Bach Bibliography
Search Result

The keys being searched are:
Series : ^MQ$
Max number of results shown : 300
Output sorted : serially (table)
Your search has generated the following results ...
TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Hughes, EdwinThe 'Forty-Eight' from the Player's Standpoint. MQ 11 3 Jul 1925 444-453
2. Abert, HermannBach, Beethoven, Brahms. MQ 13 2 Apr 1927 329-343
3. Terry, Charles SanfordBach's Swan-Song ['Vor Deinen Thron']. MQ 19 3 Jul 1933 233-237
4. Clapp, Philip GreeleySebastian Bach, Modernist. MQ 2 4 Apr 1916 295-313
5. Terry, Charles SanfordBach's Singet dem Herrn: A Conjecture. MQ 21 2 Apr 1935 125-131
6. Whittaker, William GilliesThe Bachs and Eisenach. MQ 21 2 Apr 1935 132-142
7. Mansfield, Orlando A.J. S. Bach's First English Apostles. MQ 21 2 Apr 1935 143-154
8. Müller, JosephBach Portraits. MQ 21 2 Apr 1935 155-165
9. Harris, Roy; Norton, M. D. HerterThe Art of the Fugue. MQ 21 2 Apr 1935 166-178
10. Walters, RaymondBach at Bethlehem, Pennsylvania. MQ 21 2 Apr 1935 179-189
11. Apel, WilliEarly German Keyboard Music. MQ 23 2 Apr 1937 210-237
12. David, Hans T.Bach's 'Musical Offering'. MQ 23 3 Jul 1937 314-332
13. Boggs, Winthrop S.Music and Stamps. MQ 24 1 Jan 1938 1-10
14. Herz, GerhardCertain Aspects of the Bach Movement. MQ 24 4 Oct 1938 501-511
15. Radin, Herman T.On Musical Book-Plates. MQ 25 2 Apr 1939 135-141
16. Scherchen, HermannJohann Sebastian Bach's Last Composition: the Chorale-Prelude Vor deinen Thron tret' ich hiemit. MQ 26 4 Oct 1940 467-482
17. DeWolfe Howe, M. A.'Venite in Bethlehem' - The Major Chord. MQ 28 2 Apr 1942 174-185
18. Herz, GerhardA 'New' Bach Portrait. MQ 29 2 Apr 1943 225-241
19. Sachs, CurtBach and Blavet. MQ 30 1 Jan 1944 84-86
20. Albrecht, Otto E.Adventures and Discoveries of a Manuscript Hunter. MQ 31 4 Oct 1945 492-503
21. Buszin, Walter E.Luther on Music. MQ 32 1 Jan 1946 80-97
22. Barbour, J. MurrayBach and the Art of Temperament. MQ 33 1 Jan 1947 64-89
23. Mitchell, William J.C. P. E. Bach's Essay: An Introduction. MQ 33 4 Oct 1947 460-480
24. Mendel, ArthurPitch in the sixteenth and early seventeenth centuries. MQ 34 1, 2, 3, 4 Jan, Apr, Jul, Oct 1948 28-45; 199-221; 336-357; 575-593
25. Aldrich, PutnamBach's Technique of Transcription and Improvised Ornamentation. MQ 35 1 Jan 1949 26-35
26. Plamenac, DraganNew Light on the Last Years of Carl Philipp Emanuel Bach. MQ 35 4 Oct 1949 565-587
27. Boyden, David D.The Violin and Its Technique in the 18th Century. MQ 36 1 Jan 1950 9-38
28. Stevenson, Robert M.'The Rivals' - Hawkins, Burney, and Boswell. MQ 36 1 Jan 1950 67-82
29. Shanet, HowardWhy did J. S. Bach Transpose his Arrangements? MQ 36 2 Apr 1950 180-203
30. Mendel, ArthurOn the Keyboard accompaniments to Bach's Leipzig Church music. MQ 36 3 Jul 1950 339-362
31. Geiringer, KarlArtistic interrelations of the Bachs. MQ 36 3 Jul 1950 363-374
32. Mendel, ArthurMore for the Bach reader. MQ 36 4 Oct 1950 485-510
33. Lang, Paul HenryEditorial. MQ 36 4 Oct 1950 574-578
34. Babitz, SolA problem of Rhythm in Baroque music. MQ 38 4 Oct 1952 533-565
35. Chiapusso, JanBach's Attitude towards History. MQ 39 3 Jul 1953 396-414
36. Lippmann, Edward ArthurSymbolism in Music. MQ 39 4 Oct 1953 554-575
37. Mintz, DonaldSome Aspects of the Revival of Bach. MQ 40 2 Apr 1954 201-221
38. Mendel, ArthurOn the Pitches in Use in Bach's Time. MQ 41 3, 4 Jul; Oct 1955 332-334; 466-480
39. Lowinsky, Edward E.On Mozart's Rhythm. MQ 42 2 Apr 1956 162-186
40. Lowinsky, Edward E.Matthaeus Greiter's Fortuna: An Experiment in Chromaticism and in Musical Iconography. MQ 43 1 Jan 1957 68-85
