Bach Bibliography
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Series : ^EarlyM$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Donington, RobertThe choice of instruments in baroque music. EarlyM 1 3 Jul 1973 131-138
2. Humphreys, DavidThe D minor Toccata BWV 565. EarlyM 10 2 Apr 1982 216-217
3. Henning, UtaThe most beautiful among the claviers: Rudolf Richter's reconstruction of a Baroque lute-harpsichord. EarlyM 10 4 Oct 1982 477-486
4. Kirkpatrick, RalphFifty Years of Harpsichord Playing. EarlyM 11 1 Jan 1983 31-41
5. Williams, Peter F.J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11 1, 3 Jan, Jul 1983 46-52; 332-339
6. Roe, StephenManuscripts. EarlyM 11 2 Apr 1983 227,229
7. Addington, ChristopherIn search of the Baroque flute: The flute family 1680-1750. EarlyM 12 1 Feb 1984 34-47
8. Williams, Peter F.J. S. Bach: Mass in B minor. EarlyM 12 1 Feb 1984 137,139,141
9. Wells, Ribin HeadlamThe ladder of love: Verbal and musica rhetoric in the Elizabetan lute-song. EarlyM 12 2 May 1984 173-189
10. Toft, RobertMusicke a sister to Poetrie: Rhetorical artifice in the passionate airs of John Dowland. EarlyM 12 2 May 1984 190-197, 199
11. Butler, Gregory G.The projection of affect in Baroque dance music. EarlyM 12 2 May 1984 200-207
12. Searle, ArthurManuscripts and printed books. EarlyM 12 2 May 1984 231, 233
13. Williams, Peter F.Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12 3 Aug 1984 345-354
14. Wolff, ChristophBach from 1985 to 2000. EarlyM 13 2 May 1985 162-164
15. Kenyon, NicholasA Bach family portrait? EarlyM 13 2 May 1985 164
16. Wolff, ChristophBach's Leipzig Chamber Music. EarlyM 13 2 May 1985 165-175
17. Marshall, Robert L.Bach's 'Orchestre'. EarlyM 13 2 May 1985 176-179
18. Schulze, Hans-JoachimThe French influence in Bach's instrumental music. EarlyM 13 2 May 1985 180-184
19. Stauffer, George B.Bach as reviser of his own keyboard works. EarlyM 13 2 May 1985 185-198
20. Stinson, RussellJ. P. Kellner's copy of Bach's sonatas and partitas for violin solo. EarlyM 13 2 May 1985 199-211
21. Crist, Stephen A.Bach's début at Leipzig. Observations on the genesis of Cantatas 75 and 76. EarlyM 13 2 May 1985 212-226
22. Leaver, Robin A.Bach and hymnody. The evidence of the Orgelbüchlein. EarlyM 13 2 May 1985 227-236
23. Dreyfus, LaurenceThe metaphorical soloist: Concerted organ parts in Bach's cantatas. EarlyM 13 2 May 1985 237-247
24. Hill, Robert'Echtheit angezweifelt'. Style and authenticity in two suites attributed to Bach. EarlyM 13 2 May 1985 248-255
25. Cyr, MaryBach's Music in France: A New Source. EarlyM 13 2 May 1985 256-259
26. Searle, ArthurManuscripts and Printed Books. EarlyM 13 2 May 1985 267-268
27. Addington, ChristopherThe Baroque flute. EarlyM 13 2 May 1985 331,333,335
28. Marissen, MichaelA Trio in C major for recorder, violin and continuo by J. S. Bach? EarlyM 13 3 Aug 1985 384-390
29. Roe, StephenBach in Berlin. EarlyM 13 4 Nov 1985 611-612
30. Pont, GrahamA third alternative. EarlyM 14 3 Aug 1986 409-411
31. Rifkin, JoshuaBach's 'Orchestre'. EarlyM 14 4 Nov 1986 566-567
