Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The New Organ for Exeter Hall. Musical Intelligence. Metropolitan. [Mr Thomas Adams performed Three Fugues in various styles by Seb. Bach; part of the first Motett] |
MWorld |
13 | 198 (NS.6/105) | 2 Jan 1840 |
8-9 |
|
| 2. | The New Organ erected in Exeter Hall, for the performance of the Choral Society, was exhibited to a large audience, on Thursday evening last, ... Musical Intelligence. Metropolitan. [Mr Thomas Adams performed Fugue by Sebastian Bach.] |
MWorld |
13 | 202 (NS.6/109) | 30 Jan 1840 |
73 |
|
| 3. | John Sebastian Bach. [Compositional skill praised 'par excellence' ('Morning Chronicle')] |
MWorld |
13 | 208 (NS.6/115) | 12 Mar 1840 |
156-157 |
|
| 4. | Organ Performance. John Gray, Organ Builder, Has the honour to announce to his Musical Friends that he has completed an ORGAN of the First Class for the New Church at Thonbridge Wells, and that Mr. ADAMS has kindly consented to exhibit its powers on MONDAY evening next, the 20th inst., at seven o'clock, ... [Fugue and Chorus from a Motett by S. Bach.] |
MWorld |
13 | 210 (NS.6/117) | 26 Mar 1840 |
199 |
|
| 5. | Tonbridge Wells. -- Organ Performance. Musical Intelligence. Provincial. [recently built by Gray, performed by Mr. George Cooper, Prelude and fugue by S. Bach.] |
MWorld |
13 | 213 (NS.6/120) | 16 Apr 1840 |
245 |
|
| 6. | The Ancient Concerts. Musical Intelligence. Metropolitan. [at the Hanover-square Rooms, Wed evening; Chorus--O sing praises (fugue) by Sebastian Bach.] |
MWorld |
13 | 216 (NS.6/123) | 7 May 1840 |
288 |
|
| 7. | Ancient Concerts. Musical Intelligence. Metropolitan. [sixth performance, directed by Lord Howe, conducted by Mr Turle. -- Solo (Miss Woodyatt) and chorus--Hear what God. S. Bach; ... Song--(Mme. Nau)--Confusa abbandonata--[J.C.] Bach.] |
MWorld |
13 | 217 (NS.6/124) | 14 May 1840 |
303 |
|
| 8. | Mr. Potter's Concert. Musical Intelligence. Metropolitan. [a pedal fugue in G, of S. Bach, with Sig. Dragonetti, who played the pedal part on the double bass; this is a mistake which should not, and, it is to be hoped, will not again take place. The 'veteran Drago,' to use the expression of amateurs who encore this remarkable exhibition, has a surprising command of his instrument, but he cannot make it a pianoforte, and without a similar quality of tone between the pedal part and the manuals, the performance of these fugues cannot produce the effect intended by the author, and must step over the bridge between the sublime and ridiculous.] |
MWorld |
13 | 221 (NS.6/129) | 18 Jun 1840 |
337-338 |
|
| 9. | Modesty of John Sebastian Bach. [anecdote] Musical Intelligence. Miscellaneous. |
MWorld |
14 | 226 (NS.7/134) | 23 Jul 1840 |
61-62 |
|
| 10. | Observations on the term 'playing at sight' [Opinions of J.-J. Rousseau, Grétry, Lamotte (violinist), Garrat (singer), Sebastian Bach] |
MWorld |
14 | 241 (NS.7/139) | 27 Aug 1840 |
136-138 |
|
| 11. | [Frequently used Fugue subjects] Musical Coincidences. To the Editor of the Musical World. [BWV 878/2 in Handel's 'Round about the starry throne' as a second subject; in Mozart's Jupiter Symphony; in the fugue in C, 'Davide Penitente' in a fugue by Crotch on Battishall's chant in E.] |
MWorld |
14 | 242 (NS.7/140) | 3 Sep 1840 |
151 |
|