p
9. Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. diss. 2000 21p
10. Dynamic Markings in Bach Cello Suites. diss. 2000 226p
11. Aspects of Sublime Rhetoric in Eighteenth-Century Music. diss. 2000 249p
12. Tvorcestvo I.S. Baha: Tekstologiceskoe issledovanie na materiale instrumental'nyh socinenij. diss. 2000 251p
13. Rockmusik und klassisch-romantische Bildungstradition. diss. 2000 437p
14. L'utopie liturgique: la 'Missa en si mineur' de Johann Sebastian Bach. diss. 2000 520p
15. Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms. diss. 2000 620p
16. Tvorchestvo I. S. Bakha: Tekstologhicheskoye issledovaniye. diss. 2000 687p
17. Bach et le nombre d'or ou la 'Passion selon Jean-Sébastien'. diss. 2000 795p
18. The Magnificat in D Major, BWV 243 by Johann Sebastian Bach: A study in performance and analysis. diss. 2000 81p
19. Musical Rhetoric in J. S. Bach's Two-Part Inventions and Implications for Their Performance on the Modern Piano. diss. 2000 88p
20. Narrative Parody in Bach's St.Mark Passion. diss. 2000 94p
21. Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565. diss. 2000 96p
22. Reinhard Keiser Maruko Junankyoku no Shiryo Kenkyu to Juyo Kenkyu. diss. 2000 96p
23. A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. diss. 2000 ii, 81p
24. J. S. Bach's Partita in E minor, BWV 830: Motivic Analysis and Its Influence on Interpretation. diss. 2000 iv, 70p
25. Bach, the pedal clavichord, and the organist. diss. 2000 ix, 241p
26. C.P.E. Bach's fantasias: the rhetorical argument. diss. 2000 vii, 148p
27. Studies of Rhythm and Tempo in the Music of J. S. Bach. diss. 2000 xv, 318p
28. Zahlenfiguren im Werk Johann Sebastian Bachs. diss. 2000 xxii, 215p

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