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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Levender, Paul | The Organ Music of Dietrich Buxtehude: Compiling an Accurate Edition and Looking at Interrelationships Between Bach and Buxtehude. MPhil diss., University of Oxford, 1991. | diss. |
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| | 2. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. MMus diss., University of Pretoria. 2000. | diss. |
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| | 3. | Mason, Christine M. | Ritornello form in movements for chorus and orchestra by J. S. Bach. Diss. MA., Wales, Cardiff. 1967/68. | diss. |
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| | 4. | Kianto, Mervi | Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. Helsinki: Helsingin yliopisto, 1977. [Pro gradu -tutkielma: Helsingin yliopisto, Musiikkitieteen laitos] | diss. |
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| | 5. | Yang, Junfeng | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. [The genre characteristics and theological content of Bach's Mass in B minor] MA diss., Wuhan Yinyue Xueyuan, 2003. | diss. |
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| | 6. | Eichberg, Hartwig | Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. Tübingen Uni. 1973. | diss. |
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| | 7. | Bötel, Friedhold | Mendelssohns Bach-Rezeption und ihre Konsequenzen dargestellt an den Präludien und Fugen für Orgel op. 37. diss., Universität Heidelberg, 1982. | diss. |
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| | 8. | Rideout, Sarah Margaret | Johann Sebastian Bach's solo cantatas for soprano. Tallahassee, The Florida State Univ. 1974. | diss. |
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| | 9. | Huron, David | Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. PhD, University of Nottingham, 1989. | diss. |
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| | 10. | Fuchs, Josef Rainerius | Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach. PhD diss. Universität Tübingen 1984. | diss. |
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| | 11. | Hughes, Jennifer | Bach's Keyboard music in England and Germany, 1770-1850. MA, diss., Leeds Univ. 1985. | diss. |
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| | 12. | Uhl, Danny John | Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. DMA diss., University of Kentucky, 1979. | diss. |
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| | 13. | Heuschneider, Karin Hildegard | Contributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe). MM diss, Rhodes University, 1968. | diss. |
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| | 14. | Orgass, Stefan | Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). Essen Folkwang Hochschule, 1994. | diss. |
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| | 15. | Hanson, J. | An Operational approach to a theory of rhythm. Yale Uni. 1969. | diss. |
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| | 16. | Crickmore, Leon | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] MA thesis, Musicology: U. Birmingham, 1956. [Revised version of article published as 'C.P.E. Bach's harpsichord concertos', MLetters, XXXIX/3 (July 1958) 227-241] | diss. |
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| | 17. | Fellmann, Peter | Orchestersuiten der Bach-Zeit. PhD diss., Musicology, Bochum. 1990 | diss. | 
'year' unconfirmed | ||||
| | 18. | Zweimüller, Maximilian | Studien zu Tempo, Akzent und Artikulation in den sechs Tiosonaten für Orgel von J. S. Bach. PhD diss., Musicology, Salzburg. 1991. | diss. |
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| | 19. | Ray, Martha Elizabeth Park | A study of the German church cantata exclusive of Bach, 1650-1750. MM diss.: Florida State U., Tallahassee, 1969. | diss. |
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| | 20. | Norrback, Johan | J. S. Bachs preludium i h-moll, BWV 544 -- En analys. Unpublished Master diss., Helsingfors, 1991. | diss. |
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| | 21. | Mohr, Ernst Werner | Die Allemande in der deutschen Klaviersuite. Basel, Univ., Diss., 1927 [1931]. - Inaug.-Diss. Basel. Von der philologisch-historischen Abteilung der philosophischen Fakultät der Universität Basel bewilligter Teildruck aus: 'Die Allemande, eine Untersuchung ihrer Entwicklung von den Aufängen bis zu Bach und Händel' (Vollst. im Buchh. b. Hug, Zürich). - Zürich: Buchdruckerei Berichthaus, 1931. 2p. l., p. [115]-143, [2] p. | diss. |
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| | 22. | Böhnert, Andreas | Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992. | diss. |
'year' conjecture | ||||
| | 23. | Matyl, Ulrich | Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. PhD diss., Musicology, Westfalische Wilhelms-U. Münster. 1995. | diss. |
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| | 24. | Nash, Laura Roderic | Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. PhD diss., Music Theory, Yale University, 1990. | diss. |
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| | 25. | Oechsle, Siegfried | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.) | diss. |
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| | 26. | McLean, Cynthia | Some relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776. MM diss.: Florida State University, Tallahassee, 1973. | diss. |
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| | 27. | Sandberger, Wolfgang | Das Bach-Bild Philipp Spittas. PhD diss., Musicology, Univ. of Hamburg, 1994. | diss. |
'year' conjecture | ||||
| | 28. | Adler, Gerhard | Symbols of Transformation vol.5 of the Collected works of C. G. Jung. N.Y. Pantheon, 1956. | diss. |
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| | 29. | Corsini, Antonella | Componenti bachiane nell'opera di Robert Schumann. [Bach influences in the works of Robert Schumann] lau, Stor. del' mus.: Universita degli Studi di Torino, 1986-87. | diss. |
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| | 30. | Lamprecht, Gideon Pieter | Vertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies. [Interpretations of Johann Sebastian Bach's free organ works: A critical analysis of existing recordings and Bach-editions] MMus, University of the Orange Free State, 1978. | diss. |
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| | 31. | Steger, Werner | G. H. Stölzels Abhandlung vom Rezitativ. University of Heidelberg, 1962. | diss. |
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| | 32. | Adams, Robert Michael | Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v. | diss. |
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| | 33. | Weimer, Eric Douglas | Style and style change in the arias of opera seria, 1755-1772: Hasse - Jommelli - J.C. Bach. PhD diss., Univ. of Chicago, 1982. | diss. |
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| | 34. | Stange-Elbe, Joachim | Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. Univ. Osnabrück, Habil.-Schr., 1999. | diss. |
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| | 35. | Riedel, Herbot Hugo | Recognition and Re-cognition: Bach and The Well-tempered Clavier I. PhD diss., Berkeley: University of California 1969. | diss. |
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| | 36. | Buelow, George J. | Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. | diss. |
