Bach Bibliography
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1. Levender, PaulThe Organ Music of Dietrich Buxtehude: Compiling an Accurate Edition and Looking at Interrelationships Between Bach and Buxtehude. diss. 1991
2. Van Wyk, Theodore JustinA comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. diss. 2000
3. Mason, Christine M.Ritornello form in movements for chorus and orchestra by J. S. Bach. diss. 1967-68
4. Kianto, MerviBach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. diss. 1977
5. Yang, JunfengBahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. diss. 2003
6. Eichberg, HartwigJohann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. diss. 1973
7. Bötel, FriedholdMendelssohns Bach-Rezeption und ihre Konsequenzen dargestellt an den Präludien und Fugen für Orgel op. 37. diss. 1982
8. Rideout, Sarah MargaretJohann Sebastian Bach's solo cantatas for soprano. diss. 1974
9. Huron, DavidVoice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. diss. 1989
10. Fuchs, Josef RaineriusStudien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach. diss. 1984
11. Hughes, JenniferBach's Keyboard music in England and Germany, 1770-1850. diss. 1985
12. Uhl, Danny JohnArticulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. diss. 1979
13. Heuschneider, Karin HildegardContributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe). diss. 1968
14. Orgass, StefanDisposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). diss. 1994
15. Hanson, J.An Operational approach to a theory of rhythm. diss. 1969
16. Crickmore, LeonC.P.E. Bach: Six harpsichord concertos. [Wq. 43] diss. 1956
17. Fellmann, PeterOrchestersuiten der Bach-Zeit. diss. 1990
18. Zweimüller, MaximilianStudien zu Tempo, Akzent und Artikulation in den sechs Tiosonaten für Orgel von J. S. Bach. diss. 1991
19. Ray, Martha Elizabeth ParkA study of the German church cantata exclusive of Bach, 1650-1750. diss. 1969
20. Norrback, JohanJ. S. Bachs preludium i h-moll, BWV 544 -- En analys. diss. 1991
21. Mohr, Ernst WernerDie Allemande in der deutschen Klaviersuite. diss. 1931
22. Böhnert, AndreasStudien zum Klavierwerk Wilhelm Friedemann Bachs. diss. 1992
23. Matyl, UlrichDie Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. diss. 1995
24. Nash, Laura RodericAspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. diss. 1990
25. Oechsle, SiegfriedBachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. diss. 1996
26. McLean, CynthiaSome relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776. diss. 1973
27. Sandberger, WolfgangDas Bach-Bild Philipp Spittas. diss. 1994
28. Adler, GerhardSymbols of Transformation vol.5 of the Collected works of C. G. Jung. diss. 1956
29. Corsini, AntonellaComponenti bachiane nell'opera di Robert Schumann. diss. 1987
30. Lamprecht, Gideon PieterVertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies. diss. 1978
31. Steger, WernerG. H. Stölzels Abhandlung vom Rezitativ. diss. 1962
32. Adams, Robert MichaelDmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. diss. 1981
33. Weimer, Eric DouglasStyle and style change in the arias of opera seria, 1755-1772: Hasse - Jommelli - J.C. Bach. diss. 1982
34. Stange-Elbe, JoachimAnalyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. diss. 1999
35. Riedel, Herbot HugoRecognition and Re-cognition: Bach and The Well-tempered Clavier I. diss. 1969
36. Buelow, George J.Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. diss. 1961
37. Constantini, Franz-PeterDie Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. diss. 1967
38. Schleuter, R. F.J. S. Bach and the Protestantism of his Day. diss. 1954
39. Gilvin, Sue McGeheeThe Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben. diss. 1973
40. Satterfield, John R.Aspects of style in the two-part Inventions as revealed by a study of accentuation. diss. 1960
41. Falck, Myron17th-Century Contrapuntal Theory in Germany. diss. 1965
42. Lewis, Pauline MaryThe fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style. diss. 1988
43. Connolly, AislingThe contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). diss. 2005
44. Tessmer, ManfredJohann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband. diss. 1967
