Bach Bibliography
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Series : ^MTheorySpec$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Grave, Floyd K.Abbé Vogler and the Study of Fugue. MTheorySpec 1 Spring 1979 43-66
2. Harrison, DanielRhetoric and Fugue: An Analytical Application. [BWV 915] MTheorySpec 12 1 Spring 1990 1-42
3. Renwick, William J.Structural Patterns in Fugue Subjects and Fugal Expositions. MTheorySpec 13 2 Autumn 1991 197-218
4. Burns, LoriJ. S. Bach's Mixolydian Chorale Harmonizations. MTheorySpec 15 2 Autumn 1993 144-172
5. Brinkman, Alexander RusselThe melodic process in Johann Sebastian Bach's Orgelbüchlein. MTheorySpec 2 Spring 1980 46-73
6. Willner, ChannanStress and Counterstress: Accentual Conflict and Reconciliation in J. S. Bach's Instrumental Works. MTheorySpec 20 2 Autumn 1998 280-304
7. Petty, Wayne C.Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach. MTheorySpec 21 2 Autumn 1999 151-173
8. Ferris, DavidC. P. E. Bach and the Art of Strange Modulation. MTheorySpec 22 1 Spring 2000 60-88
9. Wason, Robert W.Two Bach Preludes/Two Chopin Etudes, or Toujours travailler Bach-ce sera votre meilleur moyen de progresser. MTheorySpec 24 1 Spring 2002 103-120
10. Hanninen, Dora A.A theory of recontextualization in music: Analyzing phenomenal transformations of repetition. [BWV 620] MTheorySpec 25 1 Spring 2003 59-97
11. Derr, EllwoodThe two part Inventions: Bach's composers' vademecum. MTheorySpec 3 Spring 1981 26-48
12. Beach, David W.Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. MTheorySpec 30 1 Spring 2008 1-34
13. Harrison, DanielHeads and Tails: Subject Play in Bach's Fugues. MTheorySpec 30 1 Spring 2008 152-163
14. Väisälä, OlliBach's Inventions: Figuration, Register, Structure, and the 'Clear Way to Develop Inventions Properly'. MTheorySpec 31 1 Spring 2009 101-152
15. Franck, Peter'A fallacious concept': Invertible counterpoint at the twelfth within the Ursatz. MTheorySpec 32 2 Fall 2010 121-144
16. Berry, WallaceMetric and rhythmic articulation in music. [BWV 846/1] MTheorySpec 7 Spring 1985 7-33

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