32. Cooper, BarryThe Six French Suites: J. S. Bach. Edited by Alfred Dürr. Bärenreiter, Kassel, 1984, DM 22. EarlyM 14 4 Nov 1986 599,601
33. Selfridge-Field, EleanorItalian oratorio and the Baroque orchestra. EarlyM 16 4 Nov 1988 506-513
34. Wade, Rachel W.Newly found works of C.P.E. Bach. EarlyM 16 4 Nov 1988 523-532
35. Clark, Stephen LewisC.P.E. Bach and the tradition of Passion music in Hamburg. EarlyM 16 4 Nov 1988 533-541
36. Schulenberg, DavidPerforming C. P. E. Bach: Some Open Questions. EarlyM 16 4 Nov 1988 542-551
37. Schulze, Hans-JoachimJohann Sebastian Bach's orchestra: some unanswered questions. EarlyM 17 1 Feb 1989 3-15
38. Landmann, OrtrunThe Dresden Hofkapelle during the lifetime of Johann Sebastian Bach. EarlyM 17 1 Feb 1989 17-30
39. Helm, E. EugeneThe editorial transmission of C.P.E. Bach's music. EarlyM 17 1 Feb 1989 32-41
40. Williams, Peter F.A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17 1 Feb 1989 43-54
41. Lindley, MarkEarly fingering: some editing problems and some new readings for J.S. Bach and John Bull. EarlyM 17 1 Feb 1989 60-69
42. Rifkin, JoshuaThe Bach Compendium. EarlyM 17 1 Feb 1989 79-88
43. Cyr, MaryThree sonatas for viola da gamba and harpsichord (BWV 1027-1029). EarlyM 17 1 Feb 1989 106,108,110,113
44. Searle, ArthurManuscripts and Printed Music. EarlyM 18 2 May 1990 283-284, 287
45. Haynes, BruceBeyond temperament: non-keyboard intonation in the 17th and 18th centuries. EarlyM 19 3 Aug 1991 357-365,367-370,372-381
46. Schott, HowardThe Harpsichord Revival. EarlyM 2 2 Apr 1974 85-95
47. Page, Janet. K.'To soften the sound of the hoboy': The muted oboe in the 18th and early 19th centuries. EarlyM 21 1 Feb 1993 65-76, 78-80
48. Stauffer, George B.Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music. EarlyM 21 1 Feb 1993 83-84, 86-96
49. Williams, Peter F.Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21 4 Nov 1993 613-622
50. Williams, Peter F.Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22 1 Feb 1994 101-113
51. Kroesbergen, Willem; Wentz, JedSonority in the 18th century, un poco più forte? EarlyM 22 3 Aug 1994 482-495
52. Powell, Ardal; Lasocki, DavidBach and the Flute: The Players, the Instruments, the Music. EarlyM 23 1 Feb 1995 9-10, 13-14, 17-29
53. Swack, JeanneQuantz and the Sonata in E flat major for flute and cembalo, BWV 1031. EarlyM 23 1 Feb 1995 31-53
54. Fontijn, Claire A.Quantz's unegal: Implications for the Performance of 18th-Century Music. EarlyM 23 1 Feb 1995 54-62
55. Miller, Leta E.C. P. E. Bach and Friedrich Ludwig Dülon: Composition and improvisation in late 18th-century Germany. EarlyM 23 1 Feb 1995 65-76, 78-80
56. Kirnbauer, Martin; Thalheimer, PeterJacob Denner and the development of the flute in Germany. EarlyM 23 1 Feb 1995 82-100
57. Boyd, MalcolmSacred Bach, echt and unecht. EarlyM 23 2 May 1995 338
58. Searle, ArthurManuscripts and printed music. EarlyM 23 2 May 1995 355-358
59. Watchorn, PeterIsolde Ahlgrimm, 1914-1995. EarlyM 24 1 Feb 1996 187-188
60. Parrott, AndrewBach's chorus: a 'brief yet highly necessary' reappraisal. EarlyM 24 4 Nov 1996 551-580