45. Powell, Newman W.Rhythmic Freedom in the Performance of French Music from 1650 to 1735. diss. 1959
46. Tate, Elda AnnBach cantata movements suitable for flute transcription. diss. 1974
47. Kelsey, VerneThe Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas. diss. 1951
48. Wilson, Joyce AnneThe Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. diss. 1983
49. Boresch, Hans-WernerStudien zur Instrumentation Johann Sebastian Bachs. diss. 1990
50. Higuchi, RyuichiJohann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. diss. 1979
51. Roehrig, Helmut JosephThe St. John passion by J. S. Bach in the light of the Neue Bach-Ausgabe (Edition 1973). diss. 1981
52. Eisert, ChristianJ. S. Bachs Clavier-Toccaten und ihre Überlieferung. diss. 1992
53. Springthorpe, NigelPassion Composition and composers of Passion music associated with the Court of Anhalt-Zerbst. diss. 1997
54. Cano, Gines-DidierJohann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. diss. 1990
55. Petzoldt, MartinStudien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs. diss. 1985
56. Müller-Buscher, HenningStudien zu den Choralbearbeitungen Georg Böhms (1661-1733). diss. 1972
57. Kambara, SonokoBach beyond the score: Clues to performance issues in Bach's keyboard music. diss. 2005
58. Rudy, Helen E.A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. diss. 1973
59. Fabian, DorottyaJ. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. 1998
60. Schaap, Elizabeth MariaBarokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach diss. 1996
61. Marinho Silva Carvalho, Helena PaulaJ.C. Bach's London keyboard sonatas: Style and context. diss. 2003
62. Häfner, KlausVerschollen geglaubte Sätze des Bachschen Vokalwerkes. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach. diss. 1986
63. Swack, JeanneThe Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. diss. 1988
64. Bertling, RebekkaDas Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. diss. 1990
65. Gerstung, Denman WaynePerformance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. diss. 1970
66. Altenburg, DetlefUntersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). diss. 1973
67. Muller, Stephanus Jacobus van ZylAn interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. diss. 1997
68. Schwarz, PeterStudien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert. diss. 1971
69. Velten, KlausSchönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. diss. 1976
70. Mikami, TokikoJ. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru. diss. 2005
71. Otsuka, NaoyaJ. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. diss. 2001
72. Lorenzen, JohannesMax Reger als Bach-Bearbeiter. diss. 1976
73. Peters, ManfredDie Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. diss. 2004
74. Löhlein, Heinz-HaraldJohann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition. diss. 1978
75. Bynum, Leroy Evans, Jr.The first Berlin lieder school: The early development of German art song. diss. 1992
76. Grubbs, John WhitfieldThe sacred vocal music of the Graun brothers: A bio-bibliographical study. diss. 1972
77. Mintz, Donald MontureanThe Sketches and Drafts of Three of Felix Mendelssohn's Major Works. diss. 1960
78. Schaeffer, John GerhardtThe Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. diss. 1970
79. Sweetkind, DavidAllegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. diss. 1968
80. Endo, RenaJohannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. diss. 1998
81. Pretorius, EstelleMusiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. diss. 1992
82. Hochstetter, Armin CasparDie Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach. diss. 1928
83. Dickreiter, MichaelDer Musikbegriff bei Johannes Kepler. diss. 1971
84. Dixon, Michelle GarnerA performer's study of selected organ compositions by Johann Sebastian Bach. diss. 1982
85. Van Wyk, Theodore JustinThe Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. diss. 2005
86. Knox, Robert ErskineAeolus Appeased: A Modern Scenographic Concept. diss. 1991
87. Geuting, MatthiasStudien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. diss. 2000
88. Nieden, Hans-JörgBachrezeption um die Jahrhundertwende: Philipp Wolfrum. diss. 1974
