Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Barbour, J. MurrayIrregular Systems of Temperament. JAMSoc 1 3 Autumn 1948 20-26
2. Varro, MargitA Bach Fugue Analyzed in Poetry. JAMSoc 11 2-3 Summer-Autumn 1958 251
3. Simon, Edwin J.A Royal Manuscript: Ensemble Concertos by J. C. Bach. JAMSoc 12 2-3 Summer-Autumn 1959 161-177
4. David, Hans T.A Lesser Secret of J. S. Bach Uncovered. JAMSoc 14 2 Summer 1961 199-223
5. Kirkendale, WarrenMore Slow Introductions by Mozart to Fugues of J. S. Bach? JAMSoc 17 1 Spring 1964 43-65
6. Mendel, ArthurMore on the Weimar Origin of Bach's 'O Mensch, bewein' (BWV 244/35). JAMSoc 17 2 Summer 1964 203-206
7. Neumann, FrederickThe French 'Inégeles', Quantz, and Bach. JAMSoc 18 3 Autumn 1965 313-358
8. Collins, MichaelThe Performance of Triplets in the 17th and 18th Centuries. JAMSoc 19 3 Autumn 1966 281-328
9. Kinkeldey, OttoBach Self-Embellished. JAMSoc 2 3 Autumn 1949 197-198
10. Jander, OwenStaff-liner Identification: a Technique for the Age of Mcrofilm. JAMSoc 20 1 Spring 1967 112-116
11. Babitz, SolNotes Inégales: A Communication. JAMSoc 20 3 Autumn 1967 473-476
12. Byrt, JohnNotes Inégales - Some Misconceptions? JAMSoc 20 3 Autumn 1967 476-480
13. Collins, MichaelNotes Inégales: A Re-examination. JAMSoc 20 3 Autumn 1967 481-485
14. Dürr, Alfred[List of missing MSS after World War II.] JAMSoc 21 1 Spring 1968 121-123
15. Terry, MiriamC.P.E. Bach and J.J.H. Westphal--A Clarification. JAMSoc 22 1 Spring 1969 106-115
16. Brainard, PaulBach's Parody Procedure and St. Matthew Passion. JAMSoc 22 2 Summer 1969 241-260
17. Jacobi, Erwin R.Five hitherto unknown letters from C.P.E. Bach to J.J.H. Westphal. JAMSoc 23 1 Spring 1970 119-127
18. Plantinga, Leon B.Clementi, Virtuosity, and the 'German Manner'. JAMSoc 25 3 Autumn 1972 303-330
19. Jacobi, Erwin R.Three Additional Letters from C. P. E. Bach to J. J. H. Westphal. JAMSoc 27 1 Spring 1974 119-125
20. Little, Meredith EllisThe Contribution of Dance Steps to Musical Analysis and Performance: 'La Bourgogne'. JAMSoc 28 1 Spring 1975 112-124
21. Buck, Charles H., IIIRevisions in Early Clavier Concertos of C. P. E. Bach: Revelations from a New Source. JAMSoc 29 1 Spring 1976 127-132
22. Wolff, ChristophBach's 'Handexemplar' of the Goldberg Variations: A New Source. JAMSoc 29 2 Summer 1976 224-241
23. Barbour, J. MurrayMore on the Leipzig Organ Tuning. JAMSoc 3 1 Spring 1950 41-44
24. Haydon, GlenOn the Problem of Expression in Baroque Music. JAMSoc 3 2 Summer 1950 113-119
25. Ulrich, HomerThe Nationality of Bach's Solo-Violin Partitas. JAMSoc 3 2 Summer 1950 155-156
26. Seaton, DouglassA Draft for the Exposition of the First Movement of Mendelssohn's 'Scotch' Symphony. JAMSoc 30 1 Spring 1977 129-135
27. Lester, JoelMajor-Minor Concepts and Modal Theory in Germany, 1592-1680. JAMSoc 30 2 Summer 1977 208-253
28. Rivera, Benito V.Bach's Use of Hitherto Unrecognized Types of Countersubjects in the 'Art of Fugue'. JAMSoc 31 2 Summer 1978 344-362
29. Kirkendale, WarrenCiceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach. JAMSoc 32 1 Spring 1979 1-44
