Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. |
diss. |
| | 1989 |
|
|
| 2. | Passio secundum Marcum di J.S. Bach. |
diss. |
| | 1989-90 |
139p |
|
| 3. | Svobodnye formy barokko v instrumental'noj muzyke I.S. Baha: K metodologii istoriko-stilevogo analiza svobodnyh kompozicij. |
diss. |
| | 1989 |
23p |
|
| 4. | A Schenkerian study of J.S. Bach's two-part inventions presented in their original ordering. |
diss. |
| | 1989 |
244p |
|
| 5. | A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. |
diss. |
| | 1989 |
248p |
|
| 6. | 'O Jesu, du edle Gabe'. Studien zum Verhältnis von Text und Musik in den Choralpartiten und den Kanonischen Veränderungen von Johann Sebastian Bach. |
diss. |
| | 1989 |
282p |
|
| 7. | The use of variation principle in the works of Max Reger. |
diss. |
| | 1989 |
294p |
|
| 8. | Studien zur Musikpflege in der Stadt Weissenfels und am Hofe der Herzoge von Sachsen-Weissenfels: Ein Beitrag zur mitteldeutschen Musikgeschichte des 17. und 18. Jahrhunderts. |
diss. |
| | 1989 |
400p |
|
| 9. | The Organ Music of the Galant Period With Special Reference to the Compositions of the Bach Pupils. |
diss. |
| | 1989 |
416p |
|
| 10. | The early vocal works of Johann Sebastian Bach. Studies in style, scoring, and chronology. |
diss. |
| | 1989 |
ii, 319p |
|
| 11. | J. S. Bach and the German motet. |
diss. |
| | 1989 |
x, 333 Bl |
|
| 12. | A Technique for Identifying Textual Errors and its Application to the Sources of Music by Thomas Tallis. |
diss. |
| | 1989 |
x, 368; vi, 219p |
|