89. Stinson, RussellThe Bach Manuscripts of Johann Peter Kellner and his Circle. diss. 1985
90. Smith, Larry H.A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. diss. 1974
91. Hartung, GüntherJohann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist. diss. 1964
92. Owens, William StevenA solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. diss. 1980
93. Diehl, EleonoreDas Rezitativ bei Bach. diss. 1936
94. Johnson, Margaret LouiseKnowledge formalization and representation of the dynamics of expressive musical performance. diss. 1991
95. Yagi, TomokoBach no Goldberg Hensokyoku no Kenkyu. diss. 1999
96. Ishikawa, MiyukiJ. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. diss. 1999
97. Park, DoheeJ. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. diss. 1999
98. Tittel, KarlDie musikalischen Vertreteer der Familie Krebs mit besonderer Berücksichtigung der Bachschüler Johann Tobias und Johann Ludwig. diss. 1963
99. Hofman-Jablan, JadrankaSimetrijska analiza elemenata i strukture muzickog dela. diss. 1995
100. Winzenburger, Walter P.The Music of Franz Tunder. diss. 1965
101. Fall, Henry CutlerA Critical Bibliographical Study of the Rinck Collection. diss. 1958
102. Greenbaum, SarahMetrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. diss. 1994
103. Havard, Royston R.The forms of Ritornello in the instrumental music of J. S. Bach. diss. 1964
104. Thomas, P.The Anglicisation of Bach. diss. 1998
105. Wicker, VernonSolo Cantatas for Bass by Christoph Graupner. diss. 1979
106. Benitez, Vincent P.Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985
107. Thompson, William FordeJudgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing. diss. 1986
108. Bamberg, JoachimDie Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. diss. 2004
109. Butler, Gregory G.The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. diss. 1973
110. Abramowitz, JonathanA Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. diss. 1973
111. Kac, JulietThe painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. diss. 2003
112. Hong, J. L.Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. diss. 2003
113. Ito, EikoJ. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. diss. 1987
114. Corneilson, Paul EdwardOpera at Mannheim, 1770-1778. diss. 1992
115. Malone, SeanSchenkerian Analysis and Goedels's Theorem: The Urlinie as Formally Undecidable. diss. 1997
116. Cooper, David ThomasBach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. diss. 2001
117. du Plooy, Jacobus StephanusThe role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. diss. 1995
118. Blechschmidt, Eva RenateDie Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss. 1963
119. Meffen, JohnThe Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century. diss. 1977
120. Spence-Thomas, KarenJ. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. diss. 1983
121. Queiroz, Flavio Jose Gomes deAprendendo contraponto atraves dos preludios corais. diss. 1996
122. Bioules, AgatheL'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. diss. 1993
123. Burkert, GeorgGottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. diss. 1933
124. Kaiser, RainerTintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. diss. 1987
125. Engler, KlausGeorg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. diss. 1970
126. Nic Athlaoich, RóisínBach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. diss. 2007
127. Park, Joon Ja YangThe interpretation of the ornaments in J. S. Bach's 'Well-tempered Clavier'. diss. 1984
128. Levy, Mark H.Authenticity and performing style in editions of Bach's 'Wohltemperiertes Clavier'. diss. 1987
129. Heller, KarlDie deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis. diss. 1965
130. Tatlow, Ruth MaryLUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. 1987
131. Murata, MargaretExtravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. diss. 1971
132. Morota, DaisukeDresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. diss. 2007
133. Houle, George L.The Musical Measure as Discussed by Theorists from 1650 to 1800. diss. 1960
134. Bolen, JaneThe Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. diss. 1974
135. Brink, ArendDie gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. diss. 1992
