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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Levender, Paul | The Organ Music of Dietrich Buxtehude: Compiling an Accurate Edition and Looking at Interrelationships Between Bach and Buxtehude. | diss. | |||||
| | 2. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. | diss. | |||||
| | 3. | Mason, Christine M. | Ritornello form in movements for chorus and orchestra by J. S. Bach. | diss. | |||||
| | 4. | Kianto, Mervi | Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. | diss. | |||||
| | 5. | Yang, Junfeng | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. | diss. | |||||
| | 6. | Eichberg, Hartwig | Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. | diss. | |||||
| | 7. | Bötel, Friedhold | Mendelssohns Bach-Rezeption und ihre Konsequenzen dargestellt an den Präludien und Fugen für Orgel op. 37. | diss. | |||||
| | 8. | Rideout, Sarah Margaret | Johann Sebastian Bach's solo cantatas for soprano. | diss. | |||||
| | 9. | Huron, David | Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. | diss. | |||||
| | 10. | Fuchs, Josef Rainerius | Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach. | diss. | |||||
| | 11. | Hughes, Jennifer | Bach's Keyboard music in England and Germany, 1770-1850. | diss. | |||||
| | 12. | Uhl, Danny John | Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. | diss. | |||||
| | 13. | Heuschneider, Karin Hildegard | Contributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe). | diss. | |||||
| | 14. | Orgass, Stefan | Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). | diss. | |||||
| | 15. | Hanson, J. | An Operational approach to a theory of rhythm. | diss. | |||||
| | 16. | Crickmore, Leon | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] | diss. | |||||
| | 17. | Fellmann, Peter | Orchestersuiten der Bach-Zeit. | diss. | 
| ||||
| | 18. | Zweimüller, Maximilian | Studien zu Tempo, Akzent und Artikulation in den sechs Tiosonaten für Orgel von J. S. Bach. | diss. | |||||
| | 19. | Ray, Martha Elizabeth Park | A study of the German church cantata exclusive of Bach, 1650-1750. | diss. | |||||
| | 20. | Norrback, Johan | J. S. Bachs preludium i h-moll, BWV 544 -- En analys. | diss. | |||||
| | 21. | Mohr, Ernst Werner | Die Allemande in der deutschen Klaviersuite. | diss. | |||||
| | 22. | Böhnert, Andreas | Studien zum Klavierwerk Wilhelm Friedemann Bachs. | diss. |
| ||||
| | 23. | Matyl, Ulrich | Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. | diss. | |||||
| | 24. | Nash, Laura Roderic | Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. | diss. | |||||
| | 25. | Oechsle, Siegfried | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. | diss. | |||||
| | 26. | McLean, Cynthia | Some relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776. | diss. | |||||
| | 27. | Sandberger, Wolfgang | Das Bach-Bild Philipp Spittas. | diss. | |||||
| | 28. | Adler, Gerhard | Symbols of Transformation vol.5 of the Collected works of C. G. Jung. | diss. | |||||
| | 29. | Corsini, Antonella | Componenti bachiane nell'opera di Robert Schumann. | diss. | |||||
| | 30. | Lamprecht, Gideon Pieter | Vertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies. | diss. | |||||
| | 31. | Steger, Werner | G. H. Stölzels Abhandlung vom Rezitativ. | diss. | |||||
| | 32. | Adams, Robert Michael | Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. | diss. | |||||
| | 33. | Weimer, Eric Douglas | Style and style change in the arias of opera seria, 1755-1772: Hasse - Jommelli - J.C. Bach. | diss. | |||||
| | 34. | Stange-Elbe, Joachim | Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. | diss. | |||||
| | 35. | Riedel, Herbot Hugo | Recognition and Re-cognition: Bach and The Well-tempered Clavier I. | diss. | |||||
| | 36. | Buelow, George J. | Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. | diss. | |||||
| | 37. | Constantini, Franz-Peter | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. | diss. | |||||
| | 38. | Schleuter, R. F. | J. S. Bach and the Protestantism of his Day. | diss. | |||||
| | 39. | Gilvin, Sue McGehee | The Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben. | diss. | |||||
| | 40. | Satterfield, John R. | Aspects of style in the two-part Inventions as revealed by a study of accentuation. | diss. | |||||
| | 41. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. | diss. | |||||
| | 42. | Lewis, Pauline Mary | The fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style. | diss. | |||||
| | 43. | Connolly, Aisling | The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). | diss. | |||||