41. Boyden, David D.When Is a Concerto Not a Concerto? MQ 43 2 Apr 1957 220-232
42. Lang, Paul HenryEditorial. [About Bach and Handel, and the Old Testament] MQ 45 2 Apr 1959 223-229
43. Mendel, ArthurA Brief Note on Triple Proportion in Schuetz. MQ 46 1 Jan 1960 67-70
44. Mendel, ArthurRecent Developments in Bach Chronology. MQ 46 3 Jul 1960 283-300
45. Aldrich, PutnamOn the Interpretation of Bach's Trills. MQ 49 3 Jul 1963 289-310
46. Neumann, FrederickMisconceptions about the French Trill in the 17th and 18th Centuries. MQ 50 2 Apr 1964 188-206
47. Blume, FriedrichBach in the Romantic Era. MQ 50 3 Jul 1964 290-306
48. Lowinsky, Edward E.Musical Genius - Evolution and Origin of a Concept. MQ 50 3, 4 Jul; Oct 1964 321-340; 476-495
49. Newman, William S.Emanuel Bach's Autobiography. MQ 51 2 Apr 1965 363-372
50. McIntyre, RayOn the interpretation of Bach's Gigues. MQ 51 3 Jul 1965 478-492
51. Jander, OwenRhythmic Symmetry in the Goldberg Variations. MQ 52 2 Apr 1966 204-208
52. Plantinga, Leon B.Schumann's View of 'Romantic' MQ 52 2 Apr 1966 221-232
53. Neumann, FrederickExternal Evidence and Uneven Notes. MQ 52 4 Oct 1966 448-464
54. Donington, RobertA Problem of Inequality. MQ 53 4 Oct 1967 503-517
55. Blume, FriedrichJ. S. Bach's Youth. MQ 54 1 Jan 1968 1-30
56. Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54 4 Oct 1968 503-523
57. Serwer, Howard'Widrigkeit' and 'Verdriesslichkeit' in Mühlhausen. MQ 55 1 Jan 1969 20-30
58. Neumann, FrederickOrnament and Structure. MQ 56 2 Apr 1970 153-161
59. Marshall, Robert L.How J. S. Bach composed four-part Chorales. MQ 56 2 Apr 1970 198-221
60. Wolff, ChristophNew Research on Bach's Musical Offering. MQ 57 3 Jul 1971 379-408
61. Lee, Douglas A.Christoph Nichelmann and the early clavier concerto in Berlin. MQ 57 4 Oct 1971 636-655
62. Russel, Carlton T.The Analysis and Evaluation of Music: A Philosophical Inquiry. MQ 58 2 Apr 1972 161-184
63. Helm, E. EugeneThe 'Hamlet' fantasy and the literary element in C.P.E. Bach's music. MQ 58 2 Apr 1972 277-296
64. Salter, SumnerThe Ornaments in Bach's Organ Works. MQ 6 3 Jul 1920 392-402
65. Fuller, David R.Accompanied keyboard music. MQ 60 2 Apr 1974 222-245
66. Butler, Gregory G.The Fantasia as Musical Image. MQ 60 4 Oct 1974 602-615
67. Rifkin, JoshuaThe Chronology of Bach's Saint Matthew Passion. MQ 61 3 Jul 1975 360-387
68. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. MQ 62 3 Jul 1976 313-357
69. Neumann, FrederickFacts and Fiction about Overdotting. MQ 63 2 Apr 1977 155-185
70. Herz, GerhardMusic for two harpsichords (Musik für zwei Cembali) and German keyboard music of about 1700. MQ 63 4 Oct 1977 562-572
71. Falck, RobertParody and Contrafactum: A Terminological Clarification. MQ 65 1 Jan 1979 1-21
72. Butler, Gregory G.Music and Rhetoric in early 17th century English sources. MQ 66 1 Jan 1980 53-64
73. Wright, Josephine R. B.George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ 66 1 Jan 1980 65-82
74. Lenneberg, HansThe myth of the unappreciated (musical) genius. MQ 66 2 Apr 1980 219-231
75. Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion. MQ 67 3 Jul 1981 305-347
76. Stevens Becker, ClaudiaA new look at Schumann's impromptus. MQ 67 4 Oct 1981 568-586
77. Seaton, DouglassThe Romantic Mendelssohn: The Composition of 'Die erste Walpurgisnacht'. MQ 68 3 Jul 1982 398-410
78. Butler, Gregory G.Ordering Problems in J. S. Bach's Art of Fugue Resolved. MQ 69 1 Winter 1983 44-61
79. Pankratz, H. R.J. S. Bach and his Leipzig Collegium Musicum. MQ 69 3 Summer 1983 323-353
80. Isaacson, Charles D.Something 'Bigger' than the Bethlehem Bach Festivals. MQ 7 1 Jan 1921 118-126
