Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Aprendendo contraponto atraves dos preludios corais. |
diss. |
| | 1996 |
|
|
| 2. | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach |
diss. |
| | 1996 |
|
|
| 3. | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. |
diss. |
| | 1996 |
|
|
| 4. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. |
diss. |
| | 1996 |
104p |
|
| 5. | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. |
diss. |
| | 1996 |
110p |
|
| 6. | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. |
diss. |
| | 1996 |
115p |
|
| 7. | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. |
diss. |
| | 1996 |
117p |
|
| 8. | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. |
diss. |
| | 1996 |
120p |
|
| 9. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. |
diss. |
| | 1996 |
123p |
|
| 10. | Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. |
diss. |
| | 1996 |
220p |
|
| 11. | Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. |
diss. |
| | 1996 |
232p |
|
| 12. | From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. |
diss. |
| | 1996 |
340p |
|
| 13. | The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. |
diss. |
| | 1996 |
66p |
|
| 14. | An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. |
diss. |
| | 1996 |
69p |
|
| 15. | Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. |
diss. |
| | 1996 |
69p |
|
| 16. | The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. |
diss. |
| | 1996 |
711p |
|
| 17. | The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. |
diss. |
| | 1996 |
80p |
|
| 18. | Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. |
diss. |
| | 1996 |
87p |
|
| 19. | Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. |
diss. |
| | 1996 |
96p |
|
| 20. | Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. |
diss. |
| | 1996 |
ii, 98, iii, 333p |
|
| 21. | A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. |
diss. |
| | 1996 |
v, 136p |
|
| 22. | Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. |
diss. |
| | 1996 |
vii, 176p |
|
| 23. | The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. |
diss. |
| | 1996 |
xv, 505 Bl |
|