Bach Bibliography
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Series : ^JMTheory$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Jacobi, Erwin R.Harmonic Theory in England after the Time of Rameau. JMTheory 1 2 Nov 1957 126-146
2. Helm, E. EugeneSix Random Measures of C. P. E. Bach. JMTheory 10 1 Spring 1966 139-151
3. Serwer, HowardMarpurg versus Kirnberger: theories of fugal composition. JMTheory 14 2 Winter 1970 209-236
4. Fay, ThomasPerceived hierarchic Structure in Language and Music. JMTheory 15 1-2 Spring-Winter 1971 112-137
5. Buelow, George J.Symposium on 17th Century Music Theory: Germany. JMTheory 16 1-2 Spring-Winter 1972 36-49
6. Hall, DonaldThe Objective Measurement of Goodness-of-Fit for Tunings and Temperaments. JMTheory 17 2 Autumn 1973 274-290
7. Beach, David W.The Origins of Harmonic Analysis. JMTheory 18 2 Autumn 1974 274-306
8. Smoliar, Stephen W.Process Structuring and Music Theory. JMTheory 18 2 Autumn 1974 308-336
9. Dahlhaus, CarlSome Models of Unity in Musical Form. JMTheory 19 1 Spring 1975 2-31
10. Lenneberg, HansJohann Mattheson on Affect and Rhetoric in Music. JMTheory 2 1, 2 Apr; Nov 1958 47-84; 193-236
11. Butler, Gregory G.Fugue and Rhetoric. JMTheory 21 1 Spring 1977 49-109
12. Lerdahl, Fred; Jackendoff, RayToward a Formal Theory of Tonal Music. JMTheory 21 1 Spring 1977 111-171
13. Grant, Cecil PowellThe Real Relationship between Kirnberger's and Rameau's 'Concept of the Fundamental Bass'. JMTheory 21 2 Autumn 1977 324-338
14. Lester, JoelThe Recognition of Major and Minor Keys in German Theory: 1680-1730. JMTheory 22 1 Spring 1978 65-103
15. Beach, David W.; Thym, JurgenThe True Principles for the Practice of Harmony by Johann Philip Kirnberger. JMTheory 23 2 Autumn 1979 163-226
16. Lindley, MarkMersenne on Keyboard Tuning. JMTheory 24 2 1980 167-203
17. Knopoff, Leon; Hutchinson, WilliamInformation theory for musical continua. JMTheory 25 1 Spring 1981 17-44
18. Sheldon, David A.The Ninth Chord in German Theory. JMTheory 26 1 Spring 1982 61-100
19. Nelson, Richard B.; Boomgaarden, Donald R.Kirnberger's 'Thoughts on the Different Methods of Teaching Composition as Preparation for Understanding Fugue'. JMTheory 30 1 Spring 1986 71-96
20. Christensen, ThomasEighteenth-Century Science and the 'Corps Sonore:' The Scientific Background to Rameau's 'Principle of Harmony'. JMTheory 31 1 Spring 1987 23-50
21. Hefling, Stephen E.'Of the Manner of Playing the Adagio': Structural Levels and Performance Practice in Quantz's 'Versuch'. JMTheory 31 2 Autumn 1987 205-223
22. Breslauer, PeterDiminutional rhythm and melodic structure. JMTheory 32 1 Spring 1988 1-22
23. Harrison, DanielSome Group Properties of Triple Counterpoint and Their Influence on Compositions by J. S. Bach. JMTheory 32 1 Spring 1988 23-49
24. Burns, LoriModal Identity and Irregular Endings in Two Chorale Harmonizations by J. S. Bach. JMTheory 38 1 Spring 1994 43-77
25. Smith, Peter HowardStructural Tonic or Apparrent Tonic?: Parametric Conflict, Temporal Perspective, and a Continuum of Articulative Possibilities. JMTheory 39 2 Autumn 1995 245-283
26. Mekeel, JoyceThe Harmonic Theories of Kirnberger and Marpurg. JMTheory 4 2 Nov 1960 169-193
27. Carey, Norman; Clampitt, DavidRegions: A Theory of Tonal Spaces in Early Medieval Treatises. JMTheory 40 1 Spring 1996 113-147
28. Lewin, DavidNotes on the Opening of the F# Minor Fugue from WTCI. JMTheory 42 2 Autumn 1998 235-239
29. Smyth, David H.Schenker's octave lines reconsidered. JMTheory 43 1 Spring 1999 101-133
30. Galand, JoelThe Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto. JMTheory 44 2 Autumn 2000 381-450
31. Braunschweig, KarlEnlightenment Aspirations of Progress in Eighteenth-Century German Theory. JMTheory 47 2 Fall 2003 273-304
32. Berard, Wilford W.The Eleventh and Thirteenth Partials. JMTheory 5 1 Spring 1961 95-107
33. Ricks, R. W.[on Wilford W. Berard's article 'The Eleventh and Thirteenth Partials'] JMTheory 5 2 Winter 1961 334-336
34. Renwick, William J.Of time and eternity: Reflections on 'Das alte Jahr vergangen ist'. JMTheory 50 1 Spring 2006 64-76
35. Kielian-Gilbert, MarianneInventing a Melody with Harmony. Tonal Potential and Bach's 'Das alte Jahr vergangen ist'. JMTheory 50 1 Spring 2006 77-101
36. Temperley, DavidKey Structure in 'Das alte Jahr vergangen ist'. JMTheory 50 1 Spring 2006 103-110

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