| | 44. | Tessmer, Manfred | Johann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband. | diss. | |||||
| | 45. | Powell, Newman W. | Rhythmic Freedom in the Performance of French Music from 1650 to 1735. | diss. | |||||
| | 46. | Tate, Elda Ann | Bach cantata movements suitable for flute transcription. | diss. | |||||
| | 47. | Kelsey, Verne | The Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas. | diss. | |||||
| | 48. | Wilson, Joyce Anne | The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. | diss. | |||||
| | 49. | Boresch, Hans-Werner | Studien zur Instrumentation Johann Sebastian Bachs. | diss. | |||||
| | 50. | Higuchi, Ryuichi | Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. | diss. | |||||
| | 51. | Roehrig, Helmut Joseph | The St. John passion by J. S. Bach in the light of the Neue Bach-Ausgabe (Edition 1973). | diss. | |||||
| | 52. | Eisert, Christian | J. S. Bachs Clavier-Toccaten und ihre Überlieferung. | diss. | |||||
| | 53. | Springthorpe, Nigel | Passion Composition and composers of Passion music associated with the Court of Anhalt-Zerbst. | diss. | |||||
| | 54. | Cano, Gines-Didier | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. | diss. | |||||
| | 55. | Petzoldt, Martin | Studien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs. | diss. | |||||
| | 56. | Müller-Buscher, Henning | Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). | diss. | |||||
| | 57. | Kambara, Sonoko | Bach beyond the score: Clues to performance issues in Bach's keyboard music. | diss. |
| ||||
| | 58. | Rudy, Helen E. | A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. | diss. | |||||
| | 59. | Fabian, Dorottya | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. | diss. | |||||
| | 60. | Schaap, Elizabeth Maria | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach | diss. | |||||
| | 61. | Marinho Silva Carvalho, Helena Paula | J.C. Bach's London keyboard sonatas: Style and context. | diss. | |||||
| | 62. | Häfner, Klaus | Verschollen geglaubte Sätze des Bachschen Vokalwerkes. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach. | diss. | |||||
| | 63. | Swack, Jeanne | The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. | diss. | |||||
| | 64. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. | diss. | |||||
| | 65. | Gerstung, Denman Wayne | Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. | diss. | |||||
| | 66. | Altenburg, Detlef | Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). | diss. | |||||
| | 67. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. | diss. | |||||
| | 68. | Schwarz, Peter | Studien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert. | diss. | |||||
| | 69. | Velten, Klaus | Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. | diss. | |||||
| | 70. | Mikami, Tokiko | J. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru. | diss. | |||||
| | 71. | Otsuka, Naoya | J. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. | diss. | |||||
| | 72. | Lorenzen, Johannes | Max Reger als Bach-Bearbeiter. | diss. | |||||
| | 73. | Peters, Manfred | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. | diss. | |||||
| | 74. | Löhlein, Heinz-Harald | Johann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition. | diss. | |||||
| | 75. | Bynum, Leroy Evans, Jr. | The first Berlin lieder school: The early development of German art song. | diss. | |||||
| | 76. | Grubbs, John Whitfield | The sacred vocal music of the Graun brothers: A bio-bibliographical study. | diss. | |||||
| | 77. | Mintz, Donald Monturean | The Sketches and Drafts of Three of Felix Mendelssohn's Major Works. | diss. | |||||
| | 78. | Schaeffer, John Gerhardt | The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. | diss. | |||||
| | 79. | Sweetkind, David | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. | diss. | |||||
| | 80. | Endo, Rena | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. | diss. | |||||
| | 81. | Pretorius, Estelle | Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. | diss. | |||||
| | 82. | Hochstetter, Armin Caspar | Die Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach. | diss. | |||||
| | 83. | Dickreiter, Michael | Der Musikbegriff bei Johannes Kepler. | diss. | |||||
| | 84. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. | diss. | |||||
| | 85. | Van Wyk, Theodore Justin | The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. | diss. | |||||
| | 86. | Knox, Robert Erskine | Aeolus Appeased: A Modern Scenographic Concept. | diss. | |||||
| | 87. | Geuting, Matthias | Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. | diss. | |||||