61. Rifkin, JoshuaFrom Weimar to Leipzig: concertists and ripientists in Bach's 'Ich hatte viel Bekümmernis'. EarlyM 24 4 Nov 1996 583-603
62. Koopman, TonRecording Bach's Early Cantatas. EarlyM 24 4 Nov 1996 605-621
63. Searle, ArthurPrinted and Manuscript Music. EarlyM 25 1 Feb 1997 159-164
64. Dirst, MatthewBach's French Overtures and the Politics of Overdotting. EarlyM 25 1 Feb 1997 35-44
65. Abravaya, IdoA French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
66. Parrott, AndrewBach's chorus: who cares? EarlyM 25 2 May 1997 297-302
67. Rifkin, JoshuaBassoons, violins and voices: a response to Ton Koopman. EarlyM 25 2 May 1997 303-307
68. Koopman, TonOne-to-a-part? Who then turns the pages - More on Bach's chorus. EarlyM 25 3 Aug 1997 541-542
69. Rifkin, JoshuaPage turns, players and ripieno parts: more questions of scoring in Bach's vocal music. EarlyM 25 4 Nov 1997 728-731, 733-734
70. Koopman, TonBach's choir, an ongoing story. EarlyM 26 1 Feb 1998 109-121
71. Butt, JohnBach's vocal scoring: what can it mean? EarlyM 26 1 Feb 1998 99-107
72. Rifkin, JoshuaBach's Chorus: A neverending story? EarlyM 26 2 May 1998 380-381
73. Wolff, ChristophBach's Chorus: Stomach aches may disappear! EarlyM 26 3 Aug 1998 540-542
74. Parrott, AndrewBach's Chorus: beyond reasonable doubt. EarlyM 26 4 Nov 1998 636-658
75. Sawkins, Lionel; Burden, Michael; Pamplin, T. M.; Wollenburg, SusanBach's Chorus: A Plea for Mercy. EarlyM 27 1 Feb 1999 172
76. Wolff, ChristophBach's chorus: an amplification. EarlyM 27 1 Feb 1999 172
77. Kirkpatrick, GavinBach's chorus: an appreciation. EarlyM 27 1 Feb 1999 173
78. Cooper, John MichaelTimpani Parts in German Baroque Music: The Schlagmanieren Revisited. EarlyM 27 2 May 1999 249-264, 266
79. Rifkin, JoshuaBach's chorus: not again! EarlyM 27 2 May 1999 350
80. Wollenberg, SusanC. P. E. Bach conference. German Orpheus: C. P. E. Bach and musical culture in the late 18th century, Barnes Hall, Cornell University, 12-14 February 1999. EarlyM 27 3 Aug 1999 507
81. Sherman, Bernard D.Bach's notation of tempo and early music performance: some reconsiderations. EarlyM 28 3 Aug 2000 455-466
82. Johnson, DavidBach cello suites. EarlyM 28 4 Nov 2000 660-661
83. Rose, StephenBach cantatas in abundance. EarlyM 28 4 Nov 2000 671-676
84. Marín, Miguel AngelBach comes to Dublin. Ninth Biennial Conference on Baroque Music, Trinity College, Dublin, 12-14 July 2000. EarlyM 28 4 Nov 2000 678-679
85. Tassel, Eric vanBach performance practice. Internationale Bachakademie, Stuttgart, 26-8 August 2000. EarlyM 28 4 Nov 2000 679-680
86. Bainbridge, TimothyWanda Landowska and her repertoire. EarlyM 3 1 Jan 1975 39-41
87. Kevorkian, TanyaThe Reception of the Cantata during Leipzig Church Services, 1700-1750. EarlyM 30 1 Feb 2002 26-45
88. Summerly, JeremyLassus and Bach -- but not as we know them. EarlyM 30 4 Nov 2002 634-635
89. Freemanová, Michaela; Mikanová, Eva'My honourable lord and father...': 18th-century English musical life through Bohemian eyes. EarlyM 31 2 May 2003 210-231
90. Altschuler, Eric LewinBach's singers. EarlyM 31 2 May 2003 318
