Bach Bibliography
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Series : ^MReview$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Selbiger, LiselotteBach on the Piano. MReview 11 1 1950 98-108
2. Emery, WalterA Neglected Bach Manuscript. MReview 11 3 Aug 1950 169-174
3. MacKerness, E. D.Bach's F Major Violin Sonata. MReview 11 3 1950 175-179
4. Redlich, Hans F.Two Music Cogresses in Lüneburg: 15th July - 22nd July. MReview 11 4 1950 307-308
5. Beer, R.Ornaments in old Keyboard Music. MReview 13 1 1952 3-13
6. Barford, Philip T.The Idea of Fugue. MReview 15 3 1954 173-181
7. Dürr, AlfredBach's Magnificat. MReview 15 3 1954 182-190
8. Briskier, ArthurPiano Transcriptions of J. S. Bach. MReview 15 3 1954 191-202
9. Miller, Hugh MiltonProgression in two-part Counterpoint: A Method of Analysis. MReview 16 4 1955 289-299
10. Satterfield, JohnDissonance and emotional Content in the Bach Two-Part Inventions. MReview 17 4 1956 273-281
11. Satterfield, JohnThe emotional Content of the Bach Two-Part Inventions II. MReview 19 4 1958 173-179
12. Bullivant, RogerWord-Painting and Chromaticism in the Music of J. S. Bach. MReview 20 3 1959 185-216
13. Tischler, HansHindemith's Ludus Tonalis and Bach's Well-Tempered Clavier - A Comparison. MReview 20 3 1959 217-227
14. Barford, Philip T.The Concept of Bach. MReview 23 4 1962 261-270
15. Eickhoff, Henry JohnBach's Toccata-Ritornello Forms. MReview 27 1 Feb 1966 1-15
16. Buelow, George J.The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration. MReview 27 3 Aug 1966 161-176
17. Babitz, Sol'Concerning the Length of Time that Every Note Must be Held.' MReview 28 1 1967 21-37
18. Eickhoff, Henry JohnBach's Chorale-Ritornello Forms. MReview 28 4 1967 257-276
19. Spivakovsky, TossyPolyphony in Bach's Works for solo Violin. MReview 28 4 1967 277-288
20. Neumann, FrederickNotes on 'Melodic' and 'Harmonic' Ornaments. MReview 29 4 1968 249-256
21. Sargent, GeorgeEighteenth-century tuning Directions: precise intervallic Determination. MReview 30 1 1969 27-34
22. Klenz, WilliamPer aspera ad astra or The stairway to Jupiter. MReview 30 3 1969 169-210
23. Vassar, James B.The Bach two-part Inventions: A Question of Authorship. MReview 33 1 1972 14-21
24. Curti, MarthaJ. S. Bach's Chaconne in D minor: A Study in Coherence and Contrast. MReview 37 4 1976 249-265
25. Williams, Peter F.Why do we need a new book on Bach's Organ Music? MReview 38 4 1977 249-257
26. Bell, A. CraigThe great Mr. Handel. MReview 39 1 1978 22-30
27. Schenkman, WalterMattheson's 'Forty-Eight' and their Commentaries. MReview 42 1 1981 9-21
28. Gillingham, BryanSocial and musical matters pertaining to J.C. Bach's third set of keyboard concertos. MReview 42 3-4 1981 225-237
29. Picken, Laurence Ernest RowlandBach Quotations from the Eighteenth Century. MReview 5 2 1944 83-95
30. Lam, BasilThe first Kyrie of Bach's B minor Mass. MReview 50 1 1989 45-52
31. Bryan, MichaelThe book of changes and music. MReview 51 1 1990 1-10
32. Komlós, KatalinVeränderte Reprise: Aspects of an idea. MReview 51 4 Nov 1990 262-267
33. Poulin, Pamela L.Niedt's Musicalische Handleitung, Part I and Bach's 'Vorschriften und Grundsätze...': A Comparison. MReview 52 3 Aug 1991 171-189
34. Wollenberg, SusanSchumann's Piano Quintet in E flat: The Bach Legacy. MReview 52 4 Nov 1991 299-305
35. Nettheim, NigelThe Derivation of Chopin's fourth 'Ballade' from Bach and Beethoven. MReview 54 2 May 1993 95-111
36. Carruthers, Glen BlaineWilliam Tritt as teacher. MReview 55 1 Feb 1994 37-51
37. Allis, MichaelAnother '48': Stanford and 'historic sensibility'. MReview 55 2 May 1994 119-137
38. Grout, Donald JayJohann Sebastian Bach: An Appreciation. MReview 6 2 1945 131-137
39. MacKerness, E. D.Bach's Sinfonie-Satz für Violine Concertirende. MReview 9 3 Aug 1948 161-165

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