Bach Bibliography Search Result

Series : ^JAMSoc$
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Irregular Systems of Temperament.	JAMSoc	1	3	Autumn 1948	20-26
	2.	A Bach Fugue Analyzed in Poetry. [Abstract] Read in Columbus, Ohio, on April 26, 1958, at a meeting of the Midwest Chapter.	JAMSoc	11	2-3	Summer-Autumn 1958	251
	3.	A Royal Manuscript: Ensemble Concertos by J. C. Bach.	JAMSoc	12	2-3	Summer-Autumn 1959	161-177
	4.	A Lesser Secret of J. S. Bach Uncovered. [BWV 241]	JAMSoc	14	2	Summer 1961	199-223
	5.	More Slow Introductions by Mozart to Fugues of J. S. Bach?	JAMSoc	17	1	Spring 1964	43-65
	6.	More on the Weimar Origin of Bach's 'O Mensch, bewein' (BWV 244/35).	JAMSoc	17	2	Summer 1964	203-206
	7.	The French 'Inégeles', Quantz, and Bach.	JAMSoc	18	3	Autumn 1965	313-358
	8.	The Performance of Triplets in the 17th and 18th Centuries.	JAMSoc	19	3	Autumn 1966	281-328
	9.	Bach Self-Embellished. [Abstract] Read in Denton, Texas, on April 9, 1949, at a meeting of the Texas Chapter. [Ich steh mit einem Fuss im Grabe.]	JAMSoc	2	3	Autumn 1949	197-198
	10.	Staff-liner Identification: a Technique for the Age of Mcrofilm.	JAMSoc	20	1	Spring 1967	112-116
	11.	Notes Inégales: A Communication.	JAMSoc	20	3	Autumn 1967	473-476
	12.	Notes Inégales - Some Misconceptions?	JAMSoc	20	3	Autumn 1967	476-480
	13.	Notes Inégales: A Re-examination.	JAMSoc	20	3	Autumn 1967	481-485
	14.	[List of missing MSS after World War II.]	JAMSoc	21	1	Spring 1968	121-123
	15.	C.P.E. Bach and J.J.H. Westphal--A Clarification.	JAMSoc	22	1	Spring 1969	106-115
	16.	Bach's Parody Procedure and St. Matthew Passion.	JAMSoc	22	2	Summer 1969	241-260
	17.	Five hitherto unknown letters from C.P.E. Bach to J.J.H. Westphal.	JAMSoc	23	1	Spring 1970	119-127
	18.	Clementi, Virtuosity, and the 'German Manner'.	JAMSoc	25	3	Autumn 1972	303-330
	19.	Three Additional Letters from C. P. E. Bach to J. J. H. Westphal.	JAMSoc	27	1	Spring 1974	119-125
	20.	The Contribution of Dance Steps to Musical Analysis and Performance: 'La Bourgogne'.	JAMSoc	28	1	Spring 1975	112-124
	21.	Revisions in Early Clavier Concertos of C. P. E. Bach: Revelations from a New Source.	JAMSoc	29	1	Spring 1976	127-132
	22.	Bach's 'Handexemplar' of the Goldberg Variations: A New Source.	JAMSoc	29	2	Summer 1976	224-241
	23.	More on the Leipzig Organ Tuning.	JAMSoc	3	1	Spring 1950	41-44
	24.	On the Problem of Expression in Baroque Music.	JAMSoc	3	2	Summer 1950	113-119
	25.	The Nationality of Bach's Solo-Violin Partitas. [Abstract] Read in New York on December 28, 1949 at the annual meeting of the Society.	JAMSoc	3	2	Summer 1950	155-156
	26.	A Draft for the Exposition of the First Movement of Mendelssohn's 'Scotch' Symphony.	JAMSoc	30	1	Spring 1977	129-135
	27.	Major-Minor Concepts and Modal Theory in Germany, 1592-1680.	JAMSoc	30	2	Summer 1977	208-253
	28.	Bach's Use of Hitherto Unrecognized Types of Countersubjects in the 'Art of Fugue'.	JAMSoc	31	2	Summer 1978	344-362
	29.	Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach.	JAMSoc	32	1	Spring 1979	1-44
	30.	Towards a catalogue of the keyboard sonatas of C. P. E. Bach.	JAMSoc	32	2	Summer 1979	276-303