136. Barros, Nicolas de SouzaA adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. diss. 1993
137. Scheibe, BeateBachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. diss. 1995
138. Reid, AndrewKeys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach. diss. 1995
139. Marais, BerneseThe ternary sonata principle from 1731 to 1765: C. P. E. Bach. diss. 1976
140. Smith, Mark MervynThe violoncello with special reference to Bach's 6 suites for violincello unaccompanied. diss. 1979-80
141. Summers, Mary LoisThe use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas. diss. 1982
142. Owen, JonathanThe computer implementation of harmonic analysis of the chorales of J. S. Bach. diss. 1982
143. Langdown, ChristopherSviatoslav Richter's interpretative response to J.S. Bach: A selective study. diss. 1995
144. Breckoff, WernerZur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. diss. 1965 101p
145. Mulbury, DavidA collection of organ music by pupils of J. S. Bach. diss. 1969 102, 89p
146. Munkachy, LouisFranz Paul Rigler as Theorist and Composer. diss. 1968 1029p
147. Koehler, William AlanThe late independent keyboard rondos of Carl Philipp Emanuel Bach. diss. 1986 102p
148. Bruckner-Bigenwald, MarthaDie Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. diss. 1938 102p
149. Souchay, Marc-AndréDas Thema in der Fuge Bachs. diss. 1927 102p
150. Häcker, WernerErbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR. diss. 1977 102p
151. Warde, Louis Charles'Meditations on the 'Crucifixus'': Score and Analysis (Original Composition). diss. 1991 102p
152. Rixman, Eunice ElizabethThe sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. diss. 1969 103, 50 p
153. Sawatani, NatsukiJ. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei diss. 2003 103p
154. Heckmann, HaraldWolfgang Caspar Printz und seine Rhythmuslehre. diss. 1952 103p
155. Loeser, AnnekatrinAnnäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. diss. 1986 103p
156. Jansen, FransPassie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. diss. 2006 103p
157. Molkhou, ManuelLes audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach. diss. 1980 104p
158. Flothuis, MariusMozarts Bearbeitungen eigener und fremder Werke. diss. 1969 104p
159. Yang, Shu-TingSalute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. diss. 2008 104p
160. Nüdling, ThomasUntersuchungen zu Johann Michael Bach. Leben und Werk. diss. 2003 104p
161. Brischwein, O.Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. diss. 1996 104p
162. Bradley, Alan LouisA modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. diss. 1969 105p
163. Fujisawa, NorikoJohann Christian Bach: London ni okeru kare no Katsudo to Ongaku. diss. 1968 105p
164. Chin, Sheila Shin-Yin LauVariation techniques in selected organ literature. diss. 1978 105p
165. Lundell, ChristopherThe three organ concerti of J.C. Bach: Commentary and a performing edition. diss. 1991 105p
166. Grossmann, UrsulaStudien zur Zahlensymbolik des Frühmittelalters. diss. 1948 105p
167. Dougherty, Michael P.Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. diss. 2008 106p
168. Satake, JunBach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. diss. 1978 106p
169. Jones, Anita Joyce GilstrapA survey of organ works based on the motive B-A-C-H. diss. 1970 106p
170. Slabber, LouiseThe influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. diss. 1987 106p
171. Williamson, Barry ScottA Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. 1993 107p
172. Arfken, ErnstDas Weimarer Orgelbüchlein von Johann Sebastian Bach. diss. 1965 108p
173. Kleiner, NavaThe chorale prelude before J.S. Bach. diss. 1968 109p
174. Matsuzaki, KyokoJ. S. Bach 'Chromatic fantasie to fuga' no edition kenkyu. diss. 1974 110p
175. Bailey, Louis LeeThe Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. diss. 1976 110p
176. Borris, SiegfriedKirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. diss. 1933 110p
177. Dequevauviller, VincentLe Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. diss. 1996 110p
178. Heyder, BerndDie motettischen Sätze in Bachs Kantatenwerk. diss. 1993 110p
179. Neumann, WernerJ. S. Bachs Chorfuge. Ein Beitrag zur Kompositionstechnik Bachs. diss. 1938 110p, 30 Taf
