Bach Bibliography
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Series : ^diss.$
Year : 1998
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
1. Fabian, DorottyaJ. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. 1998
2. Endo, RenaJohannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. diss. 1998
3. Thomas, P.The Anglicisation of Bach. diss. 1998
4. Takezawa, EisukeJ. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. diss. 1998 119p
5. Roseman, Molly RobertsArthur Loesser: Pianist, teacher, critic, author. diss. 1998 128p
6. Tan, Siok LianThe Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. diss. 1998 130p
7. Chien, Martin Ying-TsaiA Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. diss. 1998 142p
8. Cho, YoonjuA Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. diss. 1998 153p
9. Guthrie, Kris L.The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises. diss. 1998 176p
10. Cheng, Ephraim Ho-YinA performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. diss. 1998 198p
11. Borodavkin, SergejPrincipy orkestrovogo myslenija I.S. Baha. diss. 1998 20p
12. Kramer, Laura ElizabethArticulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. diss. 1998 229p
13. Vjazkova, ElenaProcessi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz. diss. 1998 329p
14. Davidson, Ian BruceThe Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. diss. 1998 365p
15. Knoll, Mark W.Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works. diss. 1998 382p
16. Zsok, OttoMusik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart) diss. 1998 403p
17. Diederichs, BarbaraMusik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. diss. 1998 414p
18. Wagner, AlexanderVermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig. diss. 1998 58, ix p
19. Marckx, Leslie HirtFrench Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. diss. 1998 65p
20. Welter, Kathryn J.Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. diss. 1998 ix, 384 Bl
21. Beller-McKenna, Catherine PearsonThe Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. diss. 1998 v, 97p
22. Wampler, Stephen G.A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. diss. 1998 vi, 204p
23. Suokko-Hixson, UllaMusic and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). diss. 1998 vii, 164p
24. McIntyre, Dean B.Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. diss. 1998 xii, 362p
25. Bauer, Karen TillotsonA study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). diss. 1998 xiv, 269p
26. McDonald, William RuddA comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. diss. 1998 xiv, 368p
27. Oleskiewicz, Mary A.Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle. diss. 1998 xxxiv, 727p

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