91. Oleskiewicz, MaryQuantz's Quatuors and Other Works Newly Discovered. EarlyM 31 4 Nov 2003 484-505
92. Geck, MartinBach's art of church music and his Leipzig performance forces: contradictions in the system. EarlyM 31 4 Nov 2003 558-571
93. Rifkin, JoshuaBach's chorus: some new parts, some new questions. EarlyM 31 4 Nov 2003 573-580
94. Rose, StephenBach and solo singers. EarlyM 31 4 Nov 2003 628-629
95. Altschuler, Eric LewinBach's singers. EarlyM 32 2 May 2004 350
96. Lehman, BradleyBach's extraordinary temperament: our Rosetta Stone -- 1. EarlyM 33 1 Feb 2005 3-24
97. Rose, StephenDaniel Vetter and the domestic keyboard chorale in Bach's Leipzig. EarlyM 33 1 Feb 2005 39-53
98. Rose, StephenThe Altbachisches Archiv. EarlyM 33 1 Feb 2005 141-144
99. Lehman, BradleyBach's extraordinary temperament: our Rosetta Stone -- 2. EarlyM 33 2 May 2005 211-232
100. Butt, JohnBach: cantatas and a passion. EarlyM 34 1 Feb 2006 168-171
101. Lindley, Mark; Ortgies, IboBach-style keyboard tuning. EarlyM 34 4 Nov 2006 613-623
102. O'Donnell, JohnBach's temperament, Occam's razor, and the Neidhardt factor. EarlyM 34 4 Nov 2006 625-633
103. Wraight, DenzilRecent approaches in understanding Cristofori's fortepiano. EarlyM 34 4 Nov 2006 635-644
104. Yearsley, DavidIn Buxtehude's footsteps. EarlyM 35 3 Aug 2007 339-353
105. Latcham, MichaelPianos and harpsichords for Their Majesties. EarlyM 36 3 Aug 2008 359-396
106. Vanscheeuwijck, MarcRecent re-evaluations of the Baroque cello and what they might mean for performing the music of J.S. Bach EarlyM 38 2 May 2010 181-192
107. Nicholson, GrahamThe unnatural trumpet. EarlyM 38 2 May 2010 193-202
108. Madeuf, Jean-FrançoisThe revival of the natural trumpet in the Baroque repertory: utopian or not? EarlyM 38 2 May 2010 203-204
109. Vervliet, Stijn; Van Looy, BartBach's chorus revisited: Historically informed performance practice as 'bounded creativity' EarlyM 38 2 May 2010 205-213
110. Glöckner, AndreasOn the performing forces of Johann Sebastian Bach's Leipzig church music. EarlyM 38 2 May 2010 215-222
111. Parrott, AndrewBach's chorus: the Leipzig line - A response to Andreas Glöckner. EarlyM 38 2 May 2010 223-235
112. Webber, GeoffreyBuxtehude's Praeludia and the sonata publications of Corelli. EarlyM 38 2 May 2010 249-261
113. Kuijken, SigiswaldA Bach odyssey EarlyM 38 2 May 2010 263-272
114. Robinson, LucyCanonic Bach for viols. EarlyM 38 2 May 2010 310-313
115. Rifkin, JoshuaBach's chorus: Against the wall. EarlyM 38 3 Aug 2010 437-439
116. Swich, LuigiFurther thoughts on Bach's 1722 temperament. EarlyM 39 3 Aug 2011 401-408
117. Glöckner, Andreas'The ripienists must also be at least eight, namely two for each part': The Leipzig line of 1730--some observations. EarlyM 39 4 Nov 2011 575-586
118. Parrott, AndrewJ. S. Bach's Trauer-Music for Prince Leopold: clarification and reconstruction. EarlyM 39 4 Nov 2011 587-596
119. Pardee, KatharineBach in Edinburgh. EarlyM 39 4 Nov 2011 664-665
120. Arnold, DenisThe Baroque in Germany: performing early music on record -- 3. EarlyM 4 2 Apr 1976 183-185
121. Kirkpatrick, RalphC.P.E. Bach's Versuch reconsidered. EarlyM 4 4 Oct 1976 384-392
