Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The Performance of Bach: An Example of the Relation between Research and Practical Music-Making. |
PapersAMSoc |
| | 1937 |
120-132 |
|
| 2. | The Plate Numbers of C. F. Peters Predecessors. |
PapersAMSoc |
1938 | | 1940 |
113-134 |
|
| 3. | Brahms' Knowledge of Bach's Music. |
PapersAMSoc |
1941 | | 1946 |
50-56 |
|
| 4. | French Patterns and their Reading in Bach's Secular Clavier Music. |
PapersAMSoc |
1941 | | 1946 |
8-20 |
|
| 5. | From Account Books to Performances: Buxtehude at the Marienkirche in Lübeck. |
PapersAMSoc |
47 | | 1981 |
52 |
|
| 6. | Abstracts of Papers Read at the Forty-seventh Annual Meeting of the American Musicological Society. |
PapersAMSoc |
47 | | 1981 |
74p |
|
| 7. | Bach's Earliest Autograph. |
PapersAMSoc |
48 | | 1982 |
|
|
| 8. | Abstracts of Papers Read at the Forty-Eighth Annual Meeting of the American Musicological Society Meeting Jointly with the Society for Music Theory: University of Michigan, Ann Arbor, November 4-7, 1982. |
PapersAMSoc |
48 | | 1982 |
|
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