Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | Bahe matai shounanyue kuangjiaxing hechang de yunyong. [The use of framing chorus in Bach's St. Matthew Passion] |
Tianlai |
| 1:80 | 2005 |
64-69; 77 |
![Chinese](http://homepages.bw.edu/bachbib/images/flags/China.gif) |
| 2. | Cong yangzou Bahe pingjunlü kan Bahe zuopin de fengge ji tedian. [Exploring the style and character Bach's works through performance] |
Tianlai |
| 2:72 | 2003 |
50-53 |
![Chinese](http://homepages.bw.edu/bachbib/images/flags/China.gif) |
| 3. | Fazi neixin shenchude huhuan: Xin weiyena yuepaide Bahe qingjie. [Calling from the bottom of the heart: Bach's influence on the Second Viennese school] |
Tianlai |
| 3:65 | 2001 |
43-45; 53 |
![Chinese](http://homepages.bw.edu/bachbib/images/flags/China.gif) |
| 4. | Yong shoufengqin yanzou bahe de gugangqin yinyue zuopin. [Playing Bach's clavichord works on the accordion] |
Tianlai |
| 4:87 | 2006 |
18-29 |
![Chinese](http://homepages.bw.edu/bachbib/images/flags/China.gif) |