30. Berg, Darrell M.Towards a catalogue of the keyboard sonatas of C. P. E. Bach. JAMSoc 32 2 Summer 1979 276-303
31. Dreyfus, LaurenceJ. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. JAMSoc 32 2 Summer 1979 321-334
32. Marshall, Robert L.J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32 3 Autumn 1979 463-498
33. Kirkendale, UrsulaThe Source for Bach's Musical Offering: The Institutio Oratoria of Quintilian. JAMSoc 33 1 Spring 1980 88-141
34. Harris, Ellen T.The Italian in Handel. JAMSoc 33 3 Autumn 1980 468-500
35. Brown, Howard MayerEmulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance. JAMSoc 35 1 Spring 1982 1-48
36. Chafe, Eric T.J. S. Bach's 'St. Matthew Passion': Aspects of Planning, Structure, and Chronology. JAMSoc 35 1 Spring 1982 49-114
37. Kramer, Richard A.The new modulation of the 1770s: C.P.E. Bach in theory, criticism, and practice. JAMSoc 38 3 Autumn 1985 551-592
38. Spitzer, John; Zaslaw, NealImprovised Ornamentation in Eighteenth-Century Orchestras. JAMSoc 39 3 Autumn 1986 524-577
39. Scheide, William H.Luther and Bach's Cantata 50. JAMSoc 4 1 Spring 1951 36-39
40. Appel, Richard G.The Bach chorales - a Bicentenary Summary and Survey of the Different Editions of the Collections of the Chorales. JAMSoc 4 1 Spring 1951 62-63
41. Moss, MarshallUse of the Bach Bow in the Performance of His Sonatas. JAMSoc 4 3 Autumn 1951 273
42. Buszin, Walter E.Lutheran Theology as Reflected in the Life and Works of J. S. Bach. JAMSoc 4 3 Autumn 1951 273-274
43. Silber, JudithMendelssohn and His 'Reformation' Symphony. JAMSoc 40 2 Summer 1987 310-336
44. Melamed, Daniel R.The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41 3 Autumn 1988 491-526
45. Swack, Jeanne R.On the Origins of the Sonate auf Concertenart. JAMSoc 46 3 Autumn 1993 369-414
46. Yearsley, DavidAlchemy and Counterpoint in an Age of Reason JAMSoc 51 2 Summer 1998 201-243
47. Berg, Darrell M.C. P. E. Bach's Organ Sonatas: A Musical Offering for Princess Amalia? JAMSoc 51 3 Autumn 1998 477-519
48. Head, Matthew'If the Pretty Little Hand Won't Stretch': Music for the Fair Sex in Eighteenth-Century Germany. JAMSoc 52 2 Summer 1999 203-254
49. Lester, JoelHeightening Levels of Activity and J. S. Bach's Parallel-Section Constructions. JAMSoc 54 1 Spring 2001 49-96
50. Melamed, Daniel R.The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57 1 Spring 2004 3-50
51. Bent, Ian D.'That Bright New Light': Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901-1910. JAMSoc 58 1 Spring 2005 69-138
52. Zohn, StevenTelemann in the Marketplace: The Composer as Self-Publisher. JAMSoc 58 2 Summer 2005 275-356
53. Mintz, DonaldAspects of the Revival of Bach. JAMSoc 6 2 Summer 1953 189-190
54. Powell, Newman W.Early Keyboard Fingering and its Effect on Articulation. JAMSoc 6 3 Autumn 1953 252-253
55. Newman, William S.Some Familiar Questions of Performance Practices in Bach's Keyboard Music. JAMSoc 9 1 Spring 1956 59-60

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