| | 88. | Nieden, Hans-Jörg | Bachrezeption um die Jahrhundertwende: Philipp Wolfrum. | diss. | |||||
| | 89. | Stinson, Russell | The Bach Manuscripts of Johann Peter Kellner and his Circle. | diss. | |||||
| | 90. | Smith, Larry H. | A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. | diss. | |||||
| | 91. | Hartung, Günther | Johann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist. | diss. | |||||
| | 92. | Owens, William Steven | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. | diss. | |||||
| | 93. | Diehl, Eleonore | Das Rezitativ bei Bach. | diss. | |||||
| | 94. | Johnson, Margaret Louise | Knowledge formalization and representation of the dynamics of expressive musical performance. | diss. | |||||
| | 95. | Yagi, Tomoko | Bach no Goldberg Hensokyoku no Kenkyu. | diss. | |||||
| | 96. | Ishikawa, Miyuki | J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. | diss. | |||||
| | 97. | Park, Dohee | J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. | diss. | |||||
| | 98. | Tittel, Karl | Die musikalischen Vertreteer der Familie Krebs mit besonderer Berücksichtigung der Bachschüler Johann Tobias und Johann Ludwig. | diss. | |||||
| | 99. | Hofman-Jablan, Jadranka | Simetrijska analiza elemenata i strukture muzickog dela. | diss. | |||||
| | 100. | Winzenburger, Walter P. | The Music of Franz Tunder. | diss. | |||||
| | 101. | Fall, Henry Cutler | A Critical Bibliographical Study of the Rinck Collection. | diss. | |||||
| | 102. | Greenbaum, Sarah | Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. | diss. | |||||
| | 103. | Havard, Royston R. | The forms of Ritornello in the instrumental music of J. S. Bach. | diss. | |||||
| | 104. | Thomas, P. | The Anglicisation of Bach. | diss. | |||||
| | 105. | Wicker, Vernon | Solo Cantatas for Bass by Christoph Graupner. | diss. | |||||
| | 106. | Benitez, Vincent P. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. | diss. | |||||
| | 107. | Thompson, William Forde | Judgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing. | diss. | |||||
| | 108. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. | diss. | |||||
| | 109. | Butler, Gregory G. | The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. | diss. | |||||
| | 110. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. | diss. | |||||
| | 111. | Kac, Juliet | The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. | diss. | |||||
| | 112. | Hong, J. L. | Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. | diss. | |||||
| | 113. | Ito, Eiko | J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. | diss. | |||||
| | 114. | Corneilson, Paul Edward | Opera at Mannheim, 1770-1778. | diss. | |||||
| | 115. | Malone, Sean | Schenkerian Analysis and Goedels's Theorem: The Urlinie as Formally Undecidable. | diss. | |||||
| | 116. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. | diss. | |||||
| | 117. | du Plooy, Jacobus Stephanus | The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. | diss. | |||||
| | 118. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | diss. | |||||
| | 119. | Meffen, John | The Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century. | diss. | |||||
| | 120. | Spence-Thomas, Karen | J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. | diss. | |||||
| | 121. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. | diss. | |||||
| | 122. | Bioules, Agathe | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. | diss. | |||||
| | 123. | Burkert, Georg | Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. | diss. | |||||
| | 124. | Kaiser, Rainer | Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. | diss. | |||||
| | 125. | Engler, Klaus | Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. | diss. | |||||
| | 126. | Nic Athlaoich, Róisín | Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. | diss. | |||||
| | 127. | Park, Joon Ja Yang | The interpretation of the ornaments in J. S. Bach's 'Well-tempered Clavier'. | diss. | |||||
| | 128. | Levy, Mark H. | Authenticity and performing style in editions of Bach's 'Wohltemperiertes Clavier'. | diss. | |||||
| | 129. | Heller, Karl | Die deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis. | diss. | |||||
| | 130. | Tatlow, Ruth Mary | LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. | diss. | |||||
| | 131. | Murata, Margaret | Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. | diss. | |||||
| | 132. | Morota, Daisuke | Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. | diss. | |||||
| | 133. | Houle, George L. | The Musical Measure as Discussed by Theorists from 1650 to 1800. | diss. | |||||
| | 134. | Bolen, Jane | The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. | diss. | |||||
