Bach Bibliography
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Series : ^OngakuKenkyu$
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. J.S. Bach no Allmande ni tsuite. [On J. S. Bach's Allemande] OngakuKenkyu 1 1975 109-138
2. Doitsu Junan Oratorio no Seiritsu to Reinhard Keiser no Junankyoku. [The Establishment of German Passion Oratorio and Reinhard Kaiser's Passions] OngakuKenkyu 14 2002 143-176
3. Den Reinhard Keiser 'Maruko Junankyoku' (1707 izen) no Ongaku Goho. The musical expressions of so-called Reinhard Keiser's St. Mark Passion (before 1707). OngakuKenkyu 15 2003 111-135
4. Nihon ni okeru Bach 'Matai Junankyoku' no Shoen. The first documented performance of J. S. Bach's Matthäuspassion in Japan (1937). OngakuKenkyu 16 2004 1-30
5. Johann Adolph Scheibe no 'Hihanteki Ongakuka' ni okeru 'Taikei' to 'Sugaku' no Ichizuke ni tsuite. [Johann Adolph Scheibe's Der critische Musicus: From the viewpoint of his stance on 'System' and the value of 'Mathematik'] OngakuKenkyu 17 2005 41-68
6. Johann Gottfried Walther no 'Sakkyoku no Tebiki' ni okeru 'Figura' ni tsuite: Doitsu Baroque Jidai no 'Figurenlehre' ni kansuru Ichikosatsu. ['Figuren' in Johann Gottfried Walther's Praecepta der musicalischen Composition (1708): An examination into the 'Figurenlehre' in German Baroque] OngakuKenkyu 18 2006 157-179
7. Bach no Ongaku no Seishinshi-teki Haikei. [Spiritual Historical Background of Bach's music] OngakuKenkyu 2 1977 139-166
8. J.S. Bach no Kantata 'Mein Herze schwimmt im Blut' BWV 199 ni okeru 'Kuiaratame' no Gainen ni tsuite. Zum Begriff der 'Reue' in J.S.Bachs Kantate 'Mein Herze schwimmt im Blut' BWV 199. OngakuKenkyu 21 2009 49-64
9. Bach to Futen Rizumu: Furansu-fu Jokyoku Yoshiki ni okeru Rizumu no Eika ni kansuru Kenkyu. [Bach and the Dotted Rhythm: A Study of Overdotting in the French Overture Style] OngakuKenkyu 22 2010 15-30
10. Bach Enso ni okeru Articulation no Hyogen Giho ni kansuru Kenkyu: Tempo ni ataeru Keikyo o toshite. [A Study on the Expression-Techniques for the Articulation in the Performance of Bach's Music: Focusing on their Influence on Tempo] OngakuKenkyu 24 2012 1-16
11. F. F. Chopin ni yoru J. S. Bach no Juyo ni kansuru Kenkyu: Poline Chazaren no Gakufu e no Chopin no Kakikomi no Bunseki o toshite. [A Study on the Reception of J.S.Bach's Music by F.F.Chopin: Focusing on the Analysis of the Annotations by Chopin to Poline Chazaren's Score] OngakuKenkyu 26 2014 41-56
12. J. S. Bach no Kantata Sakuhin ni okeru Soprano Seibu to sono Kasho no Ichikosatsu: Shoki Kyokai Kantata o Chushin to shite. [Über die Sopranstimme und ihre Aufführung in den Vokalen Werken von J. S. Bach, besonders in seinen frühen Kirchenkantaten] OngakuKenkyu 26 2014 57-65
13. Doitsu no Kenban Kumikyoku ni fukumareru Allemande: Takuto-ron no Suii kara mita Yoshiki Bunseki no kokoromi. [Allemande contained in German Keyboard Suites: an attempt of style analysis from the transition of the Beat Theory] OngakuKenkyu 4 1982 1-36

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