Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The significance of the ornaments in Carl Philipp Emanuel Bach's keyboard works. |
TheoryPractice |
11 | | 1986 |
15-42 |
|
| 2. | The Composition of Late Renaissance Stretto Canons. |
TheoryPractice |
21 | | 1996 |
29-54 |
|
| 3. | Patterns and performance choices in selected perpetual-motion movements by J.S. Bach. |
TheoryPractice |
25 | | 2000 |
1-25 |
|
| 4. | Stripped of the G string: Bach's Air from the Suite no. 3 in D. |
TheoryPractice |
26 | | 2001 |
87-98 |
|
| 5. | Joel Lester, Bach's works for solo volin: Style, structure, performance and Laurence Dreyfus, Bach and the patterns of invention. |
TheoryPractice |
26 | | 2001 |
117-140 |
|
| 6. | Expanded dissonance in the music of J. S. Bach. |
TheoryPractice |
28 | | 2003 |
79-113 |
|
| 7. | Context and voice leading: influences on thematic and tonal structure. |
TheoryPractice |
4 | 1 | Mar 1979 |
15-24 |
|
| 8. | Context and Voice Leading: Influences on Thematic and Tonal Structure. |
TheoryPractice |
4 | 1 | Mar 1979 |
15-24 |
|
| 9. | Further Thoughts on some Bach Preludes. |
TheoryPractice |
4 | 2 | Dec 1979 |
38-41 |
|
| 10. | The Sarabande of J. S. Bach's Suite no.2 for Unaccompanied Violoncello, BWV 1008: Analysis and Interpretation. |
TheoryPractice |
5 | 1 | Jul 1980 |
40-56 |
|
| 11. | Symmetrical design and its relationship to voice leading. |
TheoryPractice |
5 | 1 | Jul 1980 |
57-65 |
|
| 12. | On the meaning of the long appoggiatura. |
TheoryPractice |
7 | 1 | Aug 1982 |
20-39 |
|