| | 135. | Brink, Arend | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. | diss. | |||||
| | 136. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. | diss. | |||||
| | 137. | Scheibe, Beate | Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. | diss. | |||||
| | 138. | Reid, Andrew | Keys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach. | diss. | |||||
| | 139. | Marais, Bernese | The ternary sonata principle from 1731 to 1765: C. P. E. Bach. | diss. | |||||
| | 140. | Smith, Mark Mervyn | The violoncello with special reference to Bach's 6 suites for violincello unaccompanied. | diss. | |||||
| | 141. | Summers, Mary Lois | The use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas. | diss. | |||||
| | 142. | Owen, Jonathan | The computer implementation of harmonic analysis of the chorales of J. S. Bach. | diss. | |||||
| | 143. | Langdown, Christopher | Sviatoslav Richter's interpretative response to J.S. Bach: A selective study. | diss. | |||||
| | 144. | Breckoff, Werner | Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. | diss. | 101p | ||||
| | 145. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. | diss. | 102, 89p | ||||
| | 146. | Munkachy, Louis | Franz Paul Rigler as Theorist and Composer. | diss. | 1029p | ||||
| | 147. | Koehler, William Alan | The late independent keyboard rondos of Carl Philipp Emanuel Bach. | diss. | 102p | ||||
| | 148. | Bruckner-Bigenwald, Martha | Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. | diss. | 102p | ||||
| | 149. | Souchay, Marc-André | Das Thema in der Fuge Bachs. | diss. | 102p | ||||
| | 150. | Häcker, Werner | Erbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR. | diss. | 102p | ||||
| | 151. | Warde, Louis Charles | 'Meditations on the 'Crucifixus'': Score and Analysis (Original Composition). | diss. | 102p | ||||
| | 152. | Rixman, Eunice Elizabeth | The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. | diss. | 103, 50 p | ||||
| | 153. | Sawatani, Natsuki | J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei | diss. | 103p | ||||
| | 154. | Heckmann, Harald | Wolfgang Caspar Printz und seine Rhythmuslehre. | diss. | 103p | ||||
| | 155. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. | diss. | 103p | ||||
| | 156. | Jansen, Frans | Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. | diss. | 103p | ||||
| | 157. | Molkhou, Manuel | Les audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach. | diss. | 104p | ||||
| | 158. | Flothuis, Marius | Mozarts Bearbeitungen eigener und fremder Werke. | diss. | 104p | ||||
| | 159. | Yang, Shu-Ting | Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. | diss. | 104p | ||||
| | 160. | Nüdling, Thomas | Untersuchungen zu Johann Michael Bach. Leben und Werk. | diss. | 104p | ||||
| | 161. | Brischwein, O. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. | diss. | 104p | ||||
| | 162. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. | diss. | 105p | ||||
| | 163. | Fujisawa, Noriko | Johann Christian Bach: London ni okeru kare no Katsudo to Ongaku. | diss. | 105p | ||||
| | 164. | Chin, Sheila Shin-Yin Lau | Variation techniques in selected organ literature. | diss. | 105p | ||||
| | 165. | Lundell, Christopher | The three organ concerti of J.C. Bach: Commentary and a performing edition. | diss. | 105p | ||||
| | 166. | Grossmann, Ursula | Studien zur Zahlensymbolik des Frühmittelalters. | diss. | 105p | ||||
| | 167. | Dougherty, Michael P. | Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. | diss. | 106p | ||||
| | 168. | Satake, Jun | Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. | diss. | 106p | ||||
| | 169. | Jones, Anita Joyce Gilstrap | A survey of organ works based on the motive B-A-C-H. | diss. | 106p | ||||
| | 170. | Slabber, Louise | The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. | diss. | 106p | ||||
| | 171. | Williamson, Barry Scott | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). | diss. | 107p | ||||
| | 172. | Arfken, Ernst | Das Weimarer Orgelbüchlein von Johann Sebastian Bach. | diss. | 108p | ||||
| | 173. | Kleiner, Nava | The chorale prelude before J.S. Bach. | diss. | 109p | ||||
| | 174. | Matsuzaki, Kyoko | J. S. Bach 'Chromatic fantasie to fuga' no edition kenkyu. | diss. | 110p | ||||
| | 175. | Bailey, Louis Lee | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. | diss. | 110p | ||||
| | 176. | Borris, Siegfried | Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. | diss. | 110p | ||||
| | 177. | Dequevauviller, Vincent | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. | diss. | 110p | ||||