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| | 37. | Constantini, Franz-Peter | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. Wien: 1967. | diss. |
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| | 38. | Schleuter, R. F. | J. S. Bach and the Protestantism of his Day. Edinburgh 1954. | diss. |
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| | 39. | Gilvin, Sue McGehee | The Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben. Evanston; Chicago: Northwestern University, 1973. | diss. |
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| | 40. | Satterfield, John R. | Aspects of style in the two-part Inventions as revealed by a study of accentuation. Chapel Hill: University of North Carolina. | diss. |
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| | 41. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. | diss. |
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| | 42. | Lewis, Pauline Mary | The fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style. MMus diss., Rhodes University, 1988. | diss. |
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| | 43. | Connolly, Aisling | The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). MA diss., Musicology from St. Patricks College, Dublin, 2005. | diss. |
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| | 44. | Tessmer, Manfred | Johann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband. Hamburg 1967. | diss. |
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| | 45. | Powell, Newman W. | Rhythmic Freedom in the Performance of French Music from 1650 to 1735. Diss. Stanford University, 1959. | diss. |
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| | 46. | Tate, Elda Ann | Bach cantata movements suitable for flute transcription. 2 Vols. The Univ. of Texas at Austin, 1974. | diss. |
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| | 47. | Kelsey, Verne | The Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas. D. F. A. diss., Chicago Musical College, 1951. [submitted on June 6, 1950] | diss. |
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| | 48. | Wilson, Joyce Anne | The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. DMA diss., Performance, University of Wisconsin, 1983. | diss. |
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| | 49. | Boresch, Hans-Werner | Studien zur Instrumentation Johann Sebastian Bachs. PhD diss., Musicology, Wuppertal, 1990. | diss. |
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| | 50. | Higuchi, Ryuichi | Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. PhD diss., Musicology, Tübingen, 1979. | diss. |
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| | 51. | Roehrig, Helmut Joseph | The St. John passion by J. S. Bach in the light of the Neue Bach-Ausgabe (Edition 1973). D.M., Choral Conducting, Diss. Bloomington, Indiana Univ. 1981. | diss. |
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| | 52. | Eisert, Christian | J. S. Bachs Clavier-Toccaten und ihre Überlieferung. PhD diss., Musicology, Freiburg im Breisgau. 1992. | diss. |
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| | 53. | Springthorpe, Nigel | Passion Composition and composers of Passion music associated with the Court of Anhalt-Zerbst. PhD dissertation, University of Surrey, 1997. | diss. |
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| | 54. | Cano, Gines-Didier | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. DMA document, Manhattan School of Music, 1990. OCLC#: 22959342 | diss. |
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| | 55. | Petzoldt, Martin | Studien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs. Dissertation B. - Leipzig: Karl-Marx-Universität 1985 [maschinenschr.] vii, 161, A 59 Bl. | diss. |
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| | 56. | Müller-Buscher, Henning | Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). Dissertation, Regensburg 1972. | diss. |
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| | 57. | Kambara, Sonoko | Bach beyond the score: Clues to performance issues in Bach's keyboard music. DMA diss., 2005. University of Michigan. Ann Arbor, MI: UMI Research Press, 2005. Dissertation No: 0808465 [UMI says 'Summary of performance materials: Two programs of piano music, one pedagogical workshop and paper'] | diss. |
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| | 58. | Rudy, Helen E. | A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. Tallahassee: Florida State University, 1973 | diss. |
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| | 59. | Fabian, Dorottya | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998. | diss. |
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| | 60. | Schaap, Elizabeth Maria | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata inE minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. | diss. |
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| | 61. | Marinho Silva Carvalho, Helena Paula | J.C. Bach's London keyboard sonatas: Style and context. PhD diss., University of Sheffield, 2003. | diss. |
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| | 62. | Häfner, Klaus | Verschollen geglaubte Sätze des Bachschen Vokalwerkes. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach. PhD diss., Musikwissenschaft: Ruprecht-Karl-Univ., Heidelberg. 1986. | diss. |
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| | 63. | Swack, Jeanne | The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. PhD. diss., Yale University, 1988. | diss. |
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| | 64. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. Dissertation Universität Kiel 1990. | diss. |
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| | 65. | Gerstung, Denman Wayne | Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. DMusEd diss., The University of Oklahoma, 1970. | diss. |
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| | 66. | Altenburg, Detlef | Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). Dissertation. Universität Köln. 1973. | diss. |
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| | 67. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. MMus diss., University of South Africa, 1997. | diss. |
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| | 68. | Schwarz, Peter | Studien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert. PhD diss. Musicology: Freie Universität Berlin, 1971. - München: Katzbichler, 1973. (= Berliner musikwissenschaftliche Arbeiten, 3) | diss. |
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| | 69. | Velten, Klaus | Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. PhD diss., Universität Köln 1976. | diss. |
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| | 70. | Mikami, Tokiko | J. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru. [Consideration on J. S. Bach's 'Unaccompanied Flute Partita BWV 1013': Clarify the peculiarity of the highest note a3 in its Allemande] PhD diss., Tokyo National University of Fine Arts and Music, 2005. | diss. |
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| | 71. | Otsuka, Naoya | J. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. [A study on J. S. Bach's Keyboard Toccatas: consideration on the origin of BWV 910-916 and the concept of clavier] PhD diss., Tokyo National University of Fine Arts and Music, 2001. | diss. |
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| | 72. | Lorenzen, Johannes | Max Reger als Bach-Bearbeiter. PhD diss., Musicology, Freiburg im Breisgau, 1976. | diss. |
