Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | De Clavicordio [I]: Proceedings of the International Clavichord Symposium, Magnano 1993. |
DeClavicordio |
1 | | 1994 |
287, 24p |
|
| 2. | Carl Philipp Emanuel Bach's 'Damen-Sonaten'. |
DeClavicordio |
11 | | 2014 |
61-74 |
|
| 3. | Virtual Teaching: C. P. E. Bach's Versuch as a pedagogical medium. |
DeClavicordio |
11 | | 2014 |
87-98 |
|
| 4. | Towards an identification of the clavichord repertoire among C.P.E. Bach's solo keyboard music: Some preliminary conclusions. |
DeClavicordio |
2 | | 1995 |
43-81 |
|
| 5. | The Probestücke and C.P.E. Bach's Versuch über die wahre Art das Clavier zu Spielen. |
DeClavicordio |
2 | | 1995 |
84-93 |
|
| 6. | The 'still, small voice' and the exploration of inner musical space |
DeClavicordio |
2 | | 1995 |
155-165 |
|
| 7. | A repertoire for the clavichord (including a brief history of Bebung). |
DeClavicordio |
2 | | 1995 |
167-180 |
|
| 8. | De clavicordio II: Proceedings of the International Clavichord Symposium/Atti del Congresso Internazionale sul Clavicordo. |
DeClavicordio |
2 | | 1995 |
274p |
|
| 9. | Abstossen, schleifen and das algemeine Fortgehen: Thoughts on clavichord touch. |
DeClavicordio |
3 | | 1997 |
53-60 |
|
| 10. | The pedal clavichord as a pedagogical tool for organists. |
DeClavicordio |
3 | | 1997 |
109-118 |
|
| 11. | Affekt and Rhetorik in the clavier music of C.P.E. Bach and suggested applications in the music of Joseph Haydn. |
DeClavicordio |
3 | | 1997 |
255-275 |
|
| 12. | De clavicordio. III: Proceedings of the III International Clavichord Symposium/Atti del III Congresso Internazionale sul Clavicordo. |
DeClavicordio |
3 | | 1997 |
296p |
|
| 13. | C.P.E. Bach's 'Farewell' and the speaking clavichord. |
DeClavicordio |
4 | | 2000 |
15-35 |
|
| 14. | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. |
DeClavicordio |
4 | | 2000 |
37-53 |
|
| 15. | 'Our old great favourite'--Burney, Bach and the Bachists. |
DeClavicordio |
4 | | 2000 |
55-85 |
|
| 16. | The clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. |
DeClavicordio |
4 | | 2000 |
87-94 |
|
| 17. | C. P. E. Bach's songs for clavichord. |
DeClavicordio |
4 | | 2000 |
95-104 |
|
| 18. | A clavichord from Peru in the period of the imperial vice-royalty. |
DeClavicordio |
4 | | 2000 |
105-117 |
|
| 19. | Tangent layout and triple-fretted clavichord tuning. |
DeClavicordio |
4 | | 2000 |
119-126 |
|
| 20. | Two Spanish clavichords in private U. S. collections. |
DeClavicordio |
4 | | 2000 |
127-138 |
|
| 21. | The Swedish clavichord around 1800. |
DeClavicordio |
4 | | 2000 |
139-146 |
|
| 22. | A preliminary investigation into the stringing of Swedish clavichords. |
DeClavicordio |
4 | | 2000 |
147-160 |
|
| 23. | Documenting a clavichord by Lindholm and Söderström and a brief history of Swedish measurements. |
DeClavicordio |
4 | | 2000 |
161-176 |
|
| 24. | Conservation ethics. |
DeClavicordio |
4 | | 2000 |
177-186 |
|
| 25. | A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. |
DeClavicordio |
4 | | 2000 |
187-201 |
|
| 26. | A Pantalonclavichord by C. Kintzing of Neuwied, 1763. |
DeClavicordio |
4 | | 2000 |
203-213 |
|
| 27. | De Clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999. |
DeClavicordio |
4 | | 2000 |
225p |
|
| 28. | Handing down the Tradition: The Survival of Bach's Finger Technique in an Obscure Nineteenth-Century Clavier Tutor. |
DeClavicordio |
5 | | 2002 |
39-43 |
|
| 29. | Missing instruments. |
DeClavicordio |
5 | | 2002 |
83-89 |
|
| 30. | Embellished repeats in late eighteenth-century clavichord repertoire. |
DeClavicordio |
5 | | 2002 |
109-124 |
|
| 31. | The Copenhagen connection: Resources for clavichord players in eighteenth-century Denmark. |
DeClavicordio |
5 | | 2002 |
249-272 |
|
| 32. | De Clavicordio V: Proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001. |
DeClavicordio |
5 | | 2002 |
328p |
|
| 33. | Clavichord reception in Russia: with special reference to the Bach family. |
DeClavicordio |
7 | | 2006 |
11-16 |
|
| 34. | The clavichord as a plucked string instrument. |
DeClavicordio |
7 | | 2006 |
183-194 |
|
| 35. | De Clavicordio VII: Proceedings of the International Clavichord Symposium, Magnano, 7-10 September 2005. |
DeClavicordio |
7 | | 2006 |
277p |
|
| 36. | Arnold Dolmetsch and his Bach clavichord: an iconographical and literary approach. |
DeClavicordio |
8 | | 2008 |
17-25 |
|
| 37. | De Clavicordio VIII: Proceedings of the International Clavichord Symposium, Magnano, 5-8 September 2007. |
DeClavicordio |
8 | | 2008 |
256p |
|