Bach Bibliography
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Series : ^HarvardPubM$
Year : 2008
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Blackbourn, DavidThe German Eighteenth Century: Marking Time. HarvardPubM 22 2008 3-15
2. Christensen, ThomasFundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. HarvardPubM 22 2008 17-40
3. Danuser, HermannMishmash or Synthesis? On the Psychagogic Form of The Creation. HarvardPubM 22 2008 41-78
4. Sisman, ElaineSix of One: The Opus Concept in the Eighteenth Century. HarvardPubM 22 2008 79-107
5. Butt, JohnBach's Passions and the Textures of Time. HarvardPubM 22 2008 111-120
6. Chafe, Eric T.Bach and Hypocrisy: Truth and Appearance in Cantatas 136 and 179. HarvardPubM 22 2008 121-143
7. Durante, SergioTartini and his Texts. HarvardPubM 22 2008 145-186
8. Melamed, Daniel R.The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 2008 189-205
9. Schulze, Hans-JoachimBach and Mozart: From the Perspective of Different Documentary Evidence. HarvardPubM 22 2008 207-216
10. Wollny, PeterOn Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. HarvardPubM 22 2008 217-238
11. Zaslaw, NealOne More Time: Mozart and his Cadenzas. HarvardPubM 22 2008 239-249
12. Konrad, UlrichOn Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. HarvardPubM 22 2008 253-278
13. Strohm, ReinhardEighteenth-Century Music as a Socio-Political Metaphor? HarvardPubM 22 2008 279-296
14. Webster, JamesThe Century of Handel and Haydn. HarvardPubM 22 2008 297-315
15. Wheelock, Gretchen A.Mozart's Fantasy, Haydn's Caprice: What's in a Name? HarvardPubM 22 2008 317-341
16. Hogwood, ChristopherThe Clavier Speaks. HarvardPubM 22 2008 345-370
17. Koopman, TonTen Years of Bach Cantatas. HarvardPubM 22 2008 371-377
18. Levin, Robert D.Mozart's Working Methods in the Keyboard Concertos. HarvardPubM 22 2008 379-406
19. Kelly, Thomas Forrest; Gallagher, Sean (eds.)The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. HarvardPubM 22 2008 xii, 427p

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