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| | 73. | Peters, Manfred | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. PhD, Technische Universität Dresden, 2004. | diss. |
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| | 74. | Löhlein, Heinz-Harald | Johann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition. PhD. Tübingen, 1978. | diss. |
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| | 75. | Bynum, Leroy Evans, Jr. | The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313 | diss. |
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| | 76. | Grubbs, John Whitfield | The sacred vocal music of the Graun brothers: A bio-bibliographical study. Diss. Los Angeles 1972 [GSV = Graun sacred vocal works] | diss. |
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| | 77. | Mintz, Donald Monturean | The Sketches and Drafts of Three of Felix Mendelssohn's Major Works. PhD diss., Cornell University, 1960. 2vols. ([v. 1.] Text, [v. 2.] Musical examples.) - Photocopy. Ann Arbor, Mich.: UMI, 1991. | diss. |
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| | 78. | Schaeffer, John Gerhardt | The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. DMA diss., Performance, University of Illinois. 1970. | diss. |
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| | 79. | Sweetkind, David | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. PhD diss., Tallahassee: Florida State University, 1968. | diss. |
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| | 80. | Endo, Rena | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998. | diss. |
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| | 81. | Pretorius, Estelle | Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. [Music allegorical elements in two cantatas of J.S.Bach: a study in word-painting] MM, University of Pretoria, 1992. | diss. |
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| | 82. | Hochstetter, Armin Caspar | Die Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach. Diss. Wien, 1928. | diss. |
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| | 83. | Dickreiter, Michael | Der Musikbegriff bei Johannes Kepler. PhD diss. Ruprecht-Karl-U. Heidelberg, 1971. | diss. |
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| | 84. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. | diss. |
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| | 85. | Van Wyk, Theodore Justin | The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. DMus (Performing Art). University of Pretoria, 2005. | diss. |
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| | 86. | Knox, Robert Erskine | Aeolus Appeased: A Modern Scenographic Concept. diss. Carbondale: Southern Illinois U, 1991. | diss. |
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| | 87. | Geuting, Matthias | Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. PhD diss., Musicology, Bochum. 2000 | diss. |
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| | 88. | Nieden, Hans-Jörg | Bachrezeption um die Jahrhundertwende: Philipp Wolfrum. PhD diss., Musicology: Universität Heidelberg, 1974. | diss. |
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| | 89. | Stinson, Russell | The Bach Manuscripts of Johann Peter Kellner and his Circle. PhD diss., University of Chicago, 1985. | diss. |
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| | 90. | Smith, Larry H. | A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. Univ. Rochester, Eastman School of Music, 1974. | diss. |
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| | 91. | Hartung, Günther | Johann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist. Halle a. d. S. 1964. | diss. |
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| | 92. | Owens, William Steven | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. Louisville, Ky., The Southern Baptist Theological Seminary 1980. | diss. |
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| | 93. | Diehl, Eleonore | Das Rezitativ bei Bach. Wien, 1936. | diss. |
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| | 94. | Johnson, Margaret Louise | Knowledge formalization and representation of the dynamics of expressive musical performance. PhD, Computer sci: City University of New York, 1991. | diss. |
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| | 95. | Yagi, Tomoko | Bach no Goldberg Hensokyoku no Kenkyu. [A Study on Bach's Goldberg Variations] MA diss., Gifu Seitoku Gakuen Daigaku, 1999. | diss. |
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| | 96. | Ishikawa, Miyuki | J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. [A Study on the role of Alto Solo and its significance in J. S. Bach's Passions and Oratorios] MA diss., Tokyo Gakugei daigaku, 1999 | diss. |
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| | 97. | Park, Dohee | J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. MA diss., Tokyo Gakugeidaigaku, 1999. [Interpreting the Chromatic Fantasy and Fugue (BWV 903) by J. S. Bach] | diss. |
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| | 98. | Tittel, Karl | Die musikalischen Vertreteer der Familie Krebs mit besonderer Berücksichtigung der Bachschüler Johann Tobias und Johann Ludwig. Marburg, 1963. | diss. |
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| | 99. | Hofman-Jablan, Jadranka | Simetrijska analiza elemenata i strukture muzickog dela. [The symmetric analysis of the elements and structure of a musical composition] PhD diss., Musicology: Akademija Umetnosti, Novi Sad, 1995. [BWV 846/1] | diss. |
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| | 100. | Winzenburger, Walter P. | The Music of Franz Tunder. University of Rochester, Eastman School of Music, 1965. | diss. |
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| | 101. | Fall, Henry Cutler | A Critical Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) | diss. |
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| | 102. | Greenbaum, Sarah | Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. MA Diss., Ramat-Gan: Bar-Ilan University, 1994. | diss. |
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| | 103. | Havard, Royston R. | The forms of Ritornello in the instrumental music of J. S. Bach. diss., MA., Wales, Cardiff, 1964/65. | diss. |
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| | 104. | Thomas, P. | The Anglicisation of Bach. MA diss., University of Wales at Cardiff, 1998. | diss. |
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| | 105. | Wicker, Vernon | Solo Cantatas for Bass by Christoph Graupner. DMA diss., Univ. Oregon, Eugene, 1979. | diss. |
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| | 106. | Benitez, Vincent P. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985 | diss. |
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| | 107. | Thompson, William Forde | Judgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing. PhD. Queen's University at Kingston, 1986. | diss. |
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| | 108. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004. | diss. |
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| | 109. | Butler, Gregory G. | The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973. | diss. |
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| | 110. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] | diss. |
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| | 111. | Kac, Juliet | The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. PhD diss., University of Brighton, 2003. | diss. |