180. Hammes, AndreaJohann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. diss. 2010 112p
181. Zander, FerdinandDie Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung. diss. 1967 113p
182. Kaminska, IwonaJ. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. diss. 2003 113p
183. Cheng, WeiA Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. diss. 2006 113p
184. Downes, Edward O. D.The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. diss. 1958 1145 Bl
185. Rovenko, Aleksander IvanovièStrettnaja imitacija: Teoretièeskije, stilevyje i metodièeskije osnovy polifonii J. S. Bacha. diss. 1975 114p
186. Chambers, MarkThe 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. diss. 1996 115p
187. Dallaire, Charles Joseph MarioThe clarinet in solo, chamber, and concerto repertoire. diss. 1990 115p
188. Virneisel, WilhelmChristian Benjamin Klein und seine Sammlung musikalischer Handschriften. diss. 1924 116 Bl
189. Leite, Zilei de OliveiraApplications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. diss. 1995 116p
190. Groves, S. E.Bach Pianists: a Performance History. diss. 1992 116p
191. Lee, Ming-ShungA selected study of three variations by Bach, Beethoven, and Brahms. diss. 2003 116p
192. Chung, Erin Hae-RangThe 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. diss. 1996 117p
193. Toussaint, GeorgDie Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz. diss. 1949 118p
194. Sirp, HermannDie Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. diss. 1929 118p
195. Schreiner, FrederickAn analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. diss. 1980 118p
196. Takezawa, EisukeJ. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. diss. 1998 119p
197. Dequevauviller, VincentJean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. diss. 1996 120p
198. Matthews, JosephBusoni's contributions to piano pedagogy. diss. 1977 120p
199. Plutalov, Denis V.Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. diss. 2010 121p
200. Stilz, ErnstDie Berliner Klaviersonate zur Zeit Friedrichs des Grossen. diss. 1930 123, 14 Bl
201. Gabrielse, Kenneth J.A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. diss. 1996 123p
202. Cortens, Evan PhilipThe Installation Cantatas of C. P. E. Bach. diss. 2008 124p
203. Roberts, ScottToward a methodology for the analysis of fugue: An examination of selected Bach organ works. diss. 2004 124p
204. Hughes, Royal DelaneyThe French Influence on Bach. diss. 1926 125 Bl
205. Claus, Rolf DietrichZur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. diss. 1993 125p
206. Anderson, Scott EricChoral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. diss. 1993 126p
207. Sullivan, DanielJ.S. Bach and permutational design. diss. 2010 126p
208. Domizlaff, IlseSammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. diss. 1977 127p
209. Allred, Brady RussellMozart’s Grand mass in C minor: historical perspective, analysis, and performance. diss. 1990 128 leaves
210. Poglitsch, MichaelAufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. diss. 1990 128p
211. Edelstein, HeinzDie Musikanschauung Augustins nach seiner Schrift 'De musica'. diss. 1929 128p
212. Roseman, Molly RobertsArthur Loesser: Pianist, teacher, critic, author. diss. 1998 128p
213. Alleln, HorstDas Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. diss. 1970 128p
214. Tan, Siok LianThe Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. diss. 1998 130p
215. Katz, SoniaUm estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach. diss. 1991 130p
216. Huang, Fung-yinBartok's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. diss. 1994 130p
217. Smith, Charles Justice, IIIPatterns and strategies: four perspectives of musical characterization. diss. 1980 130p
218. Grossman, RobertThe lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. diss. 1987 131p
219. Herrmann, MatthiasDer Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). diss. 1992 133, 198p
220. Massenkeil, GüntherDie oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis. diss. 1952 133, 46p
221. Edwards, Mark DouglasA Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. diss. 1993 133p