81. Derr, EllwoodBeethoven's Long-Term Memory of C. P. E. Bach's Rondo in E Flat, W. 61/1 (1787), Manifest in the Variations in E Flat for Piano, Opus 35 (1802). MQ 70 1 Winter 1984 45-76
82. Portnoy, Marshall A.The Answer to Elgar's Enigma. MQ 71 2 1985 205-210
83. Stinson, RussellBach's Earliest Autograph. MQ 71 3 1985 235-263
84. Addington, ChristopherThe Bach Flute. MQ 71 3 1985 264-280
85. Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. MQ 71 3 1985 281-294
86. Schellhous, Rosalie AtholForm and Spirituality in Bach's St. Matthew Passion. MQ 71 3 1985 295-326
87. Dreyfus, LaurenceJ. S. Bach's Concerto Ritornellos and the Question of Invention. MQ 71 3 1985 327-358
88. Straus, JosephRecompositions by Schoenberg, Stravinsky, and Webern. MQ 72 3 1986 301-328
89. Planer, John H.Sentimentality in the Performance of Absolute Music: Pablo Casals's Performance of Saraband from Johann Sebastian Bach's Suite No.2 in D Minor for unaccompanied Cello, S. 1008. MQ 73 2 1989 212-248
90. Horne, WilliamBrahms's Düsseldorf Suite Study and His Intermezzo, Opus 116, No. 2. MQ 73 2 1989 249-283
91. Reis, Joan S.A third Gainsborough portrait of Johann Christian Bach? MQ 74 2 1990 295-302
92. Godt, IrvingPolitics, Patriotism, and Polonaise: A Possible Revision in Bach's Suite in B Minor. MQ 74 4 1990 610-622
93. Malloch, WilliamBach and the French Ouverture. MQ 75 2 Summer 1991 174-197
94. Plantinga, Leon B.Schumann's View of 'Romantic' (April 1966) MQ 75 4 Winter 1991 176-187
95. Jander, OwenRhythmic Symmetry in the Goldberg Variations (April 1966). MQ 75 4 Winter 1991 188-193
96. Lang, Paul HenryEditorial (October 1959) [comparison of Bach and Handel]. MQ 75 4 Winter 1991 74-80
97. Josephson, Nors S.Bach Meets Liszt: Traditional Formal Structures and Performance Practices in Progressive Rock. MQ 76 1 Spring 1992 67-92
98. Newman, AnthonyInequality (Inégales): A New Point of View. MQ 76 2 Summer 1992 169-183
99. Marissen, MichaelJ. S. Bach's Brandenburg Concertos as a Meaningful Set. MQ 77 2 Summer 1993 193-235
100. Wollny, PeterSara Levy and the Making of Musical Taste in Berlin. MQ 77 4 Winter 1993 651-688
101. Rothenberg, Sarah'Thus Far, But No Farther': Fanny Mendelssohn-Hensel's Unfinished Journey. MQ 77 4 Winter 1993 689-708
102. Marissen, MichaelReligious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. MQ 77 4 Winter 1993 718-726
103. Roberge, Marc-AndréFerruccio Busoni, His Chicago Friends, and Frederick Stock's Transcription for Large Orchestra and Organ of the Fantasia contrappuntistica. MQ 80 2 Summer 1996 302-331
104. Sutcliffe, W. DeanChopin's counterpoint: The Largo from the Cello Sonata, Opus 65. MQ 83 1 Spring 1999 114-133
105. Brown, MarshallMozart, Bach, and Musical Abjection. MQ 83 4 Winter 1999 509-535
106. Marshall, Robert L.Toward a Twenty-First-Century Bach Biography. MQ 84 3 Fall 2000 497-525
107. Williams, Peter F.Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84 4 Winter 2000 756-775
108. Horne, WilliamThrough the Aperture: Brahms's Gigues, WoO 4. MQ 86 3 Fall 2002 530-581
109. Anderson, ChristopherReger in Bach's Notes: On Self-Image and Authority in Max Reger's Bach Playing. MQ 87 4 Winter 2004 749-770
110. Walden, Joshua S.Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich. MQ 91 3-4 Fall-Winter 2008 379-411
111. Erickson, RaymondThe Early Enlightenment, Jews, and Bach. MQ 94 4 Winter 2011 518-547

Search took 1.029s cpu time (0.046s in system), 51715 records per second.

BachBib Search Engine 1ctp Version 1.57 (c) M. Vincent 1997.
Last revised on 2 May 2011 by Yo Tomita