Bach Bibliography
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Series : ^MPerception$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Huron, DavidNote-Onset Asynchrony in J. S. Bach's Two-Part Inventions. MPerception 10 4 Summer 1993 435-443
2. Vos, Piet G; Geenen, Erwin W. vanA parallel-processing key-finding model. MPerception 14 2 Winter 1996 185-223
3. Temperley, DavidWhat's key for key? The Krumhansl-Schmuckler key-finding algorithm reconsidered. MPerception 17 1 Fall 1999 65-100
4. Verkaart, Paul P.; Vos, Piet G.Inference of mode in melodies. MPerception 17 2 Winter 1999 223-239
5. Collins, Denis; Schloss, AndrewAn Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. MPerception 19 2 Dec 2001 141-153
6. Chaffin, Roger; Imreh, Gabriela; Lemieux, Anthony F.; Chen, Colleen'Seeing the big picture': Piano practice as expert problem solving. MPerception 20 4 Jun 2003 465-490
7. Toiviainen, Petri; Snyder, Joel S.Tapping to Bach: Resonance-Based Modeling of Pulse. MPerception 21 1 Sep 2003 43-80
8. Davis, StaceyImplied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. MPerception 23 5 Jun 2006 423-446
9. Chaffin, Roger; Lemieux, Anthony F.; Chen, Colleen'It is different each time I play': Variability in highly prepared musical performance. MPerception 24 5 Jun 2007 455-472
10. Thompson, Sam; Williamon, Aaron; Valentine, Elizabeth R.Time-dependent characteristics of performance evaluation. MPerception 25 1 Sep 2007 13-29
11. Gotlieb, Heidi; Konecni, Vladimir J.; [Konečni]The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach. MPerception 3 1 Fall 1985 87-102
12. Batt, RobertComments on 'The effects of instrumentation, playing, and structure in the Goldberg variations by Johann Sebastian Bach.' MPerception 5 2 Winter 1987 207-213
13. Huron, DavidThe avoidance of inner-voice entries: Perceptual evidence and musical practice. MPerception 7 1 Fall 1989 43-48
14. Thompson, William Forde; Cuddy, Lola L.Sensitivity to change in chorale sequences: A composition of single voices and four-voice harmony. MPerception 7 2 Winter 1989 151-168
15. Huron, DavidThe Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. MPerception 9 1 Fall 1991 93-103
16. Huron, DavidTonal Consonance Versus Tonal Fusion in Polyphonic Sonorities. MPerception 9 2 Winter 1991 135-154

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