| | 178. | Heyder, Bernd | Die motettischen Sätze in Bachs Kantatenwerk. | diss. | 110p | ||||
| | 179. | Neumann, Werner | J. S. Bachs Chorfuge. Ein Beitrag zur Kompositionstechnik Bachs. | diss. | 110p, 30 Taf | ||||
| | 180. | Hammes, Andrea | Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. | diss. | 112p | ||||
| | 181. | Zander, Ferdinand | Die Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung. | diss. | 113p | ||||
| | 182. | Kaminska, Iwona | J. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. | diss. | 113p | ||||
| | 183. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. | diss. | 113p | ||||
| | 184. | Downes, Edward O. D. | The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. | diss. | 1145 Bl | ||||
| | 185. | Rovenko, Aleksander Ivanoviè | Strettnaja imitacija: Teoretièeskije, stilevyje i metodièeskije osnovy polifonii J. S. Bacha. | diss. | 114p | ||||
| | 186. | Chambers, Mark | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. | diss. | 115p | ||||
| | 187. | Dallaire, Charles Joseph Mario | The clarinet in solo, chamber, and concerto repertoire. | diss. | 115p | ||||
| | 188. | Virneisel, Wilhelm | Christian Benjamin Klein und seine Sammlung musikalischer Handschriften. | diss. | 116 Bl | ||||
| | 189. | Leite, Zilei de Oliveira | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. | diss. | 116p | ||||
| | 190. | Groves, S. E. | Bach Pianists: a Performance History. | diss. | 116p | ||||
| | 191. | Lee, Ming-Shung | A selected study of three variations by Bach, Beethoven, and Brahms. | diss. | 116p | ||||
| | 192. | Chung, Erin Hae-Rang | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. | diss. | 117p | ||||
| | 193. | Toussaint, Georg | Die Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz. | diss. | 118p | ||||
| | 194. | Sirp, Hermann | Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. | diss. | 118p | ||||
| | 195. | Schreiner, Frederick | An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. | diss. | 118p | ||||
| | 196. | Takezawa, Eisuke | J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. | diss. | 119p | ||||
| | 197. | Dequevauviller, Vincent | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. | diss. | 120p | ||||
| | 198. | Matthews, Joseph | Busoni's contributions to piano pedagogy. | diss. | 120p | ||||
| | 199. | Plutalov, Denis V. | Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. | diss. | 121p | ||||
| | 200. | Stilz, Ernst | Die Berliner Klaviersonate zur Zeit Friedrichs des Grossen. | diss. | 123, 14 Bl | ||||
| | 201. | Gabrielse, Kenneth J. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. | diss. | 123p | ||||
| | 202. | Cortens, Evan Philip | The Installation Cantatas of C. P. E. Bach. | diss. | 124p | ||||
| | 203. | Roberts, Scott | Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. | diss. | 124p | ||||
| | 204. | Hughes, Royal Delaney | The French Influence on Bach. | diss. | 125 Bl | ||||
| | 205. | Claus, Rolf Dietrich | Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. | diss. | 125p | ||||
| | 206. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. | diss. | 126p | ||||
| | 207. | Sullivan, Daniel | J.S. Bach and permutational design. | diss. | 126p | ||||
| | 208. | Domizlaff, Ilse | Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. | diss. | 127p | ||||
| | 209. | Allred, Brady Russell | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. | diss. | 128 leaves | ||||
| | 210. | Poglitsch, Michael | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. | diss. | 128p | ||||
| | 211. | Edelstein, Heinz | Die Musikanschauung Augustins nach seiner Schrift 'De musica'. | diss. | 128p | ||||
| | 212. | Roseman, Molly Roberts | Arthur Loesser: Pianist, teacher, critic, author. | diss. | 128p | ||||
| | 213. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. | diss. | 128p | ||||
| | 214. | Tan, Siok Lian | The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. | diss. | 130p | ||||
| | 215. | Katz, Sonia | Um estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach. | diss. | 130p | ||||
| | 216. | Huang, Fung-yin | Bartok's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. | diss. | 130p | ||||
| | 217. | Smith, Charles Justice, III | Patterns and strategies: four perspectives of musical characterization. | diss. | 130p | ||||
| | 218. | Grossman, Robert | The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. | diss. | 131p | ||||
| | 219. | Herrmann, Matthias | Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). | diss. | 133, 198p | ||||
| | 220. | Massenkeil, Günther | Die oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis. | diss. | 133, 46p | ||||
