Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Abel, the German Composer. Anecdotes of Musicians. |
Harmonicon |
1 | 4 | Apr 1823 |
46 |
|
| 2. | History of Music in Germany [Bach made the following observations on Frederick the Great; Agricola as Bach's student] |
Harmonicon |
1 | 4, 5 | Apr, May 1823 |
50-52; 64-65 |
|
| 3. | John Sebastian Bach [Lithograph]. |
Harmonicon |
1 | 6 | Jun 1823 |
1p [74/75] |
|
| 4. | Memoir of John Sebastian Bach. |
Harmonicon |
1 | 6 | Jun 1823 |
75-77 |
|
| 5. | Memoir of John Baptist Cramer. [his young Russian Friend ... offered to give him a M.S. copy of the works of Bach ...] |
Harmonicon |
1 | 12 | Dec 1823 |
179-181 |
|
| 6. | Memoirs of the Metropolitan Concerts. [J. C.] Bach & [C. F.] Abel's [1764-84] -- The Professional -- Salomon's [The Pantheon Concerts (1785-93)] (Continued from last volume). |
Harmonicon |
10 | 5 | May 1832 |
101-103 |
|
| 7. | Vocal. (1) 'The Venetian Boatman's Evening Song,' the words written, and the music arranged, from Sebastian Bach, by Edward Taylor. (A. Novello, Frith Street). (2) Trio, 'Sicut locutus est,' for a soprano, counter-tenor, and bass; composed by Finoglio; arranged from the manuscript score by Vincent Novello. (A. Novello). (3) Canon, 'Agne Dei,' composed by J. McMurdie, Mus.Bac. (Cramer and Co.). (4) Quartet, 'The Prayer before Battle,' translated from a poem by Körner, composed by C. M. von Weber. (Chappell). Review of new music. |
Harmonicon |
10 | 8 | Aug 1832 |
178-180 |
|
| 8. | The Organist's Companion, a series of voluntaries for the commencement, middle, and conclusion of divine service, chiefly selected from the works of Handel, Bach, Graun, Haydn, Mozart, Rink, &c. Also a collection of interludes, &c. by John Goss, organist of Chelsea New Church. Nos. 1, 2, 3, in octavo. (Cramer, Addison, and Beale). Review of new music. Organ. |
Harmonicon |
10 | 10 | Oct 1832 |
228 |
|
| 9. | Berlin. Foreign Musical Report. [Singing Academy proposes to give four Oratorios, Salomon, and Joshua of Handel, St. John the Evangelist, by Seb. Bach, and the fourth will probably be one of Haydn's ...] |
Harmonicon |
11 | 1 | Jan 1833 |
18 |
|
| 10. | Leipzig. Foreign Musical Report. [A. M. Ferd. Vogel performed Fugues by Seb. Bach ...] |
Harmonicon |
11 | 1 | Jan 1833 |
18-19 |
|
| 11. | Memoir of C. F. Zelter. [ ... procured some scores of Emanuel Bach and Hasse ...] |
Harmonicon |
11 | 3 | Mar 1833 |
45-46 |
|
| 12. | Berlin. ... M. Felix Mendelssohn has given two very brilliant concerts. Foreign Musical Report. [... a concerto in D minor of Sebastian Bach ...] |
Harmonicon |
11 | 5 | May 1833 |
111 |
|
| 13. | Dresden. Foreign musical report. [Opera company performed Bach's St. Matthew Passion on Palm Sunday] |
Harmonicon |
11 | 7 | Jul 1833 |
158 |
|
| 14. | A grand fugue, in three movements, and on three subjects, by John Sebastian Bach; arranged for two performers on the organ or piano-forte, by B. Jacob. (Clementi and Co., 26, Cheapside). [Review of music.] |
Harmonicon |
5 | 9 | Sep 1827 |
189 |
|
| 15. | [February] 16th. [Allan Ramseay's ballad, 'Patie' was originally set by Sebastian Bach] Extracts from the Diary of a Dilettante. |
Harmonicon |
6 | 3 | Mar 1828 |
57 |
|
| 16. | Frankfort. Foreign Musical Report. [Caecilia-verein performed Credo 'executed in a highly satisfactory manner ... under the direction of Mr. Scheibe'] |
Harmonicon |
6 | 8 | Aug 1828 |
186 |
|
| 17. | Berlin [Rellstab's opinion of Paganini. Bach, 'St. Matthew Passion']. Foreign musical report. |
Harmonicon |
7 | 6 | Jun 1829 |
148 |
|
| 18. | Memoir of C. P. E. Bach. |
Harmonicon |
7 | 12 | Dec 1829 |
291-293 |
|
| 19. | Extracts from the diary of a dilettante [(Sept. 30th) Rivalry between Henriette Sontag and Maria Malibran in Paris (Taken from 'The Times'). (10th) Paganini in Frankfort. (20th) 'Crucifixus' by J.-S. Bach. (15th) Sabine Heinefetter and Giuditta Pasta. (17th) Adaptation of Boieldieu's 'Les Deux Nuits' performed at Covent Garden] |
Harmonicon |
7 | 12 | Dec 1829 |
307-310 |
|
| 20. | Notes of a Musical Tourist. To the Editor of the Harmonicon. Edinburgh, Nov. 23, 1829. [... I heard likewise a MS. Mass by Seb. Bach, in the severe style that characterises the works of that great man. Some of the choruses are wonderfully fine,--abounding in superb crashes of harmony, or in the intricacies of strict fugue. The solos, trios, and quartetts, likewise, partook of the same elevated character. I was so struck with the exquisite beauty and pathos of one of the quartetts, a Crucifixus, that I procured a copy of it; and I now send it to you for the pages of the Harmonicon, if at all within the design of the work, as affording at once a specimen of Bach's wonderful powers of harmony (the whole movement being written on four bars), and of what the students are capable of performing. ...] |
Harmonicon |
8 | 1 | Jan 1830 |
5-7 |
|
| 21. | On the Clavichord. To the Editor of the Harmonicon. Soho Square, Dec. 17th. |
Harmonicon |
8 | 1 | Jan 1830 |
13 |
|
| 22. | J. S. Bach's oratorio of the Passion, and Mozart's Entführung aus dem Serail. Berlin, August, 1830. |
Harmonicon |
8 | 10 | Oct 1830 |
420-421 |
|