222. Bubar, Cheryl AnnAlto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. diss. 2003 133p
223. Feil, ArnoldSatztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. diss. 1954 134p
224. Miesner, HeinrichPhilipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit. diss. 1929 134p
225. Siedentopf, HenningBeobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. diss. 1966 135p
226. Barnett, JoanWilhelm Friedemann Bach: An analytical study of selected solo keyboard works. diss. 1990 136p
227. Stammen, Dale R.Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. diss. 2000 137p
228. Wenk, AlexanderBeiträge zur Kenntnis des Opernschaffens von J. Christian Bach. diss. 1932 138p
229. Nail, James IsaacThe concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a. diss. 1978 138p
230. Dadelsen, Georg vonAlter Stil und alte Techniken in der Musik des 19. Jahrhunderts. diss. 1951 138p
231. Chiang, Shih-yiBrandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. diss. 2007 139p
232. Harlow, Julia TikkerA musician's introduction to Baroque dance. diss. 1993 139p
233. Giuffrida, AntonioPassio secundum Marcum di J.S. Bach. diss. 1989-90 139p
234. Ellefson, Randi vonA stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. diss. 1987 140p
235. Chien, Martin Ying-TsaiA Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. diss. 1998 142p
236. Gross, Steven LeeThe Evolution and Nomenclature of Bach's Horn Parts. diss. 1994 143p
237. Valentin, ErichDie Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). diss. 1928 143p
238. Jung, Ja YoungPreludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. diss. 2001 144p
239. Piersig, FritzDie Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. diss. 1927 144p
240. Malth, RainerZur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen. diss. 1982 144p
241. Pinegar, SandraPerspective on the musical essays of Lorenz Christoph Mizler (1711-1778). diss. 1984 145p
242. Bormann, OskarJohann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. diss. 1926 145p
243. Sanders, Morgan ShawnThe use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. diss. 1992 146p
244. Gingrich, M. LindaThe seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. diss. 2008 146p
245. Brockhoff, Maria-ElisabethStudien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. diss. 1947 147p
246. Bullivant, RogerThe fugal technique of J. S. Bach. diss. 1960 1498p
247. Huber, Walter SimonMotivsymbolik bei Heinrich Schütz. Versuch e. Morphologischen Systematik d. Schützschen Melodik. diss. 1958 149p
248. Morozov, SerhiiThe evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. diss. 2003 14p
249. Wilde, Alessio JohnPer un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. diss. 1995 150p
250. Campbell, RobertMendelssohn's Te Deum in D: Influences and the development of style. diss. 1985 150p
251. Adamson, J. Philip I.Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. diss. 1973 150p
252. Fischer, WilfriedMöglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. diss. 1966 150p
253. Waegner, GünterDie sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles. diss. 1957 151 Bl
254. Bunn, J. GreggA performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. diss. 2004 151p
255. Liebert, AndreasDie musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach. diss. 1988 152 Bl
256. Roby, LloydResearch and transcription procedures to provide additional literature for trombone quartet. diss. 1995 153p
257. Cho, YoonjuA Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. diss. 1998 153p
258. Funk, WolfgangStudie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster. diss. 1956 154 Bl
259. Paolini, PaoloIl 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi. diss. 1991 155, 263p
260. Pribyl, LieselotteDas Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. diss. 1970 155; 178; 273p
261. Hoekstra, Thomas EarlTempo Considerations in the Choral Music of Johann Sebastian Bach. diss. 1974 155p
262. Daele, Erna Bertha Eugeen vanInstrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. diss. 1995 156p
263. Melchert, HermannDas Rezitativ der Kirchenkantaten Johann Sebastian Bachs. diss. 1958 156p
264. Metzger, Nancy DorisThe Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach. diss. 1978 157p
