Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cadential processes: The evaded cadence and the 'one more time' technique. |
JMcolResearch |
12 | 1-2 | 1992 |
1-52 |
|
| 2. | Bach's Chorus: Some Red Herrings [Points of View] |
JMcolResearch |
14 | 3-4 | 1995 |
223-234 |
|
| 3. | Think of Damnation: J. S. Bach's Cantata 161 and Luther's Sermon on Preparing to Die. |
JMcolResearch |
16 | 1 | 1996 |
17-39 |
|
| 4. | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. [BWV 811] |
JMcolResearch |
18 | 2 | 1999 |
139-160 |
|
| 5. | Splinters in the eye: Interpreting Webern's Bach transcription. [BWV 1079] |
JMcolResearch |
21 | 3 | Jul-Sep 2002 |
167-195 |
|
| 6. | Harmonic Rhythm in Bach's Ritornellos. [BWV 244, 232] |
JMcolResearch |
22 | 3 | Jul-Sep 2003 |
183-222 |
|
| 7. | Recent Bach Studies. Review Article. |
JMcolResearch |
22 | 4 | Oct-Dec 2003 |
387-402 |
|
| 8. | 'Et incarnatus': an afterthought? Against the 'Revisionist' view of Bach's B-Minor Mass. |
JMcolResearch |
23 | 1 | 2004 |
81-112 |
|
| 9. | A Minor Mendelssohnian Mystery: The Curious Case of the Credo and the Nachspiel. |
JMcolResearch |
29 | 2-3 | Apr 2010 |
148-158 |
|
| 10. | Mendelssohn in 1825: A Snapshot with Two Canons. |
JMcolResearch |
29 | 2-3 | Apr 2010 |
159-170 |
|
| 11. | 'With True Esteem and Friendship': The Correspondence of Felix Mendelssohn Bartholdy and Louis Spohr. |
JMcolResearch |
29 | 2-3 | Apr 2010 |
171-259 |
|
| 12. | A Little Prelude and the Scherzo That Almost Wasn't: Beethoven's 'New Path' and the Early-Nineteenth-Century Bach Revival. [BWV 933] |
JMcolResearch |
32 | 2-3 | Apr-Sep 2013 |
83-115 |
|
| 13. | The 'theology' of Bach's Cöthen cantatas: Rethinking the dichotomy of sacred versus secular. |
JMcolResearch |
35 | 4 | 2016 |
275-298 |
|
| 14. | Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. |
JMcolResearch |
6 | 4 | 1986 |
311-351 |
|
| 15. | Schumann's arrangements of Bach as reception history. |
JMcolResearch |
7 | 1 | 1986 |
29-46 |
|
| 16. | The engraving of J. S. Bach's six partitas. |
JMcolResearch |
7 | 1 | 1986 |
3-27 |
|
| 17. | The 'critischer musikus' as keyboard transcriber? Scheibe, Bach, and Vivaldi. |
JMcolResearch |
9 | 4 | 1990 |
255-271 |
|