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| | 112. | Hong, J. L. | Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. MPhil diss, University of Birmingham, 2003. | diss. |
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| | 113. | Ito, Eiko | J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. [A study on J. S. Bach 'unaccompanied Cello Suites': historical situation on issues relating to performance and editions] PhD thesis, Tokyo National University of Fine Arts and Music, 1987. 2 vols. | diss. |
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| | 114. | Corneilson, Paul Edward | Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859 | diss. |
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| | 115. | Malone, Sean | Schenkerian Analysis and Goedels's Theorem: The Urlinie as Formally Undecidable. MA diss. in Music Theory. Univ. of South Florida, 1997. | diss. |
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| | 116. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. | diss. |
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| | 117. | du Plooy, Jacobus Stephanus | The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. MM thesis, Rhodes U., 1995. | diss. |
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| | 118. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693. | diss. |
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| | 119. | Meffen, John | The Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century. PhD diss., Univ. of Leeds, 1977. | diss. |
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| | 120. | Spence-Thomas, Karen | J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. MMus. diss., King's College, London, 1983. | diss. |
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| | 121. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. | diss. |
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| | 135. | Brink, Arend | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992. | diss. |
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| | 136. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. | diss. |
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| | 141. | Summers, Mary Lois | The use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas. DMA diss., Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. | diss. |
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| | 142. | Owen, Jonathan | The computer implementation of harmonic analysis of the chorales of J. S. Bach. PhD diss., Musicology, University of London, 1982. | diss. |
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| | 145. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p | diss. | 102, 89p |
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| | 146. | Munkachy, Louis | Franz Paul Rigler as Theorist and Composer. [Incl. English Translation of 'Anleitung zum Gesange, und dem Klaviere, oder die Orgel zu spielen']. PhD diss., Univ. Pittsburgh, 1968. 1029p. | diss. | 1029p |
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| | 147. | Koehler, William Alan | The late independent keyboard rondos of Carl Philipp Emanuel Bach. DMA diss., University of Texas, Austin, 1986. 102p. [DA 8700318.] | diss. | 102p |
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| | 148. | Bruckner-Bigenwald, Martha | Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. Freiburg i.B., phil. Diss. v. 14. Juli 1938. - Sibiu-Hermannstadt: (Schmidt), 1938. 102p. - Nachdr.: Hilversum: Frits Knuf, 1965. 102p. | diss. | 102p |
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| | 149. | Souchay, Marc-André | Das Thema in der Fuge Bachs. Berlin, Phil. Diss. v. 12. Okt. 1928. 102p. [Aus: Bach-Jahrbuch 1927; Beil. auf d. Wesentlichste beschränkt] | diss. | 102p |
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| | 150. | Häcker, Werner | Erbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR. Diplomarbeit. Berlin: Humboldt-Universität 1977. 102p. | diss. | 102p |
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| | 151. | Warde, Louis Charles | 'Meditations on the 'Crucifixus'': Score and Analysis (Original Composition). California State University, Long Beach, 1991, 102p | diss. | 102p |
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| | 152. | Rixman, Eunice Elizabeth | The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. DMA diss., Church music: University of Southern California, 1969. 2v. 103; 50 p. | diss. | 103, 50 p |
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| | 153. | Sawatani, Natsuki | J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei [A Study on J. S. Bach's improvised ornamentation--the types found in BWV 965, 966, 973, 974 and 980] MA diss., Keio University, 2003. 103p | diss. | 103p |
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| | 154. | Heckmann, Harald | Wolfgang Caspar Printz und seine Rhythmuslehre. Freiburg i. B., Phil. F., Diss. v. 25. Juni 1952 (Nicht f. d. Aust.). - 103 gez. Bl., 5 Bl. mit Notenbeisp. [Maschinenschr.] | diss. | 103p |
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| | 155. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. PhD diss., Berlin: Humboldt-Universität, 1986. 103p | diss. | 103p |
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| | 156. | Jansen, Frans | Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. Doctoraalscriptie Muziekwetenschap, Universiteit Utrecht, Faculteit der Letteren. Augustus 2006. 103p. | diss. | 103p |
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| | 157. | Molkhou, Manuel | Les audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach. Paris, Sorbonne, 1980. 104p. | diss. | 104p |
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| | 158. | Flothuis, Marius | Mozarts Bearbeitungen eigener und fremder Werke. University of Amsterdam 1969. 104p | diss. | 104p |
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| | 159. | Yang, Shu-Ting | Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. DMA diss., University of Cincinnati, 2008. 104p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-49317-4. Dissertation No: 3303113. | diss. | 104p |
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| | 160. | Nüdling, Thomas | Untersuchungen zu Johann Michael Bach. Leben und Werk. schriftl. Hausarb. ... für das Lehramt für die Sekundarstufen I und II im Fach Musik (Detmold, 2002). Korr. Fassung, 2003. 104p. | diss. | 104p |
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| | 161. | Brischwein, O. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. | diss. | 104p |
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| | 162. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] | diss. | 105p |
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| | 163. | Fujisawa, Noriko | Johann Christian Bach: London ni okeru kare no Katsudo to Ongaku. [Johann Christian Bach: Life and works in his London years] MA diss., Music History: Tokyo University of Arts, 1968. 105 p. | diss. | 105p |
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| | 164. | Chin, Sheila Shin-Yin Lau | Variation techniques in selected organ literature. DMA diss., Organ: Indiana University, 1978. 105p | diss. | 105p |
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| | 165. | Lundell, Christopher | The three organ concerti of J.C. Bach: Commentary and a performing edition. DM, Music: Indiana University, 1991. 105 p. | diss. | 105p |
