Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Tihonova, Mariā Mihajlovna | Opera Boārynā Morozova R. Sedrina: K probleme anrovogo arhetipa. [R. Sedrin's opera Boārynā Morozova: On genre archetypes] - repr. of article published in 2009. |
MuzykaVremja |
| 3 | 2011 |
|
|
| 2. | Serebrennikov, Maksim Anatol'evię | Eče raz ob avtorstve BWV 907 i BWV 908. [Once again, on authorship of BWV 907 and BWV 908] |
MuzykaVremja |
| 4 | Apr 2012 |
21-26 |
Latin 2 |
| 3. | Velikovskij, Aleksandr Ūr'evic | 'Polūbit' čto proizvedenie posle pervogo e prosluivaniā nevozmono' (A. vejcer): K istorii vospriātiā i ispolneniā Gol'dberg-variacij I.S. Baha v XVIIIXX vv. ['To love this work after the first hearing is impossible' (Albert Schweitzer): The history of interpretations and performances of J.S. Bach's Goldberg variations from the 18th to the 20th centuries] |
MuzykaVremja |
| 4 | 2016 |
22-31 |
|
| 4. | Shabalina, Tat'jana | O 'Klavirnykh uprazhneniyakh', ili o tom, kak borolsya s oshybkami velikiy I. S. Bakh i kak on pravil orighinal'nuyu pechat'. [About 'Keyboard Exercises' or how J. S. Bach struggled with mistakes and how he corrected the original print] |
MuzykaVremja |
| 5 | 2006 |
10-21 |
|
| 5. | Monastyrina, Ūliā Aleksandrovna | Proctenie G. Gul'da Prelūdii i fugi C-dur i c-moll iz I toma HTK Baha v aspekte problemy otkrytogo teksta. [Glenn Gould's interpretation of J.S. Bach's C major and C minor preludes and fugues from the volume I of Das wohltemperirte Clavier: The aspect of the open text] |
MuzykaVremja |
| 5 | May 2016 |
16-22 |
|