	31.	J. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. Studies and Reports.	JAMSoc	32	2	Summer 1979	321-334
	32.	J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology.	JAMSoc	32	3	Autumn 1979	463-498
	33.	The Source for Bach's Musical Offering: The Institutio Oratoria of Quintilian.	JAMSoc	33	1	Spring 1980	88-141
	34.	The Italian in Handel.	JAMSoc	33	3	Autumn 1980	468-500
	35.	Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance.	JAMSoc	35	1	Spring 1982	1-48
	36.	J. S. Bach's 'St. Matthew Passion': Aspects of Planning, Structure, and Chronology.	JAMSoc	35	1	Spring 1982	49-114
	37.	The new modulation of the 1770s: C.P.E. Bach in theory, criticism, and practice.	JAMSoc	38	3	Autumn 1985	551-592
	38.	Improvised Ornamentation in Eighteenth-Century Orchestras.	JAMSoc	39	3	Autumn 1986	524-577
	39.	Luther and Bach's Cantata 50.	JAMSoc	4	1	Spring 1951	36-39
	40.	The Bach chorales - a Bicentenary Summary and Survey of the Different Editions of the Collections of the Chorales. [Abstract] Read in Boston on November 7, 1949 at a meeting of the New England Chapter.	JAMSoc	4	1	Spring 1951	62-63
	41.	Use of the Bach Bow in the Performance of His Sonatas. [Abstract] Read in Los Angeles on May 19 at a meeting of the Southern California Chapter.	JAMSoc	4	3	Autumn 1951	273
	42.	Lutheran Theology as Reflected in the Life and Works of J. S. Bach. [Abstract] Read in Madison, Wisconsin, on April 6, 1951, at a meeting of the Midwestern Chapter.	JAMSoc	4	3	Autumn 1951	273-274
	43.	Mendelssohn and His 'Reformation' Symphony. (part 2 of her thesis)	JAMSoc	40	2	Summer 1987	310-336
	44.	The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159).	JAMSoc	41	3	Autumn 1988	491-526
	45.	On the Origins of the Sonate auf Concertenart.	JAMSoc	46	3	Autumn 1993	369-414
	46.	Alchemy and Counterpoint in an Age of Reason	JAMSoc	51	2	Summer 1998	201-243
	47.	C. P. E. Bach's Organ Sonatas: A Musical Offering for Princess Amalia?	JAMSoc	51	3	Autumn 1998	477-519
	48.	'If the Pretty Little Hand Won't Stretch': Music for the Fair Sex in Eighteenth-Century Germany.	JAMSoc	52	2	Summer 1999	203-254
	49.	Heightening Levels of Activity and J. S. Bach's Parallel-Section Constructions.	JAMSoc	54	1	Spring 2001	49-96
	50.	The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244.	JAMSoc	57	1	Spring 2004	3-50
	51.	'That Bright New Light': Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901-1910.	JAMSoc	58	1	Spring 2005	69-138
	52.	Telemann in the Marketplace: The Composer as Self-Publisher. In memory of Lenore Coral.	JAMSoc	58	2	Summer 2005	275-356
	53.	Aspects of the Revival of Bach. [Abstract] Read in Ithaca on April 23, 1953, at a meeting of the Western New York Chapter.	JAMSoc	6	2	Summer 1953	189-190
	54.	Early Keyboard Fingering and its Effect on Articulation. [Abstract] Read in Stanford on June 5, 1953, at a meeting of the Northern California Chapter.	JAMSoc	6	3	Autumn 1953	252-253
	55.	Carl Philipp Emanuel Bach: portraits, and the physiognomy of music history.	JAMSoc	66	2	Summer 2013	337-396
	56.	Some Familiar Questions of Performance Practices in Bach's Keyboard Music. [Abstract] Read in Chapel Hill, N. C., on December 7, 1955, at a meeting of the Southeastern Chapter.	JAMSoc	9	1	Spring 1956	59-60