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| | 166. | Grossmann, Ursula | Studien zur Zahlensymbolik des Frühmittelalters. Freiburg (Breisgau), Phil. F., Diss. v. 15. Okt. 1948 (Nicht f. d. Austausch). - ([Freiburg], 1948). 105 gez. Bl. [Maschinenschr. autogr.] | diss. | 105p |
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| | 167. | Dougherty, Michael P. | Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. DMA diss., University of North Carolina, Greensboro, 2008. 106p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-925729. Dissertation No: 3337466. | diss. | 106p |
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| | 168. | Satake, Jun | Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. MA Dissertation - Kunitachi College of Music, 1978. 106p. [A Study on Bach's Cantata: some problems in the composition and performance seen in the original manuscript] | diss. | 106p |
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| | 169. | Jones, Anita Joyce Gilstrap | A survey of organ works based on the motive B-A-C-H. University of Texas. Austin 1970. 106p. | diss. | 106p |
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| | 170. | Slabber, Louise | The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. MMus diss., University of Cape Town, 1987. 106 p. | diss. | 106p |
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| | 171. | Williamson, Barry Scott | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p | diss. | 107p |
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| | 172. | Arfken, Ernst | Das Weimarer Orgelbüchlein von Johann Sebastian Bach. Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt bei derTheologischen Fakultät der Georg-August-Universität Göttingen / von Ernst Arfken. - Göttingen, 1965. 108p. [103 gez. Bl] [maschinenschr.] | diss. | 108p |
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| | 173. | Kleiner, Nava | The chorale prelude before J.S. Bach. MA diss., Musicology: University of Toronto, 1968. 109 p. | diss. | 109p |
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| | 174. | Matsuzaki, Kyoko | J. S. Bach 'Chromatic fantasie to fuga' no edition kenkyu. MA diss., Ochanomizu University 1974, 110p. [Handwritten: A study on the editions of Bach's Chromatic Fantasy and Fugue] | diss. | 110p |
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| | 175. | Bailey, Louis Lee | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p | diss. | 110p |
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| | 176. | Borris, Siegfried | Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. Berlin, Phil. Diss. v. 14. Okt. 1933. - Ohlau i. Schl.: Eschenhagen, 1933. 110p. - [Erw. um einen Notenanh.:] Kassel: Bärenreiter, 1933. 110p, 10 Taf. | diss. | 110p |
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| | 177. | Dequevauviller, Vincent | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p | diss. | 110p |
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| | 178. | Heyder, Bernd | Die motettischen Sätze in Bachs Kantatenwerk. Magisterarbeit der Philosophischen Fakultät der Universität Köln. - Köln: 1993. 110 S. PC-Druck | diss. | 110p |
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| | 179. | Neumann, Werner | J. S. Bachs Chorfuge. Ein Beitrag zur Kompositionstechnik Bachs. Leipzig, Phil. Diss. v. 1. Juli 1938. - Borna-Leipzig: Noske, 1938. 110p. 30 Taf. - Auch im Buchh.; Leipzig: Kistner & Siegel, 1938. 110p, 30 Taf. (= Schriftrenreihe des Staatlichen Instituts für Deutsche Musikforschung, 4) | diss. | 110p, 30 Taf |
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| | 180. | Hammes, Andrea | Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. Magisterarbeit, Leipzig Univ., 2010. 112p. | diss. | 112p |
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| | 181. | Zander, Ferdinand | Die Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung. PhD diss., Univ. Köln, 1966. - Kassel [u.a.]: Bärenreiter, 1967. xxv, 113p. | diss. | 113p |
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| | 182. | Kaminska, Iwona | J. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. DMA thesis, The University of British Colombia (Canada), 2003, 113p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-612-79281-1. Dissertation No: NQ79281. | diss. | 113p |
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| | 183. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p. | diss. | 113p |
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| | 184. | Downes, Edward O. D. | The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. PhD diss, Music, Harvard University, 1958. 2 vols: xxx, 488 Bl; vi, 514 Bl; 139 Bl (separate bibliography) | diss. | 1145 Bl |
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| | 187. | Dallaire, Charles Joseph Mario | The clarinet in solo, chamber, and concerto repertoire. PhD, Concordia University, 1990. 115p. | diss. | 115p |
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| | 189. | Leite, Zilei de Oliveira | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. MM diss., University of North Texas, 1995. 116p | diss. | 116p |
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| | 190. | Groves, S. E. | Bach Pianists: a Performance History. DMA doc., The University of Texas at Austin, 1992, 116p. | diss. | 116p |
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| | 193. | Toussaint, Georg | Die Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz. Mainz, Phil. F., Diss. v. 19. Juli 1949 (Nicht f. d. Austausch) - ([Mainz], [1949]). 118 gez. Bl. mit eingekl. Notenbeisp., mehr. Taf. [Maschinenschr.] | diss. | 118p |
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| | 194. | Sirp, Hermann | Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. Münster, Phil. Diss. v. 25. Juli 1933 (Nicht f. d. Austausch). - [Leipzig]: [Breitkopf & Härtel], 1933. 118p. | diss. | 118p |
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| | 195. | Schreiner, Frederick | An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. DM Dissertation - Indiana University, 1980. 118p. | diss. | 118p |
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| | 197. | Dequevauviller, Vincent | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p | diss. | 120p |
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| | 198. | Matthews, Joseph | Busoni's contributions to piano pedagogy. DMA diss., Piano literature and pedagogy: Indiana University, 1977. 120p. | diss. | 120p |
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| | 199. | Plutalov, Denis V. | Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. DMA diss., University of Nebraska, Lincoln. 2010. 121p; University Microfilms International (MI) Ann Arbor, MI. UMI Number: AAT 3398399; ISBN: 978-1-109-71469-2. | diss. | 121p |
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| | 200. | Stilz, Ernst | Die Berliner Klaviersonate zur Zeit Friedrichs des Grossen. Inaugural-Dissertation zur Erlangung der Doktorwürde genehmigt von der Philosophischen Fakultät der Friedrich-Wilhelms-Universität zu Berlin, 1930. - Saabrücken: Saabrücker Druckerei und Verlag, 1930. 123p text, [14] Bl mus exx. [Teildr: - Schlußkap. u. d. T.: Ueber harmonische Ausfüllung, soll ersch. in ZsfMw] | diss. | 123, 14 Bl |
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| | 201. | Gabrielse, Kenneth J. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215 | diss. | 123p |
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| | 202. | Cortens, Evan Philip | The Installation Cantatas of C. P. E. Bach. MMus diss., Boston University, 2008, 124p | diss. | 124p |