265. Märker, MichaelDas vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. diss. 1984 157p
266. Köhler, Karl-HeinzDie Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs. diss. 1956 158, 51 Bl
267. Harriss, Ernest CharlesJohann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. diss. 1969 1586p
268. Kim, Mary Byung-aeA performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. diss. 2006 158p
269. Robinson, Schuyler W.The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. diss. 1972 158p
270. Bauret, GabrielDe la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. diss. 1976 159p
271. Burdick, Adam DavidThe influence of French Baroque dance on the cantatas of Johann Sebastian Bach. diss. 2007 159p
272. Krupina, LarisaPrincipy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. diss. 1990 15p
273. Wyler, RobertForm- und Stiluntersuchungen zum ersten Satz der Klaviersonaten Carl Philipp Emanuel Bachs diss. 1960 160p
274. Morris, Ralph EugeneA performance edition of Bach's violoncello suites, transcribed for viola. diss. 1991 160p
275. Elste, MartinDiskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. diss. 1981 160p
276. Higuchi, MitsuharuHeikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. diss. 1983 160p
277. Harju, TommiKaanonien kaatama? Johann Gottfried Waltherin elämä. diss. 2006 161p
278. Schultz, John AhernThe soli-tutti concept in the choral works of Johann Sebastian Bach. diss. 1979 161p
279. König, IngeborgStudien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun. diss. 1971 163p
280. Tannenbaum, Michele HornerTradition and Innovation in Franz Liszt's Variations on a Motive of Bach. diss. 1993 163p
281. Krause, Drew StaffordMusical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. diss. 1993 163p
282. Beurmann, Andreas E.Die Klaviersonaten Carl Philipp Emanuel Bachs. diss. 1952 164p
283. Glöckner, AndreasDie Musikpflege an der Leipziger Neukirche von 1699 bis 1761. diss. 1988 164p, 20p
284. Dressler, Oscar HugoA Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. diss. 1995 165p
285. Shabalina, Tat'janaSonaty I. S. Bakha dlya kamernogo ansamblya. diss. 1992 165p
286. Bergner, ChristophUntersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. diss. 1984 165p
287. Polevoi, Randall MarkThe Controversy over Bach's Trills: Towards a Reconsiliation. diss. 1994 166p
288. Shepherd, Richard CharlesThe emergence of a pivotal role for the thumb in keyboard fingering during the early eighteenth century and its subsequent impact on pianistic idiom. diss. 1995 166p
289. Maltbey, Kathleen M.The Diversity of Contrapuntal Writing Illustrating Rigorous to Casual Application of Fugal Practices in Selected Cantatas of J. S. Bach. diss. 1990 168p
290. Yamamoto, KazukoJ. S. Bach no Kenbangakki Fuga no Kenkyu - Zen 128 Kyoku no Tema oyobi Heikinritsu Dai-2-Kan ni okeru Tema to Kozo. diss. 1974 168p
291. Gibboney, Ted A.Cryptic eloquence: Elements of form and expression in the large cantus firmus setting of J. S. Bach's 'Clavierübung III'. diss. 1985 169p
292. Gavalchin, John EmilTemporality in music: A conceptual model based on the phenomenology of Paul Ricoeur. diss. 2000 169p
293. Williams, Janet LeslieAn Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. diss. 1969 169p
294. Sandler, VadimZapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. diss. 1994 16p
295. Kim, Hee-SungWritten-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation. diss. 1995 170p
296. Watchorn, PeterA Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811. diss. 1995 170p
297. Norton, Michael LeeThe sacred song arrangements of C.P.E. Bach. diss. 1976 172p
298. Asmus, JürgenDie langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. diss. 1979 172p, 12p
299. Müller, WernerDas Ausdrucksproblem in der Klaviermusik C. Ph. E. Bachs. diss. 1959 173p
300. Beuderer, ConradA Comparison of the Preludes Found in Common in the Clavier-Büchlein vor Wilhelm Friedemann Bach, the Well-Tempered Clavier, and the Forkel Edition of the Well-Tempered Clavier. diss. 1968 173p
301. Bruderer, ConradA comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. diss. 1968-69 173p

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