Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | 'Erbarme dich' I.S. Baha v fil'mah A. Tarkovskogo: Ètenie--slyšanie--videnie. [J.S. Bach's 'Erbarme dich' in Andrej Tarkovskij's films: Reading--listening--seeing] |
Muzykovedenie |
| 1 | 2008 |
29-34 |
Latin 2 |
| 2. | Baroènaâ pedal'? Problemy stilâ: Koncepty muzyki barokko i pedalizaciâ pri ispolnenii klavirnyh soèinenij Baha na fortepiano. [Baroque pedal? Problems of style: The concepts of Baroque music and the pedaling in piano performance of Bach's keyboard compositions] |
Muzykovedenie |
| 1 | 2011 |
37-40 |
Latin 2 |
| 3. | Lûtnâ v tvorcestve I.S. Baha: Na materiale rukopisej. [Lute in the works of J.S. Bach: The manuscripts] [BWV 198, 244a, 244b, 245, 247] |
Muzykovedenie |
| 10 | 2013 |
26-35 |
Latin 2 |
| 4. | Koncept dvoemiriâ: Dialogi s I.S. Bahom. [The concept of duality: The dialogues with J.S. Bach] [Examines the musical dialogues with J.S. Bach in the works of Pëtr Cajkovskij, Èdison Denisov, and Vladimir Râbov] |
Muzykovedenie |
| 10 | 2017 |
32-41 |
|
| 5. | Igra form v bahovskoj fuge. [The play of forms in J.S. Bach's fugues] |
Muzykovedenie |
| 10 | 2017 |
42-52 |
|
| 6. | Muzykal'naâ forma kak nelinejnyj process. [Musical form as a non-linear process] [BWV 844 (Anh. II)] |
Muzykovedenie |
| 11 | 2013 |
|
|
| 7. | F.È. Bah ob iskusstve svobodnoj fantazii. [C.P.E. Bach about the art of free fantasia] |
Muzykovedenie |
| 12 | 2015 |
11-19 |
|
| 8. | Škola I.S. Baha: O formah zadanij po general-basu--Na materiale rukopisi I.F. Kirnbergera v nauènoj biblioteke SPbGK. [J.S. Bach's tradition: The various exercises in basso continuo technique-- Johann Philipp Kirnberger's manuscript at the scholarly library of St. Petersburg conservatory] |
Muzykovedenie |
| 2 | 2008 |
2-8 |
Latin 2 |
| 9. | Klavierübung Ferruèèo Buzoni. [Klavierübung by Ferruccio Busoni] |
Muzykovedenie |
| 3 | 2013 |
10-16 |
Latin 2 |
| 10. | Nekotorye stranicy i istorii valtorny: Versii, dogadki. [From the history of horn: Version and conjectures] [BWV 232] |
Muzykovedenie |
| 3 | 2018 |
42-46 |
|
| 11. | K voprosu o religioznoj pervoosnove Sonat i Partit I.S. Baha dlâ skripki solo: Zametki ispolnitelâ. [The religious foundation of the sonatas and partitas of J.S. Bach for violin solo: Notes of a performer] |
Muzykovedenie |
| 3 | 2015 |
51-61 |
|
| 12. | Osobennosti zvukovysotnogo intonirovaniâ ispolnitel'skogo iskusstva èpohi barokko. [Characteristics of pitch intoning in the Baroque performance art] |
Muzykovedenie |
| 3 | 2008 |
65-71 |
|
| 13. | 'Vernyj kul'tu Baha': Deâtel'nost' A.I. Ziloti v ego zarubežnyj period. [True to J.S. Bach's cult: The activities of Aleksandr Ziloti in emigration] |
Muzykovedenie |
| 4 | 2014 |
42-49 |
|
| 14. | Smyslovye realii klavirnyh tokkat I.S. Baha. [Semantic realities of J.S. Bach's clavier toccatas] |
Muzykovedenie |
| 6 | 2010 |
|
|
| 15. | Sûita BWV 1006a I.S. Baha: Tekstologièeskij aspekt issledovaniâ [Suite BWV 1006a by J.S. Bach: Textological aspect of research] |
Muzykovedenie |
| 7 | 2013 |
22-28 |
Latin 2 |
| 16. | 'Velikij Bah' ['Great Bach'] [Discusses the creative scale of Carl Philipp Emanuel Bach and his contributions to theoretical generalization of the Baroque and early Classical keyboard performance practice] |
Muzykovedenie |
| 9 | 2011 |
10-15 |
|