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| | 206. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] | diss. | 126p |
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| | 207. | Sullivan, Daniel | J.S. Bach and permutational design. DMA diss., Juilliard School, 2010. 126p. | diss. | 126p |
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| | 208. | Domizlaff, Ilse | Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. Diplomarbeit. Leipzig: Karl-Marx-Universität 1977, 127p. [type-script] | diss. | 127p |
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| | 209. | Allred, Brady Russell | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. DMA diss., University of Rochester, 1990. 128 leaves. | diss. | 128 leaves |
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| | 210. | Poglitsch, Michael | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. Diplom-Arbeit. Wien: Hochschule für Musik und Darst. Kunst 1990. 128p. | diss. | 128p |
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| | 211. | Edelstein, Heinz | Die Musikanschauung Augustins nach seiner Schrift 'De musica'. Freiburg i.B., Phil. Diss. v. 3. Febr. 1929. - Ohlau in Schles.: Eschenhagen, 1929. 128p. - Mikrofiche-Ausg.: Freiburg: Univ.-Bibl., 1990. | diss. | 128p |
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| | 213. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. University of Urlangen, 1970. | diss. | 128p |
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| | 214. | Tan, Siok Lian | The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. DMA diss, University of Cincinnati, 1998. 130p (See DissAbstracts 59/05-A, 1395) | diss. | 130p |
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| | 215. | Katz, Sonia | Um estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach. [Technical and interpretative issues in the partita no. 3 for violin solo by Johann Sebastian Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1991. 130 p. | diss. | 130p |
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| | 216. | Huang, Fung-yin | Bartok's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. DMA doc., Ohio State U., 1994. 130 p. | diss. | 130p |
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| | 217. | Smith, Charles Justice, III | Patterns and strategies: four perspectives of musical characterization. PhD diss.: University of Michigan, 1980. 130p. - Dissertation Abstracts International, 41-09A, p. 3776, AAF8106229. | diss. | 130p |
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| | 218. | Grossman, Robert | The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. DM doc. diss., Performance practice: Indiana Univ., 1987. 131p. | diss. | 131p |
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| | 219. | Herrmann, Matthias | Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). Hochschulschrift: Leipzig, Univ., Habilschr., 1992. Teil 1: 133, [17] Bl; Teil 2: 198 Bl. | diss. | 133, 198p |
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| | 220. | Massenkeil, Günther | Die oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis. Mainz, Phil. F., Diss. v. 29. Jan. 1953 (Nicht f. d. Aust.) - 1952. 133, 46 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] | diss. | 133, 46p |
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| | 221. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p | diss. | 133p |
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| | 222. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. | diss. | 133p |
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| | 223. | Feil, Arnold | Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. Hochschulschrift: Heidelberg, Univ., Diss., 1954. 134p. - druck Heidelberg, 1955. | diss. | 134p |
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| | 224. | Miesner, Heinrich | Philipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit. Berlin, Phil. Diss. v. 5. März 1929 [1930]. - Heide (Holst.): Sund, (1929). vii, 134p, 12Bl. (Notenbeisp) - Auch im Buch.; Leipzig: Breitkopf & Härtel, 1929. vii, 134p, [24]p. - Reprint from Wiesbaden: Sandig, 1969. 134p. | diss. | 134p |
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| | 225. | Siedentopf, Henning | Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. PhD diss. Tübingen 1966. 135p (type written) | diss. | 135p |
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| | 226. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p. | diss. | 136p |
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| | 227. | Stammen, Dale R. | Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. PhD diss., Music: McGill University, 2000. 137p. | diss. | 137p |
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| | 228. | Wenk, Alexander | Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. Diss., Frankfurt am Main, 1932. 138p. | diss. | 138p |
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| | 229. | Nail, James Isaac | The concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a. DMA diss.: University of Texas, Austin, 1978. 138p. | diss. | 138p |
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| | 230. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) | diss. | 138p |
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| | 231. | Chiang, Shih-yi | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. DMA, City University of New York, Graduate Center, 2007. 139p. | diss. | 139p |
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| | 232. | Harlow, Julia Tikker | A musician's introduction to Baroque dance. DMA doc., U. of Oregon, 1993. 139p. | diss. | 139p |
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| | 233. | Giuffrida, Antonio | Passio secundum Marcum di J.S. Bach. lau, Stor. del' mus.: Universita degli Studi di Catania, 1989-90. 139p. [BWV 247] | diss. | 139p |
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| | 234. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.] | diss. | 140p |
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| | 235. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. | diss. | 142p |
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| | 236. | Gross, Steven Lee | The Evolution and Nomenclature of Bach's Horn Parts. DMA doc., Univ. of Cincinnati, 1994. 143p | diss. | 143p |
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| | 237. | Valentin, Erich | Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). München, Univ., Diss., 1928. - Münster (Westphalia): Helios-Verlag, 1930. v, 145p. [Ein Teil der Arbeit Diss, München] (= Universitas-Archiv: 45 [Musikwissenschaftliche Abteilung, 6]) | diss. | 143p |
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| | 238. | Jung, Ja Young | Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. DMA diss, City University of New York, Graduate Center, 2001. 144p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-50734-5. Dissertation No: 3037408. | diss. | 144p |
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| | 239. | Piersig, Fritz | Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. Halle, Phil. Diss. v. 7. Jan. 1927. - Halle a. S.: Max Niemeyer, Halle 1927. 144p. | diss. | 144p |
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| | 240. | Malth, Rainer | Zur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen. Leipzig: Karl-Marx-Universität, 1982. 144p. | diss. | 144p |
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| | 241. | Pinegar, Sandra | Perspective on the musical essays of Lorenz Christoph Mizler (1711-1778). MA thesis. North Texas State University, 1984. 145p. UM: MA 1323637. | diss. | 145p |