122. Rifkin, JoshuaBach's chorus: more of the same. EarlyM 40 1 Feb 2012 165-166
123. Schulenberg, DavidBach's temperament. EarlyM 40 1 Feb 2012 166-167
124. Lindley, MarkBach's temperament. EarlyM 40 1 Feb 2012 167
125. Lindley, MarkInstructions for the clavier diversely tempered. EarlyM 5 1 Jan 1977 18-23
126. Lam, BasilAuthenticity and the St John Passion. EarlyM 5 1 Jan 1977 45-49
127. Procter, MichaelThe 1976 Berlin Bachfest. EarlyM 5 1 Jan 1977 125
128. Hilton, WendyA dance for kings: The 17th-century French Courante. Its character, step-patterns, metric and proportional foundations. EarlyM 5 2 Apr 1977 161-172
129. Baines, FrancisWhat Exactly Is a Violone?: A Note towards a Solution. EarlyM 5 2 Apr 1977 173-176
130. Smithers, Don L.The baroque trumpet after 1721: Some preliminary observations. Part one: Science and Practice. EarlyM 5 2 Apr 1977 177-183
131. Neumann, FrederickThe dotted note and the so-called French style. EarlyM 5 3 Jul 1977 310-324
132. Fuller, DavidDotting, the 'French style' and Frederick Neumann's Counter-Reformation. EarlyM 5 4 Oct 1977 517-542
133. Donington, RobertWhat 'is' rhythmic alternation? EarlyM 5 4 Oct 1977 543-545
134. Anderson, NicholasPerforming Style in Bach Cantatas: 1. EarlyM 6 1 Jan 1978 89-93
135. Smithers, Don L.The baroque trumpet after 1721: Some preliminary observations. Part Two: Function and Use. EarlyM 6 3 Jul 1978 356-361
136. Anderson, NicholasPerforming Style in Bach Cantatas: 2. From Ramin to Richter. EarlyM 6 3 Jul 1978 421-427
137. Neumann, FrederickOnce more: the 'French overture style'. EarlyM 7 1 Jan 1979 39-43, 45
138. Anderson, NicholasPerforming Style in Bach Cantatas: 3. EarlyM 7 1 Jan 1979 99-102
139. Barnes, JohnBach's keyboard temperament: Internal evidence from the Well-Tempered Clavier. EarlyM 7 2 Apr 1979 236-237,239,241-245,247,249
140. Hibgee, DaleBaroque flute discography. EarlyM 7 2 Apr 1979 250-253
141. O'Donnell, JohnThe French style and the overtures of Bach. EarlyM 7 2,3 Apr,Jul 1979 190-196; 336-345
142. Blood, William'Well-tempering' the Clavier: five methods. EarlyM 7 4 Oct 1979 491-495
143. Smith, Douglas AltonSylvius Leopold Weiss, master lutenist of the German Baroque. EarlyM 8 1 Jan 1980 47-51, 53-55, 57-58
144. Schwandt, Erich; O'Donnell, JohnThe principles of L'Affilard. EarlyM 8 1 Jan 1980 77,79,81
145. Di Véroli, ClaudioBach's temperament. EarlyM 8 1 Jan 1980 129
146. Boyden, David D.The violin bow in the 18th century. EarlyM 8 2 Apr 1980 199-203, 205-212
147. Jones, Philip P.; Barnes, JohnBach, and Werckmeister. EarlyM 8 4 Oct 1980 511, 513
148. Wells, Ribin HeadlamNumber symbolism in the renaissance lute rose. EarlyM 9 1 Jan 1981 32-41
149. Kellner, Herbert AntonBach's temperament. EarlyM 9 1 Jan 1981 141
150. Di Véroli, ClaudioBach's temperament. EarlyM 9 2 Apr 1981 219-221
151. Leavis, RalphBach. EarlyM 9 2 Apr 1981 283-284
152. Kirkpatrick, RalphOn playing the Clavichord. EarlyM 9 3 Jul 1981 293-305
153. Williams, Peter F.BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9 3 Jul 1981 330-337

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