Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The Anglicisation of Bach. |
diss. |
| | 1998 |
|
|
| 2. | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. |
diss. |
| | 1998 |
|
|
| 3. | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. |
diss. |
| | 1998 |
|
|
| 4. | J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. |
diss. |
| | 1998 |
119p |
|
| 5. | Arthur Loesser: Pianist, teacher, critic, author. |
diss. |
| | 1998 |
128p |
|
| 6. | The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. |
diss. |
| | 1998 |
130p |
|
| 7. | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. |
diss. |
| | 1998 |
142p |
|
| 8. | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. |
diss. |
| | 1998 |
153p |
|
| 9. | The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises. |
diss. |
| | 1998 |
176p |
|
| 10. | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. |
diss. |
| | 1998 |
198p |
|
| 11. | Principy orkestrovogo myslenija I.S. Baha. |
diss. |
| | 1998 |
20p |
|
| 12. | Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. |
diss. |
| | 1998 |
229p |
|
| 13. | Processi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz. |
diss. |
| | 1998 |
329p |
|
| 14. | The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. |
diss. |
| | 1998 |
365p |
|
| 15. | Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works. |
diss. |
| | 1998 |
382p |
|
| 16. | Musik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart) |
diss. |
| | 1998 |
403p |
|
| 17. | Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. |
diss. |
| | 1998 |
414p |
|
| 18. | Vermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig. |
diss. |
| | 1998 |
58, ix p |
|
| 19. | French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. |
diss. |
| | 1998 |
65p |
|
| 20. | Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. |
diss. |
| | 1998 |
ix, 384 Bl |
|
| 21. | The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. |
diss. |
| | 1998 |
v, 97p |
|
| 22. | A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. |
diss. |
| | 1998 |
vi, 204p |
|
| 23. | Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). |
diss. |
| | 1998 |
vii, 164p |
|
| 24. | Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. |
diss. |
| | 1998 |
xii, 111p |
|
| 25. | Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. |
diss. |
| | 1998 |
xii, 362p |
|
| 26. | A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). |
diss. |
| | 1998 |
xiv, 269p |
|
| 27. | A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. |
diss. |
| | 1998 |
xiv, 368p |
|
| 28. | Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle. |
diss. |
| | 1998 |
xxxiv, 727p |
|