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| | 242. | Bormann, Oskar | Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. Inaugural-Dissertation zur Erlangung der Doktorwürde der Hohen Philosophischen Fakultät der Universität Frankfurt vorgelegt von Oskar Bormann aus Höchst a. M. 1928. 145p. | diss. | 145p |
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| | 243. | Sanders, Morgan Shawn | The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. DMA doc., Music: U. of Texas, 1992. 146p. UMI DA9225785 | diss. | 146p |
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| | 244. | Gingrich, M. Linda | The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. DMA diss., University of Washington, 2008. 146p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-49562-8. Dissertation No: 3303284. | diss. | 146p |
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| | 245. | Brockhoff, Maria-Elisabeth | Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. Münster, Phil. u. naturwiss. F., Diss., 1944 (Nicht f. d. Austausch). - (Münster, 1944). 147 gez. Bl. [Maschinenschr.] | diss. | 147p |
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| | 246. | Bullivant, Roger | The fugal technique of J. S. Bach. DPhil diss., Oxford University, 1960. 3 v. (749 leaves; [213] p) | diss. | 1498p |
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| | 247. | Huber, Walter Simon | Motivsymbolik bei Heinrich Schütz. Versuch e. Morphologischen Systematik d. Schützschen Melodik. Zürich; Basel: Bärenreiter 1958, 149p. | diss. | 149p |
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| | 248. | Morozov, Serhii | The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. DMA, University of Maryland, College Park, 2003. Ann Arbor, MI: University Microfilms International, 2003. 14p. ISBN: 0-496-43606-3. UMI No. 3095981. | diss. | 14p |
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| | 249. | Wilde, Alessio John | Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. [Towards an interpretation of Johann Sebastian Bach's 14 canons BWV 1087: Didactic and ideological implications] Cremona: Scuola di Paleografia e Filologia Musicale dell'Universita di Pavia, a.a. 1994-1995, 150p | diss. | 150p |
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| | 250. | Campbell, Robert | Mendelssohn's Te Deum in D: Influences and the development of style. DMA diss., Music: Stanford Univ., 1985. 150p. [DA 8522259] | diss. | 150p |
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| | 251. | Adamson, J. Philip I. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p | diss. | 150p |
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| | 252. | Fischer, Wilfried | Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. Univ. Hamburg 1966. - Neue Bach-Ausgabe. Serie VII · Band 7 1971. 150p. [BWV 11] | diss. | 150p |
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| | 253. | Waegner, Günter | Die sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles. Berlin, F. U., Phil. F., Diss. v. 30. Jan. 1957 (Nicht f. d. Aust.), v, 151 gez. Bl. mit eingekl. Notenbeisp. ; 4 [Maschinenschr.] | diss. | 151 Bl |
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| | 254. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. | diss. | 151p |
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| | 255. | Liebert, Andreas | Die musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach. Hamburg, Univ., FB Kulturgeschichte, Mag.-Schr., 1988. 152 Bl. | diss. | 152 Bl |
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| | 256. | Roby, Lloyd | Research and transcription procedures to provide additional literature for trombone quartet. DM doc., Music: Indiana U., 1995. 153 p. | diss. | 153p |
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| | 257. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) | diss. | 153p |
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| | 258. | Funk, Wolfgang | Studie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster. Münster, Phil. F., Diss. v. 23. Febr. 1956 (Nicht f. d. Aust.). 154 gez. Bl. ; 4 [Maschinenschr. vervielf.] | diss. | 154 Bl |
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| | 259. | Paolini, Paolo | Il 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi. Cremona: Scuola di Paleografia e Filologia Musicale dell'Universita di Pavia, a.a. 1990-1991. 2 vols, 155, 263p. | diss. | 155, 263p |
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| | 260. | Pribyl, Lieselotte | Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. PhD diss., Musicology, Universität Wien, 1970. 3v. 155; 178; 273p | diss. | 155; 178; 273p |
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| | 261. | Hoekstra, Thomas Earl | Tempo Considerations in the Choral Music of Johann Sebastian Bach. PhD diss., Choral Music, University of Iowa 1974. 155p. | diss. | 155p |
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| | 262. | Daele, Erna Bertha Eugeen van | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. MM diss., The University of Western Ontario, 1995. 156p. | diss. | 156p |
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| | 263. | Melchert, Hermann | Das Rezitativ der Kirchenkantaten Johann Sebastian Bachs. Frankfurt a.M. 1958, 156p. | diss. | 156p |
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| | 264. | Metzger, Nancy Doris | The Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach. MA diss., California State University, Sacramento / MA, 1978. 157p | diss. | 157p |
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| | 265. | Märker, Michael | Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. PhD Dissertation - Leipzig: Karl-Marx-Universität, 1984. 157p. | diss. | 157p |
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| | 266. | Köhler, Karl-Heinz | Die Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs. Diss. Jena, 1956. 158 Bl [Hauptbed.], 51 Bl [Beispielbd.] | diss. | 158, 51 Bl |
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| | 267. | Harriss, Ernest Charles | Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. DMA diss., Peabody College for Teachers of Vanderbilt University, 1969. 1586p. AAT 7007632 | diss. | 1586p |
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| | 268. | Kim, Mary Byung-ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. DMA diss., Southern Baptist Theological Seminary, 2006. 158p. [BWV 84] | diss. | 158p |
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| | 269. | Robinson, Schuyler W. | The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. DMA diss., Performance, University of Illinois 1972. 158p. | diss. | 158p |
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| | 270. | Bauret, Gabriel | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl. | diss. | 159p |
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| | 271. | Burdick, Adam David | The influence of French Baroque dance on the cantatas of Johann Sebastian Bach. DMA diss., University of Washington, 2007. 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851. | diss. | 159p |
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| | 272. | Krupina, Larisa | Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. [Principles of vocal part writing in J.S. Bach's instrumental fugues] PhD, Teorija muzyki: Gosudarstvennaja Konservatorija, Kyjiv, 1990. 15p. | diss. | 15p |