| | 221. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. | diss. | 133p | ||||
| | 222. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. | diss. | 133p | ||||
| | 223. | Feil, Arnold | Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. | diss. | 134p | ||||
| | 224. | Miesner, Heinrich | Philipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit. | diss. | 134p | ||||
| | 225. | Siedentopf, Henning | Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. | diss. | 135p | ||||
| | 226. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. | diss. | 136p | ||||
| | 227. | Stammen, Dale R. | Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. | diss. | 137p | ||||
| | 228. | Wenk, Alexander | Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. | diss. | 138p | ||||
| | 229. | Nail, James Isaac | The concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a. | diss. | 138p | ||||
| | 230. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. | diss. | 138p | ||||
| | 231. | Chiang, Shih-yi | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. | diss. | 139p | ||||
| | 232. | Harlow, Julia Tikker | A musician's introduction to Baroque dance. | diss. | 139p | ||||
| | 233. | Giuffrida, Antonio | Passio secundum Marcum di J.S. Bach. | diss. | 139p | ||||
| | 234. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. | diss. | 140p | ||||
| | 235. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. | diss. | 142p | ||||
| | 236. | Gross, Steven Lee | The Evolution and Nomenclature of Bach's Horn Parts. | diss. | 143p | ||||
| | 237. | Valentin, Erich | Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). | diss. | 143p | ||||
| | 238. | Jung, Ja Young | Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. | diss. | 144p | ||||
| | 239. | Piersig, Fritz | Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. | diss. | 144p | ||||
| | 240. | Malth, Rainer | Zur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen. | diss. | 144p | ||||
| | 241. | Pinegar, Sandra | Perspective on the musical essays of Lorenz Christoph Mizler (1711-1778). | diss. | 145p | ||||
| | 242. | Bormann, Oskar | Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. | diss. | 145p | ||||
| | 243. | Sanders, Morgan Shawn | The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. | diss. | 146p | ||||
| | 244. | Gingrich, M. Linda | The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. | diss. | 146p | ||||
| | 245. | Brockhoff, Maria-Elisabeth | Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. | diss. | 147p | ||||
| | 246. | Bullivant, Roger | The fugal technique of J. S. Bach. | diss. | 1498p | ||||
| | 247. | Huber, Walter Simon | Motivsymbolik bei Heinrich Schütz. Versuch e. Morphologischen Systematik d. Schützschen Melodik. | diss. | 149p | ||||
| | 248. | Morozov, Serhii | The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. | diss. | 14p | ||||
| | 249. | Wilde, Alessio John | Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. | diss. | 150p | ||||
| | 250. | Campbell, Robert | Mendelssohn's Te Deum in D: Influences and the development of style. | diss. | 150p | ||||
| | 251. | Adamson, J. Philip I. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. | diss. | 150p | ||||
| | 252. | Fischer, Wilfried | Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. | diss. | 150p | ||||
| | 253. | Waegner, Günter | Die sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles. | diss. | 151 Bl | ||||
| | 254. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. | diss. | 151p | ||||
| | 255. | Liebert, Andreas | Die musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach. | diss. | 152 Bl | ||||
| | 256. | Roby, Lloyd | Research and transcription procedures to provide additional literature for trombone quartet. | diss. | 153p | ||||
| | 257. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. | diss. | 153p | ||||
| | 258. | Funk, Wolfgang | Studie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster. | diss. | 154 Bl | ||||
| | 259. | Paolini, Paolo | Il 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi. | diss. | 155, 263p | ||||
| | 260. | Pribyl, Lieselotte | Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. | diss. | 155; 178; 273p | ||||
| | 261. | Hoekstra, Thomas Earl | Tempo Considerations in the Choral Music of Johann Sebastian Bach. | diss. | 155p | ||||
| | 262. | Daele, Erna Bertha Eugeen van | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. | diss. | 156p | ||||
| | 263. | Melchert, Hermann | Das Rezitativ der Kirchenkantaten Johann Sebastian Bachs. | diss. | 156p | ||||
| | 264. | Metzger, Nancy Doris | The Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach. | diss. | 157p | ||||