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| | 273. | Wyler, Robert | Form- und Stiluntersuchungen zum ersten Satz der Klaviersonaten Carl Philipp Emanuel Bachs Zürich, Phil. Diss. 1955 [or 1960?]. Biel: Schüler, 1960. 160p. | diss. | 160p |
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| | 274. | Morris, Ralph Eugene | A performance edition of Bach's violoncello suites, transcribed for viola. DMA diss., Arizona State University, 1991. 160p. | diss. | 160p |
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| | 275. | Elste, Martin | Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. PhD diss., Musicology, Technische Universität, Berlin. 1981. 160p | diss. | 160p |
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| | 276. | Higuchi, Mitsuharu | Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. [A structural analysis of the Charakterthemen in the fugues from Das wohltemperirte Clavier, book 1.] MA diss., Musicology: Osaka Univ., 1983. 160p | diss. | 160p |
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| | 277. | Harju, Tommi | Kaanonien kaatama? Johann Gottfried Waltherin elämä. [Brought down by canons? The life of Johann Gottfried Walther] Lic, Jyväskylän Yliopisto, 2006. 161p. | diss. | 161p |
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| | 278. | Schultz, John Ahern | The soli-tutti concept in the choral works of Johann Sebastian Bach. DMA diss., Urbana, Ill., Univ. of Illinois at Urbana-Champaign, 1979. 161p | diss. | 161p |
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| | 279. | König, Ingeborg | Studien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun. PhD diss., Musicology: Universität Kiel, 1971 - München: Katzbichler, 1972. 163 p. | diss. | 163p |
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| | 280. | Tannenbaum, Michele Horner | Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. PhD diss.: Kent State University, 1993, 163p | diss. | 163p |
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| | 281. | Krause, Drew Stafford | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. DMA doc., U. of Illinois, 1993. 163p. UMI No. DA9329088 | diss. | 163p |
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| | 282. | Beurmann, Andreas E. | Die Klaviersonaten Carl Philipp Emanuel Bachs. Göttingen, Phil. F., Diss. v. 8. Aug. 1953 (Nicht f. d. Aust.) - [1953]. 164 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] | diss. | 164p |
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| | 283. | Glöckner, Andreas | Die Musikpflege an der Leipziger Neukirche von 1699 bis 1761. PhD diss., Musikwissenschaft: Martin-Luther-Univ., Halle, 1988. 164p, 20p. | diss. | 164p, 20p |
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| | 284. | Dressler, Oscar Hugo | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. DMA diss., Southwestern Baptist Theological Seminary. 1995. 165p. [see DissAbstracts p. 2896] | diss. | 165p |
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| | 285. | Shabalina, Tat'jana | Sonaty I. S. Bakha dlya kamernogo ansamblya. Problemy tekstologhii v svyazi s istoriyey sozdaniya i ispolnitel'skoy praktikoy. PhD diss. St Petersburg, 1992. 165p. [J. S. Bach's Sonatas for Chamber Ensemble: The problems of their text criticism in connection with their creation history and modern performance practice] | diss. | 165p |
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| | 286. | Bergner, Christoph | Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. PhD diss., Musicology, Tübingen, 1984. 165p | diss. | 165p |
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| | 287. | Polevoi, Randall Mark | The Controversy over Bach's Trills: Towards a Reconsiliation. DMA diss., Univ. of North Carolina at Greensboro, 1994. 166p | diss. | 166p |
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| | 288. | Shepherd, Richard Charles | The emergence of a pivotal role for the thumb in keyboard fingering during the early eighteenth century and its subsequent impact on pianistic idiom. DMA doc., U. of Illinois, Urbana-Champaign, 1995. 166p. UMI No. DA9543720. | diss. | 166p |
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| | 289. | Maltbey, Kathleen M. | The Diversity of Contrapuntal Writing Illustrating Rigorous to Casual Application of Fugal Practices in Selected Cantatas of J. S. Bach. DMA, Choral conducting. University of Cincinnati, 1990, 168p | diss. | 168p |
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| | 290. | Yamamoto, Kazuko | J. S. Bach no Kenbangakki Fuga no Kenkyu - Zen 128 Kyoku no Tema oyobi Heikinritsu Dai-2-Kan ni okeru Tema to Kozo. MA diss., Musicology: Musashino Academy of Music. 1974. 168p. [handwritten: A Study on J. S. Bach's keyboard fugues - the structure of subject of all the 128 pieces and the 2nd book of WTC] | diss. | 168p |
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| | 291. | Gibboney, Ted A. | Cryptic eloquence: Elements of form and expression in the large cantus firmus setting of J. S. Bach's 'Clavierübung III'. DMA doc., Organ: Indiana Univ., 1985. 169p. | diss. | 169p |
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| | 292. | Gavalchin, John Emil | Temporality in music: A conceptual model based on the phenomenology of Paul Ricoeur. PhD diss., New York University, 2000. 169p. - Ann Arbor, MI: University Microfilms International, 2000. ISBN: 0-599-73089-7; 978-0-599-73089-2. Dissertation No: 9968424. | diss. | 169p |
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| | 293. | Williams, Janet Leslie | An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. MM diss., Duquesne University, 1969. 169p | diss. | 169p |
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| | 294. | Sandler, Vadim | Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. [The Western European solo violin sonata of the first half of the twentieth century--History, style, problems of interpretation] PhD diss., Iskusstvovedenie: Gosudarstvennaja Konservatorija, Moskva, 1994. 16 p. | diss. | 16p |
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| | 295. | Kim, Hee-Sung | Written-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation. DMA diss., University of Texas at Austin, 1995. 170p | diss. | 170p |
| |||
| | 296. | Watchorn, Peter | A Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811. Boston University, 1995. 170p. UMI No. DA9533140 | diss. | 170p |
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| | 297. | Norton, Michael Lee | The sacred song arrangements of C.P.E. Bach. MA diss., Music history: Ohio State Univ., 1976. 172 p. | diss. | 172p |
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| | 298. | Asmus, Jürgen | Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. Leipzig: Karl-Marx-Universität 1979/80, 172p, 12p. | diss. | 172p, 12p |
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| | 299. | Müller, Werner | Das Ausdrucksproblem in der Klaviermusik C. Ph. E. Bachs. Univ. d. Saarlandes, Phil. F., Diss. v. 6. Juni 1959. 173p | diss. | 173p |
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| | 300. | Beuderer, Conrad | A Comparison of the Preludes Found in Common in the Clavier-Büchlein vor Wilhelm Friedemann Bach, the Well-Tempered Clavier, and the Forkel Edition of the Well-Tempered Clavier. D.M., Performance, Indiana University, 1968. 173 p. | diss. | 173p |
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| | 301. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. DM Diss. Piano Performance. Bloomington, Indiana University, 1968/69. 173p | diss. | 173p |
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