| | 265. | Märker, Michael | Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. | diss. | 157p | ||||
| | 266. | Köhler, Karl-Heinz | Die Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs. | diss. | 158, 51 Bl | ||||
| | 267. | Harriss, Ernest Charles | Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. | diss. | 1586p | ||||
| | 268. | Kim, Mary Byung-ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. | diss. | 158p | ||||
| | 269. | Robinson, Schuyler W. | The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. | diss. | 158p | ||||
| | 270. | Bauret, Gabriel | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. | diss. | 159p | ||||
| | 271. | Burdick, Adam David | The influence of French Baroque dance on the cantatas of Johann Sebastian Bach. | diss. | 159p | ||||
| | 272. | Krupina, Larisa | Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. | diss. | 15p | ||||
| | 273. | Wyler, Robert | Form- und Stiluntersuchungen zum ersten Satz der Klaviersonaten Carl Philipp Emanuel Bachs | diss. | 160p | ||||
| | 274. | Morris, Ralph Eugene | A performance edition of Bach's violoncello suites, transcribed for viola. | diss. | 160p | ||||
| | 275. | Elste, Martin | Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. | diss. | 160p | ||||
| | 276. | Higuchi, Mitsuharu | Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. | diss. | 160p | ||||
| | 277. | Harju, Tommi | Kaanonien kaatama? Johann Gottfried Waltherin elämä. | diss. | 161p | ||||
| | 278. | Schultz, John Ahern | The soli-tutti concept in the choral works of Johann Sebastian Bach. | diss. | 161p | ||||
| | 279. | König, Ingeborg | Studien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun. | diss. | 163p | ||||
| | 280. | Tannenbaum, Michele Horner | Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. | diss. | 163p | ||||
| | 281. | Krause, Drew Stafford | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. | diss. | 163p | ||||
| | 282. | Beurmann, Andreas E. | Die Klaviersonaten Carl Philipp Emanuel Bachs. | diss. | 164p | ||||
| | 283. | Glöckner, Andreas | Die Musikpflege an der Leipziger Neukirche von 1699 bis 1761. | diss. | 164p, 20p | ||||
| | 284. | Dressler, Oscar Hugo | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. | diss. | 165p | ||||
| | 285. | Shabalina, Tat'jana | Sonaty I. S. Bakha dlya kamernogo ansamblya. | diss. | 165p | ||||
| | 286. | Bergner, Christoph | Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. | diss. | 165p | ||||
| | 287. | Polevoi, Randall Mark | The Controversy over Bach's Trills: Towards a Reconsiliation. | diss. | 166p | ||||
| | 288. | Shepherd, Richard Charles | The emergence of a pivotal role for the thumb in keyboard fingering during the early eighteenth century and its subsequent impact on pianistic idiom. | diss. | 166p | ||||
| | 289. | Maltbey, Kathleen M. | The Diversity of Contrapuntal Writing Illustrating Rigorous to Casual Application of Fugal Practices in Selected Cantatas of J. S. Bach. | diss. | 168p | ||||
| | 290. | Yamamoto, Kazuko | J. S. Bach no Kenbangakki Fuga no Kenkyu - Zen 128 Kyoku no Tema oyobi Heikinritsu Dai-2-Kan ni okeru Tema to Kozo. | diss. | 168p | ||||
| | 291. | Gibboney, Ted A. | Cryptic eloquence: Elements of form and expression in the large cantus firmus setting of J. S. Bach's 'Clavierübung III'. | diss. | 169p | ||||
| | 292. | Gavalchin, John Emil | Temporality in music: A conceptual model based on the phenomenology of Paul Ricoeur. | diss. | 169p | ||||
| | 293. | Williams, Janet Leslie | An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. | diss. | 169p | ||||
| | 294. | Sandler, Vadim | Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. | diss. | 16p | ||||
| | 295. | Kim, Hee-Sung | Written-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation. | diss. | 170p | ||||
| | 296. | Watchorn, Peter | A Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811. | diss. | 170p | ||||
| | 297. | Norton, Michael Lee | The sacred song arrangements of C.P.E. Bach. | diss. | 172p | ||||
| | 298. | Asmus, Jürgen | Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. | diss. | 172p, 12p | ||||
| | 299. | Müller, Werner | Das Ausdrucksproblem in der Klaviermusik C. Ph. E. Bachs. | diss. | 173p | ||||
| | 300. | Beuderer, Conrad | A Comparison of the Preludes Found in Common in the Clavier-Büchlein vor Wilhelm Friedemann Bach, the Well-Tempered Clavier, and the Forkel Edition of the Well-Tempered Clavier. | diss. | 173p | ||||
| | 301. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. | diss. | 173p |
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